Nightwood


Book Description

Casey, Gena, and Maryann can think of a way better use of a week than a senior trip to Washington, D.C. Casey's plan is simple. Ditch the trip to D.C., camp out at her parents' amazing cabin in Delonga, and accidentally "run into" Lane and his friends on their fishing trip. She knows the boys will be across the lake--her friends will thank her once they're up there. Three girls for three boys will be the perfect party. After all, what could be more fun than five days in the woods? No curfews, no rules, and no parents. No one will even know they're up there. And no one will hear them when they scream for help. When the first body shows up, it's shocking. When the knock comes on the back door, it's horrifying. And when they realize there's nowhere to hide, they'll wish they were already dead. Surviving a week in the woods is a going to be a whole lot harder than these girls could ever imagine.




In the Night Wood


Book Description

American Charles Hayden came to England to forget the past. Failed father, failed husband, and failed scholar, Charles hopes to put his life back together with a biography of Caedmon Hollow, the long-dead author of a legendary Victorian children's book, In the Night Wood. But soon after settling into Hollow's remote Yorkshire home, Charles learns that the past isn't dead.




The Nightwood


Book Description

Based on the Celtic folktale of Tamlynne, The Nightwood tells the story of the young daughter of the Earl of March, who is enticed into the nearby wood by the haunting strains of Elfin music. Inside the mysterious forest, Elaine meets Tamlynne, an enchanted young knight in the court of the Elfin Queen. Elaine and Tamlynne fall in love, but in order for Tamlynne to escape the elves, Elaine must pay a terrible price. In the end, mortal love proves stronger than the power of the Elfin Queen and the two lovers are set free. Beautifully illustrated by Robin Muller, this edition of The Nightwood is sure to enchant fairytale lovers of all ages.




Nightwoods


Book Description

Named the guardian of her murdered sister's troubled twins, Luce struggles to build a family with the children before being targeted by the twins' father--her sister's killer--who believes that the children are in possession of a stolen cache of money.




Murder at the Nightwood Bar


Book Description

Dory Quillin, nineteen-years old, her white-blonde hair ruffled by the gentle breezes of a June evening, lies dead in the parking lot of a lesbian bar. Her bewildered silver-blue eyes stare beseechingly into the mind and soul of the woman who kneels beside her: LAPD homicide detective Kate Delafield. The investigation is far from a simple matter. Kate uncovers shocking facts about the brief life of the murdered young lesbian. She finds her road to the killer obstructed by Dory's uncooperative, judgmental parents, the waning interest of her own partner, and most frustrating of all, the open hostility of women who should be her allies--the lesbians who frequent the Nightwood Bar. Kate's emotional equilibrium is further disturbed by her powerful attraction to one of those women, the enigmatic Andrea Ross. Who killed Dory Quillin? And why? Accompany Kate Delafield on her electrifying, emotional journey to the answer, an answer you will never forget. A Kate Delafield Mystery Series Book 2.




Djuna Barnes, T. S. Eliot and the Gender Dynamics of Modernism


Book Description

This study looks at the origins of the modernist movement, linking gender, modernism and the literary, before considering the bearing these discourses had on Djuna Barnes's writing. The main contribution of this innovative and scholarly work is the exploration of the editorial changes that T. S. Eliot made to the manuscript of Nightwood, as well as the revisions of the early drafts initiated by Emily Holmes Coleman. The archival research presented here is a significant advance in the scholarship, making this volume invaluable to both teachers and students of modern literature and Barnesian scholars.




The Sasquatch, the Fire and the Cedar Baskets


Book Description

“Deep in the thickest part of a cedar forest there lived a young Sasquatch. He was over nine feet tall and his feet were about size twenty. He had long brown hair that covered all of his body. His hands were so big and his arms so long he could wrap them around the biggest of the cedar trees. He had been born here many years ago and he did not know his parents, as they had been scared away by a great fire. He was left on his own and he had survived by eating berries and he had grown into the Sasquatch he now was...” So begins this charming story for children by Kwantlen storyteller Joseph Dandurand. The Sasquatch, spirit of the great cedar forest, eludes human hunters, falls in love, fathers a lovely daughter and saves his little family from a forest fire by dousing the flames with water stored in baskets carefully woven by his mate. The story is told with grace and simplicity by a master storyteller in the great tradition of the Kwantlen people. Accompanied by whimsical illustrations from Kwakwaka’wakw artist Simon Daniel James, The Sasquatch, the Fire and the Cedar Baskets follows a similar style to popular Nightwood titles such as Salmon Boy, Mayuk the Grizzly Bear and How the Robin Got Its Red Breast.




Nightwood Theatre


Book Description

Nightwood Theatre is the longest-running and most influential feminist theatre company in Canada. Since 1979, the company has produced works by Canadian women, providing new opportunities for women theatre artists. It has also been the "home company" for some of the biggest names in Canadian theatre, such as Ann-Marie MacDonald. In Nightwood Theatre, Scott describes the company?s journey toward defining itself as a feminist theatre establishment, highlighting its artistic leadership based on its relevance to diverse communities of women. She also traces Nightwood?s relationship with the media and places the theatre in an international context by comparing its history to that of like companies in the U.K. and the U.S




A Book


Book Description




The Imagery of Interior Spaces


Book Description

On the unstable boundaries between "interior" and "exterior," "private" and "public," and always in some way relating to a "beyond," the imagery of interior space in literature reveals itself as an often disruptive code of subjectivity and of modernity. The wide variety of interior spaces elicited in literature -- from the odd room over the womb, secluded parks, and train compartments, to the city as a world under a cloth -- reveal a common defining feature: these interiors can all be analyzed as codes of a paradoxical, both assertive and fragile, subjectivity in its own unique time and history. They function as subtexts that define subjectivity, time, and history as profoundly ambiguous realities, on interchangeable existential, socio-political, and epistemological levels. This volume addresses the imagery of interior spaces in a number of iconic and also lesser known yet significant authors of European, North American, and Latin American literature of the nineteenth, twentieth, and twenty-first centuries: Djuna Barnes, Edmond de Goncourt, William Faulkner, Gabriel García Márquez, Benito Pérez Galdós, Elsa Morante, Robert Musil, Jules Romains, Peter Waterhouse, and Émile Zola.