Nineteenth-century American Designers & Engravers of Type


Book Description

In 1896 William E. Loy, a San Francisco printing equipment salesman and scholar, had the idea of writing a series of profiles of type designers. Loy took a long view of history, and realized that it was important to document the men in the background who created the nineteenth century's fanciful types, even as the furiously competing type foundries got the credit for introducing them to the printing trade. His work was serialized in The Inland Printer over the next three years and included biographies, photographs of the artists, and lists of the type they had designed or cut, which Loy had painstakingly compiled through correspondence with the type founders and other craftsmen. Unfortunately, due to the technical limitations of a monthly periodical, it was not possible to show the typefaces mentioned. Finally here is the work as Loy envisioned it, with over 800 illustrations of typefaces designed by the craftsmen he discusses. Loy traces their personal stories adding much incidental detail about the politics & business practices of the time and the innovations of each of these thirty men. Now, a century later, typographical historians Alastair Johnston and Stephen Saxe have realized Loy's vision, fully illustrated and annotated. This is one of the first reference books on nineteenth-century American type design, and as such is an important addition to typographical history.




American Wood Engraving


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American Engravers Upon Copper and Steel (Classic Reprint)


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Excerpt from American Engravers Upon Copper and Steel General interest in the history, development, and study of American engraving seems to increase as we recede from the period when this art was practised, and approach the present age of reproduction by mechanical and photographic processes. Even the growing scarcity of the prints and their greatly increased cost do not seem to have deterred the collectors, but have rather added to their interest. In early American portraits, the hardness and crudity of our pioneer engravers are most apparent, and there is an absence of the grace and elegance about their work which characterized the Eighteenth Century engravers of Europe. To the collector, however, these possess a distinct historical value which is often lacking in the more finished and artistic productions, their very crudity of design and execution seeming to create a certain fascination which even their grotesqueness fails to dispel. Until the publication of the work on "American Engravers" by the late David McN. Stauffer, published by the Grolier Club of New York, in 1907, nothing in the nature of a comprehensive study of the work of American engravers, or a list of their prints, existed; the earlier book on the subject by William S. Baker, being only a collection of notes for future reference, and not a complete review of the subject. Mr. Stauffer's book was, therefore, virtually, a pioneer work in which he had endeavored to cover the field as completely as possible, and no praise is too great for the enthusiastic and painstaking manner in which he entered upon his task. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




American Wood Engraving


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Mackellar, Smiths & Jordan


Book Description

"This study of America's leading type foundry of the nineteenth century, MacKellar, Smiths Jordan, emphasizes the design of the hundreds of typefaces that were produced by the foundry, from its inception in the 1860s until its merger with most other American foundries at the end of the century. The author describes how changing business conditions and technical improvements in type founding interacted with changes in public taste over the decades to modify the appearance of American typefaces." "While MacKellar, Smiths Jordan is only one of many American foundries, it can stand as an exemplar of the rest. It was the descendant of the first successful American type foundry, Binny and Ronaldson, started in Philadelphia in 1796, and set many industry standards in business practice, manufacturing, and design. When taste turned away from ornamented type styles at the end of the nineteenth century, MacKellar, Smiths Jordan's output fell into obscurity. This study proposes that the earlier styles were very successful in their own time and should be judged on that basis. A completely illustrated appendix showing MSJ's original typeface designs accompanies the text."--BOOK JACKET.




The Rob Roy Kelly American Wood Type Collection


Book Description

The Rob Roy Kelly Wood Type Collection is a comprehensive collection of wood type manufactured and used for printing in nineteenth-century America. Comprising nearly 150 typefaces of various sizes and styles, it was amassed by noted design educator and historian Rob Roy Kelly starting in 1957 and is now held by the University of Texas. Although Kelly himself published a 1969 book on wood type and nineteenth-century typographic history, there has been little written about the creation of the wood type forms, the collection, or Kelly. In this book, David Shields rigorously updates and expands upon Kelly’s historical information about the types, clarifying the collection’s exact composition and providing a better understanding of the stylistic development of wood type forms during the nineteenth century. Using rich materials from the period, Shields provides a stunning visual context that complements the textual history of each typeface. He also highlights the non-typographic material in the collection—such as borders, rules, ornaments, and image cuts—that have not been previously examined. Featuring over 300 color illustrations, this written history and catalog is bound to spark renewed interest in the collection and its broader typographic period.




American Engravers III


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Typography, Referenced


Book Description

Typography, Referenced is the single most comprehensive volume covering every aspect of typography that any design student, professional designer, or design aficionado needs to know today. In these pages, you'll find: —Thousands of illustrated examples of contemporary usage in design —Historical developments from Greek lapidary letters to the movie Helvetica —Landmark designs turning single letters into typefaces —Definitions of essential type-specific language, terms, ideas, principles, and processes —Ways technology has influenced and advanced type —The future of type on the web, mobile devices, tablets, and beyond In short, Typography, Referenced is the ultimate source of typographic information and inspiration, documenting and chronicling the full scope of essential typographic knowledge and design from the beginnings of moveable type to the present "golden age" of typography.