Author : Nikki S. Lee
Publisher :
Page : 94 pages
File Size : 50,8 MB
Release : 2005
Category : Art
ISBN :
'Parts' contains the most recent works by the New York conceptual artist, they are perfidious double portraits of pairs, where the - usually male - partner is missing. These 'half' images point out the way that women even today predominantly define themselves through their partners.
Author : Nikki S. Lee
Publisher :
Page : 0 pages
File Size : 33,91 MB
Release : 2001
Category : Ethnology
ISBN : 9783775710916
For weeks, or even months she immerses herself in a cumminity or cultural milieu--lesbians, drag queens, Ohio Trailer- park dwellers, skateboaders, senior citizens, Hispanic or Japanese street kids-- meticulously adopting its codes of dress and behavior and its living habits. Maurice Berger, Art Journal
Author : Cherise Smith
Publisher : Duke University Press
Page : 339 pages
File Size : 32,59 MB
Release : 2011-03-07
Category : Art
ISBN : 0822347997
An analysis of the complex engagements with issues of identity in the performances of the artists Adrian Piper, Eleanor Antin, Anna Deavere Smith, and Nikki S. Lee.
Author : Nikki St. Crowe
Publisher :
Page : pages
File Size : 47,97 MB
Release : 2021-12-05
Category :
ISBN :
"Look at me," he says. "Look at me when I touch you."It's near impossible to ignore my vampire neighbor, Bran Duval, when he has a habit of shucking off his clothes while the blinds are up. He's playing games with me, but I don't mind a challenge.Only problem is, I'm supposed to pledge myself to a rival vampire family and now all I can think about is Bran Duval, black sheep of the Duval vampire family, and the wicked things he's promising to do to me in the dark.
Author : Nikki Burdine
Publisher : Skippy Creek
Page : 38 pages
File Size : 22,31 MB
Release : 2020-11-03
Category :
ISBN : 9781950895687
Enjoy some of the lessons the author's family learned from their yellow lab, Grunt, and remember to Live Like Grunt.
Author : Benjamin Heldfond
Publisher :
Page : 184 pages
File Size : 38,8 MB
Release : 2019-10
Category :
ISBN : 9781631779978
"From weeknight dinners and homework sessions with their son to Christmas card photos and vacations, Nikki DeBartolo and Benjamin Heldfond have created a tight-knit, enviable family. They work and play well together, from the smallest daily tasks to the biggest life eventsƒƒ‚ƒƒ‚‚‚ƒƒ‚‚ƒ‚‚"ƒƒ‚ƒƒ‚‚‚ƒƒ‚‚ƒ‚‚€ƒƒ‚ƒƒ‚‚‚ƒƒ‚‚ƒ‚‚"and it only took a divorce to get them there. Though their marriage has been over for nearly a decade, they still share a happy life with each other and their son Asher, along with their new amazing spouses and children. Ben and Nikki had hoped their wedding would start their happily ever afterƒƒ‚ƒƒ‚‚‚ƒƒ‚‚ƒ‚‚"ƒƒ‚ƒƒ‚‚‚ƒƒ‚‚ƒ‚‚€ƒƒ‚ƒƒ‚‚‚ƒƒ‚‚ƒ‚‚"but seven years, one child, and countless financial and familial entanglements later, their I do-s had turned into We can't-s. Armed with their fierce love for their son and a desire to give him the best, they realized they needed to find an alternative to the seemingly inevitable toxic divorce that loomed over their lives.
