Love, Power, and Gender in Seventeenth-Century French Fairy Tales


Book Description

Love is a key ingredient in the stereotypical fairy-tale ending in which everyone lives happily ever after. This romantic formula continues to influence contemporary ideas about love and marriage, but it ignores the history of love as an emotion that shapes and is shaped by hierarchies of power including gender, class, education, and social status. This interdisciplinary study questions the idealization of love as the ultimate happy ending by showing how the conteuses, the women writers who dominated the first French fairy-tale vogue in the 1690s, used the fairy-tale genre to critique the power dynamics of courtship and marriage. Their tales do not sit comfortably in the fairy-tale canon as they explore the good, the bad, and the ugly effects of love and marriage on the lives of their heroines. Bronwyn Reddan argues that the conteuses' scripts for love emphasize the importance of gender in determining the "right" way to love in seventeenth-century France. Their version of fairy-tale love is historical and contingent rather than universal and timeless. This conversation about love compels revision of the happily-ever-after narrative and offers incisive commentary on the gendered scripts for the performance of love in courtship and marriage in seventeenth-century France.




Women Writing Wonder


Book Description

Duggan, and Adrion Dula hope both to foreground women writers' important contributions to the genre and to challenge common assumptions about what a fairy tale is for scholars, students, and general readers.




Great Nineteenth-century French Short Stories


Book Description

Seventeen imaginative selections by lesser-known writers: "Adolphe," Benjamin Constant; "Salome," Jules Laforgue; "The Anatomist," Petrus Borel, 14 more. Trends toward the fantastic, expressionism, surrealism. Introductory notes.




French Decadent Tales


Book Description

'He had become the dandy of the unpredictable.' A quest for new sensations, and an avowed desire to shock possessed the Decadent writers of fin-de-siècle Paris. The years 1880-1900 saw an extraordinary, hothouse flowering of talent, that produced some of the most exotic, stylized, and cerebral literature in the French language. While 'Decadence' was a European movement, its epicentre was the French capital. On the eve of Freud's early discoveries, writers such as Gourmont, Lorrain, Maupassant, Mirbeau, Richepin, Schwob, and Villiers engaged in a species of wild analysis of their own, perfecting the art of short fiction as they did so. Death and Eros haunt these pages, and a polymorphous perversity by turns hilarious and horrifying. Their stories teem with addicts, maniacs, and murderers as they strive to outdo each other. This newly translated selection brings together the very best writing of the period, from lesser known figures as well as famous names. Provocative and unsettling, these extraordinary, corrosive little tales continue to cast a cold eye on the modern world. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.




Demons of the Night


Book Description

An anthology of thrillers and chillers from 19th Century France. In Theophile Gautier's The Dead in Love, a man develops an obsessive passion for a woman who has returned from the grave, while Honore de Balzac's The Red Inn is on a crime which is committed by one person in thought and another in deed.




Fairy Tales for the Disillusioned


Book Description

A new collection of subversive French fairy tales The wolf is tricked by Red Riding Hood into strangling her grandmother and is subsequently arrested. Sleeping Beauty and Cinderella do not live happily ever after. And the fairies are saucy, angry, and capricious. Fairy Tales for the Disillusioned collects thirty-six tales, many newly translated, by writers associated with the decadent literary movement, which flourished in France in the late nineteenth century. Written by such creative luminaries as Charles Baudelaire, Anatole France, and Guillaume Apollinaire, these enchanting yet troubling stories reflect the concerns and fascinations of a time of great political, social, and cultural change. Recasting well-known favorites from classic French fairy tales, as well as Arthurian legends and English and German tales, the updated interpretations in this collection allow for more perverse settings and disillusioned perspectives—a trademark style and ethos of the decadent tradition. In these stories, characters puncture the optimism of the naive, talismans don't work, and the most deserving don’t always get the best rewards. The fairies are commonly victims of modern cynicism and technological advancement, but just as often are dangerous creatures corrupted by contemporary society. The collection underlines such decadent themes as the decline of civilization, the degeneration of magic and the unreal, gender confusion, and the incursion of the industrial. The volume editors provide an informative introduction, biographical notes for each author, and explanatory notes throughout. Subverting the conventions of the traditional fairy tale, these old tales made new will entertain and startle even the most disenchanted readers.




The Nineteenth-Century French Short Story


Book Description

The 19th-Century French Short Story, by eminent scholar, Allan H. Pasco, seeks to offer a more comprehensive view of the definition, capabilities, and aims of short stories. The book examines general instances of the genre specifically in 19th-century France by recognizing their cultural context, demonstrating how close analysis of texts effectively communicates their artistry, and arguing for a distinction between middling and great short stories. Where previous studies have examined the writers of short stories individually, The 19th-Century French Short Story takes a broader lens to the subject, and looks at short story writers as they grapple with the artistic, ethical, and social concerns of their day. Making use of French short story masterpieces, with reinforcing comparisons to works from other traditions, this book offers the possibility of a more adequate appreciation of the under-valued short story genre.




French Jewelry of the Nineteenth Century


Book Description

La Bijouterie Française au XIXe Siècle by Henri Vever is an indispensable survey of the jewelry produced in Paris from the Empire to the Art Nouveau period. Since it was first published in three volumes nearly one hundred years ago, it has become the definitive source of information for the jewelry profession as well as for those who simply revel in the intricate beauty of fabulous jewels. Now, for the first time, the entire text is available in English in a single volume. Vever, himself a highly accomplished jeweler, compiled a study that charts the histories of both the humblest and the most famous of his colleagues, including Bapst, Boucheron, Falize, Fontenay, Pouquet, Froment-Meurice, Gaillard, Lalique, Mellerio, and Wièse. This vivid contemporary account is full of data gathered directly from the jewelers themselves or from their descendants. It contains fascinating anecdotes concerning Imperial and Royal commissions together with entertaining tales of workshop practices. In crediting the designers, chasers, engravers, and enamelers who collaborated with the famous jewelry houses, Vever acknowledged the talents of technicians who often worked anonymously. In identifying unrecorded craftsmen, he made his book a unique document. Political, economic, and industrial developments are discussed, as are their repercussions on society and fashion. With his intimate knowledge of techniques, Vever was able to analyze changes that were continually taking place in manufacturing processes. He also recorded the changing styles in jewelry and their sources of inspiration, ranging from the Antique to the Orient.