Noble Savages


Book Description

Biography.




The Myth of the Noble Savage


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"In this study, the myth of the Noble Savage is a different myth from the one defended or debunked by others over the years. That the concept of the Noble Savage was first invented by Rousseau in the mid-eighteenth century in order to glorify the "natural" life is easily refuted ..."




Noble Savages


Book Description

*A NEW STATESMAN AND THE TIMES BOOK OF THE YEAR* *WINNER OF THE TONY LOTHIAN PRIZE* 'Interesting women have secrets. They also ought to have sisters.' From the beginning of their lives, the Olivier sisters stood out- surprisingly emancipated, strikingly beautiful, markedly determined, and alarmingly 'wild'. Rupert Brooke was said to be in love with all four of them; D. H. Lawrence thought they were frankly 'wrong'; Virginia Woolf found them curiously difficult to read. In this intimate, sweeping biography, Sarah Watling brings the sisters in from the margins, tracing lives that span colonial Jamaica, the bucolic life of Victorian progressives, the frantic optimism of Edwardian Cambridge, the bleakness of two world wars, and a host of evolving philosophies for life over the course of the twentieth century. Noble Savages is a compelling portrait of sisterhood in all its complexities, which rediscovers the lives of four extraordinary women within the varied fortunes of the feminism of their times, while illuminating the battles and ethics of biography itself.




Y̦anomamö, the Fierce People


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Le Corbusier, the Noble Savage


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Vogt's investigation of LC's early life and education not only reveals important, previously unacknowledged influences on specific projects such as the League of Nations headquarters and the Villa Savoye, but also suggests why LC throughout his career preferred to lift buildings above the ground, to give them the appearance of "floating." This tendency had decisive consequences for buildings associated with the modern movement and continues to influence architecture today.




The Noble Savages


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The Myth of the Noble Savage


Book Description

In this important and original study, the myth of the Noble Savage is an altogether different myth from the one defended or debunked by others over the years. That the concept of the Noble Savage was first invented by Rousseau in the mid-eighteenth century in order to glorify the "natural" life is easily refuted. The myth that persists is that there was ever, at any time, widespread belief in the nobility of savages. The fact is, as Ter Ellingson shows, the humanist eighteenth century actually avoided the term because of its association with the feudalist-colonialist mentality that had spawned it 150 years earlier. The Noble Savage reappeared in the mid-nineteenth century, however, when the "myth" was deliberately used to fuel anthropology's oldest and most successful hoax. Ellingson's narrative follows the career of anthropologist John Crawfurd, whose political ambition and racist agenda were well served by his construction of what was manifestly a myth of savage nobility. Generations of anthropologists have accepted the existence of the myth as fact, and Ellingson makes clear the extent to which the misdirection implicit in this circumstance can enter into struggles over human rights and racial equality. His examination of the myth's influence in the late twentieth century, ranging from the World Wide Web to anthropological debates and political confrontations, rounds out this fascinating study.




Constant Battles


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The author argues that warfare has been a part of human existence throughout history, and considers whether humans are doomed by genetic heritage to fight each other.




Noble Savages


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This $57 billion dollar industry is swallowing peoples worldwide as its revenues exceed that of professional football, baseball, and basketball combined. Statistics reveal that upwards of 40 million American adults regularly visit over 372 million published pornographic web pages. How did we get here? In the "free love" decade of the 1960s, the New Left refashioned pornography into a new image - the symbol of moral freedom. What was once sold "under the counter" as filth was now celebrated as the literary symbol of liberation from God and His law-word. This refashioning was nothing new. It was but an echo of the liberation theology of the Marquis de Sade, the 19th century pervert de France (1740-1814). In 1974, R. J. Rushdoony, wrote, "[T]his new pornography, first conceived by Sade - will not be eliminated by moral indignation or by legislation." Rushdoony recognized that the roots of pornography in modern culture are essentially religious and must be combated religiously. In this powerful book Noble Savages (formerly The Politics of Pornography) Rushdoony demonstrates that in order for modern man to justify his perversion he must reject the Biblical doctrine of the fall of man. If there is no fall, the Marquis de Sade argued, then all that man does is normative. Rushdoony concluded, "[T]he world will soon catch up with Sade, unless it abandons its humanistic foundations." In his conclusion Rushdoony wrote, "Symptoms are important and sometimes very serious, but it is very wrong and dangerous to treat symptoms rather than the underlying disease. Pornography is a symptom; it is not the problem." What is the problem? It's the philosophy behind pornography - the rejection of the fall of man that makes normative all that man does. Learn it all in this timeless classic. Originally title Politics of Pornography




The Olivier Sisters


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Margery, Brynhild, Daphne, and Noel Olivier were well-educated, socially privileged, precocious, striking, scandalous, engaging, and so closely knit that they were the objects of fascination and admiration both during their lives and long after. Here, Sarah Watling offers a group portrait of the sisters as they lived and negotiated the turbulent changes of the first half of the twentieth century, each one devoted to the other but choosing and pursuing her own extraordinary path. After a childhood spent in colonial Jamaica (where their father was governor), the sisters became members of the Neo-Pagan group that gathered around the poet Rupert Brooke in Cambridge, and helped orchestrate that group's encounters with Bloomsbury. Drawn first to Brynhild's oft-remarked-upon beauty, Brooke ultimately fell in love with the schoolgirl Noel, complicating the sisters' relationships for years to come. Noel would go on to become a medical doctor during World War I, Daphne to set up the first Steiner school in England. Watling brings the Olivier sisters from the margins to the main stage of history, providing a window onto early feminism, wartime, progressive politics, twentieth-century medicine's relationship with women, and post-war culture. A Who's Who cast of famous figures of the period rotates through the book--including George Bernard Shaw, H. G. Wells, C. S. Lewis, and Rudolf Steiner, as well as members of the Bloomsbury group, including Virginia Woolf and John Maynard Keynes--but at the heart of it is a portrait of sisterhood in all its complexities and in all its personal and political guises. This is the first book to focus on the Oliviers themselves, and to do their rich story full justice.