Nikolai Astrup


Book Description

"Nikolai Astrup: Visions of Norway will introduce this singular artist to new American and international audiences. The catalogue will follow the artist's life and career in roughly chronological order, situating his work within the history of his native Norway. It will showcase Astrup's early works depicting the landscape of Jølster and childhood home at Ålhus and culminate with his most dramatic paintings, which celebrate the midsummer eve bonfires that mark the festival night in June that merges pagan fertility rites with St. John the Baptist's Saint's Day. This catalogue tells the story of an extraordinary artistic life devoted to landscapes both sublime and personal. Astrup captured his environment as a means of expressing nature as a "dream reality" and created a distinctive national visual language. This beautiful book will bring the intensity of Astrup's palette, the magical realism of his landscapes, and the innovative nature of his prints to a wide audience throughout the world"--




Painting Norway


Book Description

A pioneering painter and printmaker, Nikolai Astrup (1880-1928) spent his life capturing the landscapes of his home in Western Norway, imbuing his work with mysticism and an enigmatic symbolic content. The first UK exhibition of his work will run at the Dulwich Picture Gallery from February to May 2016. Over 90 oil paintings and prints will explore the breadth and depth of Astrup's unique artistic practice, shining a spotlight on of one of Norway's most renowned artists of the twentieth century. AUTHOR: Frances Carey is an independent curator and consultant who was formerly Deputy Keeper of Prints and Drawings and Head of National Programmes at the British Museum. She has published on the history of art and culture from the eighteenth century to the present day. Ian A.C. Dejardin is the Sackler Director of Dulwich Picture Gallery, London. He graduated with a Master (Hons) in History of Art from Edinburgh University; appointed Curator at Dulwich in 1997, he became the gallery's Director in 2005 and since then has presided over a varied and international exhibition programme. MaryAnne Stevens is an independent art historian and curator who has previously worked at the Royal Academy of Arts, London, as Director of Academic Affairs, before serving as Acting Secretary for three years. She has been published extensively, and curated or co-curated many major international exhibitions, including Manet: Portraying Life and Jean-Etienne Liotard. SELLING POITS: * An elegant catalogue showcasing the illustrations and prints of Nikolai Astrup * Beautiful illustrations displayed without the distraction of scholarly comment * Astrup is a well-loved Norwegian painter, uniquely able to capture the spirit of his home 175 colour




Nikolai Astrup


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The Art of Norway


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Catalogues of Sales


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Arts-Based Methods for Decolonising Participatory Research


Book Description

In an effort to challenge the ways in which colonial power relations and Eurocentric knowledges are reproduced in participatory research, this book explores whether and how it is possible to use arts-based methods for creating more horizontal and democratic research practices. In discussing both the transformative potential and limitations of arts-based methods, the book asks: What can arts-based methods contribute to decolonising participatory research and its processes and practices? The book takes part in ongoing debates related to the need to decolonise research, and investigates practical contributions of arts-based methods in the practice-led research domain. Further, it discusses the role of artistic research in depth, locating it in a decolonising context. The book will be of interest to scholars working in art history, design, fine arts, service design, social sciences and development studies.




Japanomania in the Nordic Countries, 1875-1918


Book Description

This extensive publication, complete with hundreds of illustrations by such renowned artists as Carl Larsson, Edvard Munch, Vilhelm Hammershøi, Helene Schjerfbeck, Pekka Halonen, Akseli Gallen-Kallela, Gerhard Munthe, Pietro Krohn, and Frida Hansen, among others, offers an unprecedented study of Japanese influence on the visual arts in the Nordic countries. This unlikely diffusion of Japanese culture, known collectively as Japonisme, became increasingly apparent in England, France, and elsewhere in Europe during the 19th century, although nowhere was the influence seemingly as pervasive as it was throughout the Nordic countries. The book reveals how the widespread interest in Japanese aesthetics helped to establish notions of a fundamental unity between the arts and transformed the region's visual vocabulary. The adoption of Japanese motifs and styles in Finland, Norway, Sweden, and Denmark gave a necessary cohesion to their existing artistic language, creating a vital balance within and among all of the decorative arts. Distributed for Mercatorfonds Exhibition Schedule: Ateneum Art Museum, Finnish National Gallery, Helsinki (02/18/16-05/15/16) National Museum of Art, Architecture and Design, Oslo (06/16/16-10/16/16) Statens Museum for Kunst, Copenhagen (01/19/17-04/23/17)




Edvard Munch


Book Description

Catalog of an exhibition held at the Centre Pompidou, Paris, Sept. 22, 2011-Jan. 23, 2012, at Schirn Kunsthalle, Frankfurt, Feb. 9-May 28, 2012, and at Tate Modern, London, June 28-Oct. 14, 2012.