Author : Catherine Grant
Publisher : MIT Press
Page : 299 pages
File Size : 26,93 MB
Release : 2019-12-03
Category : Art
ISBN : 191268523X
An illustrated exploration of fandom that combines academic essays with artist pages and experimental texts. Fandom as Methodology examines fandom as a set of practices for approaching and writing about art. The collection includes experimental texts, autobiography, fiction, and new academic perspectives on fandom in and as art. Key to the idea of “fandom as methodology” is a focus on the potential for fandom in art to create oppositional spaces, communities, and practices, particularly from queer perspectives, but also through transnational, feminist and artist-of-color fandoms. The book provides a range of examples of artists and writers working in this vein, as well as academic essays that explore the ways in which fandom can be theorized as a methodology for art practice and art history. Fandom as Methodology proposes that many artists and art writers already draw on affective strategies found in fandom. With the current focus in many areas of art history, art writing, and performance studies around affective engagement with artworks and imaginative potentials, fandom is a key methodology that has yet to be explored. Interwoven into the academic essays are lavishly designed artist pages in which artists offer an introduction to their use of fandom as methodology. Contributors Taylor J. Acosta, Catherine Grant, Dominic Johnson, Kate Random Love, Maud Lavin, Owen G. Parry, Alice Butler, SooJin Lee, Jenny Lin, Judy Batalion, Ika Willis. Artists featured in the artist pages Jeremy Deller, Ego Ahaiwe Sowinski, Anna Bunting-Branch, Maria Fusco, Cathy Lomax, Kamau Amu Patton, Holly Pester, Dawn Mellor, Michelle Williams Gamaker, The Women of Colour Index Reading Group, Liv Wynter, Zhiyuan Yang
Author : Thuy Linh Nguyen Tu
Publisher : Duke University Press
Page : 376 pages
File Size : 36,64 MB
Release : 2007-04-17
Category : Social Science
ISBN : 0822389835
Alien Encounters showcases innovative directions in Asian American cultural studies. In essays exploring topics ranging from pulp fiction to multimedia art to import-car subcultures, contributors analyze Asian Americans’ interactions with popular culture as both creators and consumers. Written by a new generation of cultural critics, these essays reflect post-1965 Asian America; the contributors pay nuanced attention to issues of gender, sexuality, transnationality, and citizenship, and they unabashedly take pleasure in pop culture. This interdisciplinary collection brings together contributors working in Asian American studies, English, anthropology, sociology, and art history. They consider issues of cultural authenticity raised by Asian American participation in hip hop and jazz, the emergence of an orientalist “Indo-chic” in U.S. youth culture, and the circulation of Vietnamese music variety shows. They examine the relationship between Chinese restaurants and American culture, issues of sexuality and race brought to the fore in the video performance art of a Bruce Lee–channeling drag king, and immigrant television viewers’ dismayed reactions to a Chinese American chef who is “not Chinese enough.” The essays in Alien Encounters demonstrate the importance of scholarly engagement with popular culture. Taking popular culture seriously reveals how people imagine and express their affective relationships to history, identity, and belonging. Contributors. Wendy Hui Kyong Chun, Kevin Fellezs, Vernadette Vicuña Gonzalez, Joan Kee, Nhi T. Lieu, Sunaina Maira, Martin F. Manalansan IV, Mimi Thi Nguyen, Robyn Magalit Rodriguez, Sukhdev Sandhu, Christopher A. Shinn, Indigo Som, Thuy Linh Nguyen Tu, Oliver Wang
Author : David R. Mastbergen
Publisher : Xlibris Corporation
Page : 270 pages
File Size : 50,41 MB
Release : 2012-09-17
Category : Fiction
ISBN : 1477153705
David R. Mastbergen is the author of The Marvels of the Healer series. He was born in the Heartland in the city of Worthington, Minnesota. He was raised in Worthington until he enlisted into the United States Navy and spent the next twenty-plus years servicing his country. Upon retiring from the navy as a chief warrant officer, he spent nine-plus years working for the state of Minnesota. David has a Master of Arts degree in management from the College of St. Scholastica and a Bachelor of Science degree in computer science from Coleman College.
Author : Susette Min
Publisher : NYU Press
Page : 266 pages
File Size : 50,62 MB
Release : 2018-06-05
Category : Art
ISBN : 0814764290
Charting its historical conditions and the expansive contexts of its emergence, the author challenges the notion of Asian American art as a site of reconciliation for marginalized artists to enter into the canon. Pressing critically on how the politics of visibility and recognition reduces artworks by Asian American artists to narrow parameters of categorization, this work reconceives Asian American art not as a subset of objects, but as a discursive medium that sets up the conditions for a politics to occur. By approaching Asian American art in this way, the author refigures the way we see Asian American art as an oppositional practice, less in terms of its aspirations to be seen than in terms of how it models a different way of seeing and encountering the world. Uniquely presented, the chapters are organized thematically as mini-exhibitions, and offer readings of select works by contemporary artists including Tehching Hsieh, Byron Kim, Simon Leung, Mary Lum, and Nikki S. Lee. Inspired above all by their art practice, the author argues for an alternative approach to exhibition making and methods of reading that conceives of these works not as "exemplary" instances of Asian American art, but as engaged in an aesthetic practice that remains open-ended, challenging the assumptions that racialize artists within an "Asian American" context. In this book, the author insists that in order to reassess Asian American art beyond its place in art history, she suggests the possible need to let go not only of established viewing and curatorial practices, but even the category of Asian American art itself.
