When Night Never Ends


Book Description

The fall had cast its chilly grip over the woods, a foreboding silence settling over the landscape as five teenagers drove down the winding road. Excitement thrummed in the air with each mile they closed in on their secluded cabin, but an undercurrent of unease rippled beneath their laughter. The year was 1980, and with Halloween only a few days away, they had planned this getaway—an escape from their everyday lives full of responsibilities, homework, and the looming threat of adulthood. As their car wound through the increasingly dense forest, the teens were oblivious to the watchful eyes that followed their progress from the shadows between the trees. Twisted shapes slithered just out of sight, their forms barely distinguishable from the gnarled branches that clawed at the darkening sky. They were armed not only with snacks and a few bottles of cheap beer but also a VHS tape of what they believed to be the scariest movie of all time: *Horrifying Tales From The Dead*. The tape sat innocuously in Jason's backpack, its presence a constant reminder of the thrills that awaited them. Little did they know that the real horror would far surpass anything captured on that magnetic strip. "Almost there! Can you believe we actually did this?" Jason shouted, bouncing in the back seat as the headlights flickered over treetops. His enthusiasm was infectious, but Jamie, sitting beside him, couldn't shake the feeling that something was...off. The trees seemed to lean in closer with each passing moment, their branches reaching out like grasping fingers. "I still can't believe my parents let me come," Rachel admitted, her laughter more playful than nervous. "They said 'sure just don't burn it down.'" As she spoke, a chill ran down her spine, causing her to shiver involuntarily. She chalked it up to excitement, unaware of the malevolent forces already closing in around them. "Just don't do anything stupid like last year's party," Mia chimed in, rolling her eyes dramatically. The memory of that night flashed through her mind—the acrid smell of smoke, the panicked screams, the feeling of suffocation. She pushed the thoughts away, focusing on the adventure ahead. "Hey, that wasn't my fault! The fire extinguisher was empty!" Rachel laughed, but her words seemed to hang in the air, echoing strangely in the confines of the car. For a moment, the laughter died, replaced by an uncomfortable silence as each of them contemplated what might have happened if things had gone differently that night. As the car pulled up to the cabin, its weathered wood screamed of secrets untold and a thousand ghost stories spent in whispered tones. The structure loomed before them, a dark silhouette against the twilight sky. Windows- like hollow eyes stared down at them, and for a split second, Ben could have sworn he saw movement behind one of the curtains. They stepped out into the cool, crisp air, the crunch of dead leaves beneath their feet sounding unnaturally loud in the stillness of the forest. As they gathered their belongings, a distant howl echoed through the trees, causing them all to freeze momentarily. "Just a wolf," Jason said with a nervous chuckle, but the tension in his voice betrayed his unease. "Nothing to worry about." They made their way into the cabin, the old floorboards creaking ominously beneath their weight. Dust motes danced in the beams of their flashlights, giving the air a thick, oppressive quality. The smell of mold and decay assaulted their nostrils, a stark reminder of the cabin's long abandonment. As they settled in, Ben began setting up the old television that had been blessed with a dusty VHS player. The ancient appliance hummed to life with a sound not unlike a death rattle, its screen flickering with static that seemed to form fleeting, nightmarish shapes. "Alright, who's ready for some scares?" Ben grinned, rubbing his hands together. But even as he spoke, a sense of foreboding settled over him like a shroud. "Me! But keep the lights on. I hate jump scares," Mia said, suddenly wary. She glanced around the room, her eyes lingering on the dark corners where the lamplight didn't quite reach. Was it her imagination, or were the shadows moving? "Too late! It's Halloween; it's time to get terrified!" Jason barked with enthusiasm as he slid the tape into the player. The machine accepted it with a mechanical groan that sounded almost pained. As the movie started, the cabin filled with the flickering light from the screen, dancing shadows stretching ominously across the walls. Their laughter quickly evaporated as Count Drac Von Stoller appeared, his long face twisting into a ghastly grin. Dressed in a tattered cape and a mockery of elegance, he seemed to breathe life into the very air around him.





Book Description

Imagine that the streets of New York City are haunted by hundreds of vampires with their own society and culture. Each with its own personal goals of power, wealth or just pleasure. When one of the most powerful decides to awaken an ancient evil from Eastern Europe and bring her to the city to position himself for complete control of New York, the only one that can stop her is nowhere to be found. Other hunters gather, but the one who the vampires fear may already be dead. Is a mental patient suffering amnesia the one that may be the result of archaic magic from the time of the vampires' origins who can fight the ancient or is he simply another psycho who needs to be locked away.




