Author : Clive Barker
Publisher : Cambridge University Press
Page : 108 pages
File Size : 48,31 MB
Release : 1997-11-06
Category : Drama
ISBN : 9780521597289
Provides an international forum where theatrical scholarship and practice can meet to question dramatic assumptions.
Author : Clive Barker
Publisher : Cambridge University Press
Page : 100 pages
File Size : 39,27 MB
Release : 1999-11-25
Category : Drama
ISBN : 9780521655972
One of a series discussing topics of interest in theatre studies from theoretical, methodological, philosophical and historical perspectives. The books are aimed at drama and theatre teachers, advanced students in schools and colleges, arts authorities, actors, playwrights, critics and directors.
Author : Clive Barker
Publisher : Cambridge University Press
Page : 98 pages
File Size : 11,47 MB
Release : 1995-11-16
Category : Drama
ISBN : 9780521558426
One of a series discussing topics of interest in theatre studies from theoretical, methodological, philosophical and historical perspectives.
Author : Clive Barker
Publisher : Cambridge University Press
Page : 108 pages
File Size : 40,52 MB
Release : 1993-10-14
Category : Drama
ISBN : 9780521448147
Provides an international forum for the discussion of topics of current interest in theatre studies. This issue includes articles on women and theatre in Spain; Sarah Bernhardt in Vaudeville; Giorgio Strehler's 'Faust' project; Deborah Levy in interview; and social space in ancient theatre.
Author : Clive Barker
Publisher : Cambridge University Press
Page : 108 pages
File Size : 27,68 MB
Release : 1998-11-19
Category : Drama
ISBN : 9780521648516
New Theatre Quarterly provides an international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning.
Author : Clive Barker
Publisher : Cambridge University Press
Page : 100 pages
File Size : 30,81 MB
Release : 2002-12-12
Category : Drama
ISBN : 9780521524049
New Theatre Quarterly provides an international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. Articles in volume 71 include: Remembering Martin Esslin, 1918 2002; 'An Uncooked Army Boot': Spike Milligan, 1918 2002; Doing Things with Words: Directing Darion Fo in the UK; The Long Road Home: Athol Fugard and His Collaborators; Theatre Audience Surveys: towards a Semiotic Approach; Fragile Currency of the Last Anarchist: the Plays of Maxwell Anderson; The Mud and the Wind: an Inquiry into Dramaturgy.
Author : Clive Barker
Publisher : Cambridge University Press
Page : 100 pages
File Size : 50,79 MB
Release : 2001-10-26
Category : Drama
ISBN : 9780521002806
New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theater history has a contemporary relevance, that theater studies need a methodology, and that theater criticism needs a language. The journal publishes news, analysis and debate within the field of theater studies.
Author : Clive Barker
Publisher : Cambridge University Press
Page : 100 pages
File Size : 32,31 MB
Release : 1992-10-22
Category : Drama
ISBN : 9780521429429
One of a series discussing topics of interest in theatre studies from theoretical, methodological, philosophical and historical perspectives.
Author : Clive Barker
Publisher : Cambridge University Press
Page : 100 pages
File Size : 46,54 MB
Release : 1994-09-15
Category : Drama
ISBN : 9780521466585
New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance.
Author : Clive Barker
Publisher : Cambridge University Press
Page : 66 pages
File Size : 19,44 MB
Release : 2001-11-08
Category : Drama
ISBN : 9780521789035
New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance, that theatre studies needs a methodology, and that theatre criticism needs a language. The journal publishes news, analysis and debate within the field of theatre studies. Articles in volume 63 include: Ventriloquism: the Voices of the Dead; Bodies, Rest and Motion: from Shiva's Cosmic Dance to Chaos Theory's Biodance; Computer Intelligence in the Theatre; Burmese Nights: Myanmar's Pagoda Festival in the Age of the Hollywood Titanic; Censoring the Uncensored: the Case of Children in Uniform; Henry Irving and the Staging of Spiritualism; Boal and the Shifting Sands: Unpolitical Master Swimmer.
