Norfolk Landscapes


Book Description

Norfolk is a very distinctive county, the most easterly in the British Isles. With the North Sea and The Wash to the east and north it is relatively close to the Netherlands, but Norwich is only a couple of hours by train from London. It has been a center of great political power, but is on no major transport routes, so has no motorways and has been largely bypassed by the Industrial Revolution. As a result, many of its towns and villages are relatively unspoiled, so have kept their old buildings and character and are a delight to visit. Although known for its wide open landscapes, of which there are many, Norfolk has an abundance of delightful corners and beautiful gardens where it is the miniature that charms and tranquillity reigns. This beautiful photo book captures the essence of Norfolk's varied landscapes in sumptuous images and an informative text that gets underneath the surface of why things look like they do. The Norfolk Broads, Breckland, The Waverley Valley, The Fens and the coastlines are explored in turn along with the wildlife you can encounter on the way. In addition, Norfolk's lovely churches that punctuate every view, and the distinctive traditional buildings that give each area its special flavor are featured. Doug Kennedy has roamed the County on foot and by boat, seeking out what makes each place special and applying his photographer's eye to capture the scene perfectly. It is a book for everyone who loves the Norfolk to treasure, and a splendid introduction to its landscape for those less familiar with a classic corner of England.




Lost Norfolk Landscapes


Book Description

This volume contains over 150 paintings and drawings that evoke the landscape of Norfolk as it was in the first 50 years of the last century. It is compiled almost exclusively from a single collection of works by Horace Tuck. Few of the paintings have been seen by the public.




The Landscape Archaeology of Anglo-Saxon England


Book Description

The Anglo-Saxon period was crucial to the development of the English landscape, but is rarely studied. The essays here provide radical new interpretations of its development. Traditional opinion has perceived the Anglo-Saxons as creating an entirely new landscape from scratch in the fifth and sixth centuries AD, cutting down woodland, and bringing with them the practice of open field agriculture, and establishing villages. Whilst recent scholarship has proved this simplistic picture wanting, it has also raised many questions about the nature of landscape development at the time, the changing nature of systems of land management, and strategies for settlement. The papers here seek to shed new light on these complex issues. Taking a variety of different approaches, and with topics ranging from the impact of coppicing to medieval field systems, from the representation of the landscape in manuscripts to cereal production and the type of bread the population preferred, they offer striking new approaches to the central issues of landscape change across the seven centuries of Anglo-Saxon England, a period surely foundational to the rural landscape of today. NICHOLAS J. HIGHAM is Professor of Early Medieval and Landscape History at the University of Manchester; MARTIN J. RYAN lectures in Medieval History at the University of Manchester. Contributors: Nicholas J. Higham, Christopher Grocock, Stephen Rippon, Stuart Brookes, Carenza Lewis, Susan Oosthuizen, Tom Williamson, Catherine Karkov, David Hill, Debby Banham, Richard Hoggett, Peter Murphy.




Landscapes Through the Lens


Book Description

This volume presents the rich, but under-utilised and in parts inaccessible, archival historic aerial imagery, traditional photographs and those captured from satellites, for the exploration and management of cultural heritage. An unparalleled resource, for archaeologists and all with an interest in landscapes, images spanning the second half of the 20th century provide an unrivalled means of documenting and understanding change and informing the study of the past. Case studies, written by leading experts in their fields, illustrate the applications of this imagery across a wide range of heritage issues, from prehistoric cultivation and settlement patterns, to the impact of recent landscape change. Contemporary environmental and land use issues are also dealt with, in a volume that will be of interest to archaeologists, historians, geographers and those in related disciplines.




Middle Saxon' Settlement and Society: The Changing Rural Communities of Central and Eastern England


Book Description

This book explores the experiences of rural communities who lived between the seventh and ninth centuries in central and eastern England. Combining archaeology with documentary, place-name and topographic evidences, it provides unique insight into social, economic and political conditions in 'Middle Saxon' England.