No One You Know


Book Description

Michelle Richmond dazzled readers and critics alike with her luminous novel The Year of Fog. Now Richmond returns with an intensely emotional, multilayered family drama—a woman’s search for her sister’s killer that spirals into a journey of secrets, revelations, and damaged lives. All her life Ellie Enderlin had been known as Lila’s sister. Until one day, without warning, the shape of their family changed forever. Twenty years ago, Lila, a top math student at Stanford, was murdered in a crime that was never solved. In the aftermath of her sister’s death, Ellie entrusted her most intimate feelings to a man who turned the story into a bestselling true crime book—a book that both devastated her family and identified one of Lila’s professors as the killer. Decades later, two Americans meet in a remote village in Nicaragua. Ellie is now a professional coffee buyer, an inveterate traveler and incapable of trust. Peter is a ruined academic. And their meeting is not by chance. As rain beats down on the steaming rooftops of the village, Peter leaves Ellie with a gift—the notebook that Lila carried everywhere, a piece of evidence not found with her body. Stunned, Ellie will return home to San Francisco to explore the mysteries of Lila’s notebook, filled with mathematical equations, and begin a search that has been waiting for her all these years. It will lead her to a hundred-year-old mathematical puzzle, to a lover no one knew Lila had, to the motives and fate of the man who profited from their family’s anguish—and to the deepest secrets even sisters keep from each other. As she connects with people whose lives unknowingly swirled around her own, Ellie will confront a series of startling revelations—from the eloquent truths of numbers to confessions of love, pain and loss. A novel about the stories and lies that strangers, lovers and families tell—and the secrets we keep even from ourselves—Michelle Richmond’s new novel is a work of astonishing depth and beauty, at once heartbreaking, provocative, and impossible to put down.




Complex Sleep


Book Description

Complex Sleep, Tony Tost’s ambitious second book of poems, leaps upward with an astounding multiplicity of voices, utterances, and bursts. Each leap marks a sure and precise entry into a world of images, ideas, and sensations that is brand new—the true accomplishment of any poetic work. The octet of poems that compose Complex Sleep comprises a complex organism, audacious in scope, swiping at meaning via language as fragmented music. Tost takes on the problem of physical shape, reorchestrates phrases according to the alphabet, and writes himself into the hypnagogic state between waking and dreaming. Informed by their own procedural constraints, these poems invent forms that tap the unconscious poetic, the very complexity embodied in sleep. All the while, Tost reforms utterance beyond the mere epistemology of much contemporary poetry. Devising an innovative formalism rather than concerning itself with discovering the what, Complex Sleep is about discovering how to say what needs to be said. Skip the opera, this book performs.




Dawn of Victory, Thank You China!


Book Description

Jim Maultsaids third and final book, The Dawn of Victory, Thank You China! is based on his service with the 169 Chinese Labour Corps (CLC) between 1918 1919.There were 96,000 Chinese volunteer in the CLC and their achievements have gone largely unrecognized for 100 years. As Jim Maultsaids diaries and drawings vividly testify, they made a stupendous and lasting contribution both during and in the aftermath of The Great War. He writes Never did I see human beings work as we worked those Chinese boys of ours. In all weathers, the Chinese turned their hands to every kind of task, initially keeping the wheels of war turning and after the Armistice clearing the debris of war and recovering the tens of thousands of anonymous dead.Maultsaids down-to-earth prose and superb drawings capture the unique nature of the CLCs efforts. His admiration for their stoic, indeed heroic efforts is obvious and, thanks to the preservation of these unique diaries, the coolies who toiled so tirelessly can at last receive long overdue credit.The author/artist served for over five years and was there to say goodbye and thank you to all those who served in his unit.




A Soul Survivor


Book Description

I wanted to die... Sometimes I'd sit and try to will myself to death so I could fade away. I truly believed no one in this world loved me because I was not lovable, and I agreed with my mother that I should never have been born. Mary Eliza Reese Jr., also known as 'Little Mary, ' was born in Jackson, Mississippi, and reared in Los Angeles, California. As an African American living during the racial tension of the '50s and '60s, Little Mary found her light-colored skin to be a major issue, but that wasn't her only problem. Little Mary's mother, 'Big Mary, ' caused her to endure numerous life-threatening situations due to her drinking problem. Big Mary was co-owner of a well-known and respected mortuary in the African American community in Los Angeles. Little Mary's childhood experiences, and the mental and physical abuse she grudgingly faced each day, led her to believe that her only true friends were the dead people in her mother's mortuary. Little Mary's story tells what really happens behind the embalming room doors-the light and dark side of life. In her incredible and extraordinary memoir, A Soul Survivor, author Mary Ross Smith explores the depths of human emotions, both real and imagined. That any of us reach adulthood in one piece, emotionally or physically, is a miracle of no small proportion. That any of us reach adulthood to contribute back to society and become highly respected in the community is truly a gift of time and place. Little Mary's story is one of heartbreak and anguish, but one that ends in triumph. It is an enlightening and revealing peek into the unexpected and is, in the end, a story of A Soul Survivor.




