Reference Guide to Russian Literature


Book Description

First Published in 1998. This volume will surely be regarded as the standard guide to Russian literature for some considerable time to come... It is therefore confidently recommended for addition to reference libraries, be they academic or public.










Wingless Desire in Modernist Russia


Book Description

In Wingless Desire in Modernist Russia, Yelena Zotova argues that the concept of envy underwent a peculiar transformation in the Russian Modernist prose of the 1920s due to a series of radical shifts in societal values, with each subsequent change thwarting Russia’s volatile axiological hierarchy. Industriousness and austerity, inferior to playful genius in Pushkin’s “Mozart and Salieri,” became virtues, while the intrinsic value of nonutilitarian art was officially nullified by the Bolshevik state.Consequently, a new literary type emerged, and envy, described as “wingless desire” by Russia’s chief poet Alexander Pushkin, obtained new ownership as the envied became the envier. Superimposing twentieth-century theories of envy onto Mikhail Bakhtin’s “Author and Hero in the Aesthetic Activity” (1923), Zotova proposes that Salieri’s envy could be the wingless embryo of the Bakhtinian authorship.




Russia's Greatest Enemy?


Book Description

A remarkably talented linguist, foreign correspondant in Russia from 1904-1921 and Foreign Editor for 'The Times', 'Russia's Greatest Enemy?' traces the fascinating life and career of Harold Williams. This quiet and modest New Zealander played a central role in informing and influencing British opinion on Russia from the twilight of the Tsars, through War and Revolution, to the rise of the Soviet Union. The career of this keen Russophile and fierce opponent of Bolshevism illuminates the pre-World War One movement towards rapprochement with the Tsar, as well as the drive for intervention and isolation in the Soviet period. In this fascinating study Charlotte Alston explores the role of Williams as the interpreter of Russia to the British and the British to Russia in this turbulent period in the history of both countries Introduction 1. New Zealand, 1876-1900 2. Journalism, 1900-1914 3. Britain, Russia, War and Revolution, 1907-1917 4. From Revolution to Intervention, 1917-1921 5. The Times, 1921-1928 Conclusion Bibliography




Dostoevsky in Context


Book Description

This volume explores the Russia where the great writer, Fyodor Dostoevsky (1821–81), was born and lived. It focuses not only on the Russia depicted in Dostoevsky's works, but also on the Russian life that he and his contemporaries experienced: on social practices and historical developments, political and cultural institutions, religious beliefs, ideological trends, artistic conventions and literary genres. Chapters by leading scholars illuminate this broad context, offer insights into Dostoevsky's reflections on his age, and examine the expression of those reflections in his writing. Each chapter investigates a specific context and suggests how we might understand Dostoevsky in relation to it. Since Russia took so much from Western Europe throughout the imperial period, the volume also locates the Russian experience within the context of Western thought and practices, thereby offering a multidimensional view of the unfolding drama of Russia versus the West in the nineteenth century.




Dynamics of Language Contact


Book Description

Discusses disparate findings to examine the dynamics of contact between languages in an immigrant context.




Brahms and His World


Book Description

As an influential and well-connected composer, Johannes Brahms (1833-1897) had encountered, befriended, and collaborated with hundreds of people over his significant career. In Brahms and His World: A Biographical Dictionary, author Peter Clive provides extensive and up-to-date information on the composer's personal and professional association with some 430 persons. These persons include relatives, friends, acquaintances, and physicians; fellow musicians and composers whom Brahms particularly admired and in the editions of whose works he was involved; conductors, instrumentalists, and singers who took part in notable or first performances of his works; poets whose texts he set to music; publishers and artists; and even the rulers of certain German states with whom he had significant contact. Offering information not usually available in Brahms biographies, this volume combines findings from both primary and secondary sources, giving insights into Brahms' character, his life, and his career, and shedding light on the educated middle and upper class culture of the nineteenth century. A comprehensive chronology of Brahms' life, a bibliography, and two indexes round out this important reference guide.