New Voices Anthology of Short Plays 2018


Book Description

New Voices Playwrights Theatre annual anthology of short plays, 2018.







New Voices Holiday Plays 2018


Book Description

The 2018 anthology of holiday plays from the New Voices Playwrights Theatre.




The Best New Ten-Minute Plays, 2021


Book Description

The Best New Ten-Minute Plays, 2021 presents thirty new ten-minute plays, selected by renowned editor Lawrence Harbison. This volume is ideal for theatre enthusiasts looking for new and compelling short pieces from some of the finest playwrights of our time. Selections include: The Architecture of Desire by Brian Leahy Doyle Count Dracula's Café by Scot Walker Extended Play by B.V. Marshall Go to the Light by Laurie Allen Greater than Nina by Bruce Bonafede The Home for Retired Canadian Girlfriends by John Bavoso Judas Iscariot's Day Off by David Macgregor Last Dance with MJ by Lindsay Partain The Lobster Quadrille by Don Nigro Meanwhile at the Pentagon by Jenny Lyn Bader Most Wonderful by Jennifer O'grady Reconcile, Bitch by Desi Moreno-Penson Trumpettes Anonymous by Rex Mcgregor You Are Here by Nandita Shenoy




Casting a Movement


Book Description

Casting a Movement brings together US-based actors, directors, educators, playwrights, and scholars to explore the cultural politics of casting. Drawing on the notion of a "welcome table"—a space where artists of all backgrounds can come together as equals to create theatre—the book’s contributors discuss casting practices as they relate to varying communities and contexts, including Middle Eastern American theatre, Disability culture, multilingual performance, Native American theatre, color- and culturally-conscious casting, and casting as a means to dismantle stereotypes. Syler and Banks suggest that casting is a way to invite more people to the table so that the full breadth of US identities can be reflected onstage, and that casting is inherently a political act; because an actor’s embodied presence both communicates a dramatic narrative and evokes cultural assumptions associated with appearance, skin color, gender, sexuality, and ability, casting choices are never neutral. By bringing together a variety of artistic perspectives to discuss common goals and particular concerns related to casting, this volume features the insights and experiences of a broad range of practitioners and experts across the field. As a resource-driven text suitable for both practitioners and academics, Casting a Movement seeks to frame and mobilize a social movement focused on casting, access, and representation. Chapter 2 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.




We're Gonna Be Okay


Book Description

During the Cuban Missile Crisis, two average American families build a slapdash bomb shelter on their shared property line. With nuclear warfare looming, they wonder: Is it the end? The end of baseball…and table manners…and macramé? But as they fret about the fall of civilization, they start to worry that something more personal is at stake. A slyly hilarious, compassionate look at anxiety in America, WE’RE GONNA BE OKAY is about finding the courage to face who we are—and who we want to be.




Take Ten II


Book Description

A dazzlingly diverse anthology of thirty-five short plays spanning the theatrical spectrum. A ten-minute play is a blaze of theatrical energy. In this follow-up to their groundbreaking collection Take Ten, editors Eric Lane and Nina Shengold have put together a veritable bonfire of talent. Take Ten II: More 10-Minute Plays provides a fast-track tour of the current theatrical landscape, from the slapstick ingenuity of David Ives’ Arabian Nights to the searing tension of Diana Son’s 9/11 drama The Moon, Please, to Susan Miller’s luminous fable The Grand Design. This remarkably diverse anthology includes thirty-five short plays by such major American playwrights as Christopher Durang, Warren Leight, Romulus Linney and Donald Margulies, alongside a host of exciting new voices. Actors, directors, producers and teachers will find Take Ten II an invaluable source of meaty roles for people of every age, ethnicity and gender; lovers of theatre will find it a richly satisfying read. These deceptively short plays throb with life in all its variety: harrowing, hilarious, and breathtakingly vital. Playwrights included: Taylor Mac Bowyer Laura Shaine Cunningham Anthony David Steven Dietz Christopher Durang Linda Eisenstein Simon Fill Craig Fols Sigrid Heath David Ives Caleen Sinnette Jennings Honour Kane Eric Lane Edward Bok Lee Warren Leight Romulus Linney Donald Margulies Susan Miller Chiori Miyagawa Itamar Moses Sean O'Connor Mark O'Donnell Dael Orlandersmith Rich Orloff Joe Pintauro Craig Pospisil Toni Press-Coffman Claire Reeve Elaine Romero Susan Sandler Nina Shengold Diana Son Alison Weiss Mary Louise Wilson Garth Wingfield Alexander Woo From the Trade Paperback edition.




Our Dear Dead Drug Lord


Book Description

A gang of teenage girls gathers in an abandoned treehouse to summon the ghost of Pablo Escobar. Are they messing with the actual spirit of the infamous cartel kingpin? Or are they really just messing with each other? A roller coaster ride through the danger and damage of girlhood - the teenage wasteland - has never been so much twisted fun. Critic's Pick! "Highly entertaining - equally funny and scary." - The New York Times Four Stars! "Just when you think you know where the play is heading there's a disorienting coup de théâtre that leaves you shaken. Our Dear Dead Drug Lord isn't for the faint of heart but neither is coming of age." - Raven Snook Time Out Critic's Pick! "Highly entertaining - equally funny and scary - the play starts off as a hoot and winds up a primal scream. They're throwing quite a seance at the McGinn/Cazale Theater." - Ben Brantley The New York Times "As funny as it is violent and dark... Our Dear Dead Drug Lord is not quiet small or apologetic. It is loud and messy and truthful. It is incredibly complicated and a thing of extreme beauty. It is everything in women that society tells them they need to repress and in this I found it incredibly enjoyable and inspiring." - Brittany Crowell New York Theatre Guide "The challenges of female adolescence... explored with a remarkably fresh honest and sometimes hilarious perspective." - Brian Scott Lipton Theater Pizzazz "Unsettling... Scheer's characters are brilliantly drawn... the work of a born playwright and a unique new voice... As a story of female empowerment it is both scary and revealing." - Victor Gluck Theater Scene "An imaginative and ultimately savage new play... An offbeat Mean Girls sort of dramedy that unexpectedly concludes in a violent burst of magical realism." - Michael Sommers New York Stage Review