Wind Song


Book Description

In 1855, the Great Spirit sends Leota, a psychic Blackfoot woman, on a mission to convince Chief Lame Bull not to sign a treaty. If she fails, the white man's government will steal all that belongs to the Blackfeet Nation. Lawyer Marsh Pepperhorn comes west to join his family and finds them murdered, except for his mouthy nephew Tanner, who's bent on revenge. Chasing the killers into the Mountains of the Bear's Paw, Montana Territory, their paths cross Leota's. Although Marsh and Leota distrust each other on sight, they work together to save an injured Tanner's life. As they face hardships and challenges, an unlikely romance blossoms between them. When traders abduct Leota, Marsh must track them down and bring the men to justice -- or lose the woman he loves. A sweeping tale of a changing culture, survival, discovery, adventure, and romance -- Wind Song has it all.




Moon Women


Book Description

In the lush North Carolina foothills, the Moon women have put down roots: matriarch Marvelle Moon, who’s losing her grip on the world after more than eighty years of life; her daughters, Ruth Ann and Cassandra; and Ruth Ann’s nineteen-year-old daughter, Ashley, fresh out of rehab, unmarried, and three months pregnant. Despite Ruth Ann’s best efforts to live a life that’s all her own, her family is coming together around her. Marvelle and Ashley need a place to live and Ruth Ann is unable to turn them away; and her womanizing ex-husband has been coming around again, dredging up the past. Now a flurry of outbursts, emotions, and outrages is shattering Ruth Ann’s separate peace. For here is Ashley, who has spent nineteen years running furiously away from home, now finding herself on a strange journey with her unraveling grandmother. And here is Cassandra, protected by layers of obesity and loneliness, wondering how to put magic back in her life. And Marvelle, slowly losing touch with reality, privately contemplating the story of her life and the secret that would change everything for everyone—if they only knew.... By turns fierce and tender, harrowing and heartbreaking, Moon Women resonates with emotional power, holding us captive under its beguiling spell.




From Domestic Women to Sensitive Young Men


Book Description

"The notion of the individual was initially translated into Korean near the end of the nineteenth century and took root during the early years of Japanese colonial influence. Yoon Sun Yang argues that the first literary iterations of the Korean individual were prototypically female figures appearing in the early colonial domestic novel—a genre developed by reform-minded male writers—as schoolgirls, housewives, female ghosts, femmes fatales, and female same-sex partners. Such female figures have long been viewed as lacking in modernity because, unlike numerous male characters in Korean literature after the late 1910s, they did not assert their own modernity, or that of the nation, by exploring their interiority. Yang, however, shows that no reading of Korean modernity can ignore these figures, because the early colonial domestic novel cast them as individuals in terms of their usefulness or relevance to the nation, whether model citizens or iconoclasts. By including these earlier narratives within modern Korean literary history and positing that they too were engaged in the translation of individuality into Korean, Yang’s study not only disrupts the canonical account of a non-gendered, linear progress toward modern Korean selfhood but also expands our understanding of the role played by translation in Korea’s construction of modern gender roles."




A Time for Vultures


Book Description

In a town struck down by plague, the only one who can stop a mad clergyman is a bounty hunter from hell—in the New York Times–bestselling author’s Western. Armed with his grandfather’s ancient Hawken muzzleloader, the bounty hunter known as Flintlock is always ready to end the life of an enemy. But when he arrives in Happyville, the stench of death already hangs heavy in the air. He finds the townspeople dead in their beds, having succumbed to a deadly scourge. Forced to stay put or risk spreading the disease, Flintlock’s quarantine is broken by Cage Kingfisher, a mad clergyman who preaches the gospel of death. He orders his followers to round up Happyville’s survivors and bring them home to face the plague they fled. To save them, Flintlock must send Kingfisher to Hell. But the deadly deacon can draw a pistol faster than the eye can blink. It will take the devil to bring him down. Or the frontier legend they call Flintlock.