Norfolk (Slow Travel)


Book Description

This new, thoroughly updated, third edition of Bradt’s Norfolk, part of Bradt’s award-winning ‘Slow travel’ series of guides to UK regions, turns the spotlight on this county of contrasts, from the fine city of Norwich to the watery wilderness of the Broads and the sweeping beaches of the superlative north coast. As well as featuring all the main sights, experienced travel writer and local resident Laurence Mitchell ensures that Bradt’s Norfolk covers places and aspects not detailed by other guidebooks and offers a special emphasis on car-free travel, walking (including along several long-distance footpaths), accommodation, local food and pubs. Written in an entertaining style combining personal narrative with authoritative information, this guide brings the county to life through anecdotes and the views of local people. Making a virtue of being selective, the guide points visitors to the cream of the area, but includes the whole of Norfolk from Great Yarmouth and the Broads in the east to the Fens of the far west, from the iconic North Norfolk coast to the Breckland region to the south. Places to eat and drink are selected by the author based upon long-standing knowledge of the area, in particular delving into aspects of regional distinctiveness and character. Characterful market towns, medieval churches and Seahenge (a 4,000-year-old timber circle) feature alongside culturally vibrant Norwich, England’s first UNESCO City of Literature, which hosts the acclaimed Sainsbury Centre for Visual Arts and the highly rated Norwich and Norfolk Festival. Flora and fauna are also celebrated, the guidebook detailing the many wildlife sites within the county that are home to rare species, including the iconic swallowtail butterfly, while there is new detail on rewilding projects such as Wild Ken Hill, featured on BBC Springwatch and Autumnwatch programmes, seal colonies and the ‘Snettisham spectacular’ of shorebirds and geese. Hiking and biking, literary and artistic connections, canoeing and water-based activities, local food and drink (including prize-winning vineyards and independent breweries), and all the practical, up-to-date information you could need are included, helping make Bradt’s Norfolk the must-have guide for all visitors to this beguiling county.




Brian Ryder, ROI Prov


Book Description

The countryside of Norfolk has for centuries challenged artists to paint its wide landscapes, seascapes and incomparable skies. And while many have tried, few have wholly succeeded. Brian Ryder is among the fortunate handful of contemporary painters who the public recognise as successfully capturing both the physical quality and the essential atmosphere of the places he paints. His bold approach to making his work, his uncompromising self criticism allied to years honing his painterly skills, give his paintings an exciting and fresh appeal - combining the best of painting tradition with a unique contemporary flair. In this book we are given an insight into the background of the artist, his early life and his development as a painter. Despite a number of setbacks his determination to succeed brought early recognition in the form of an exhibition and a gold medal at La Biennale deVenezia. His love ofVenice is portrayed through the paintings of that wonderful city that are included here. But it is the artist¿s Norfolk paintings that form the bulk of this book, appropriately so, as the county is now very much Brian¿s adopted home. Anyone with a love of Norfolk and its spectacular landscape will find much to delight them among the superb paintings included here. Brian Ryder lives and paints in North Norfolk. He paints in oils, watercolour and mixed media. His work is held in many collections internationally both private and public. Brian is a provisional member ofThe Royal Institute of Oil Painters and chairman of theWells Art Group. As well as Brian's successful books and DVDs, Brian teaches his painting techniques around the world and contributes regularly to Leisure Painter magazine.




Beyond the Medieval Village


Book Description

The varied character of Britain's countryside and towns provides communities with a strong sense of local identity. One of the most significant features of the southern British landscape is the way that its character differs from region to region, with compact villages in the Midlands contrasting with the sprawling hamlets of East Anglia and isolated farmsteads of Devon. Even more remarkable is the very 'English' feel of the landscape in southern Pembrokeshire, in the far south west of Wales. Hoskins described the English landscape as 'the richest historical record we possess', and in this book Stephen Rippon explores the origins of regional variations in landscape character, arguing that while some landscapes date back to the centuries either side of the Norman Conquest, other areas across southern Britain underwent a profound change around the 8th century AD.




History Beyond the Text


Book Description

Historians are increasingly looking beyond the traditional, and turning to visual, oral, aural, and virtual sources to inform their work. The challenges these sources pose require new skills of interpretation and require historians to consider alternative theoretical and practical approaches. In order to help historians successfully move beyond traditional text, Sarah Barber and Corinna Peniston-Bird bring together chapters from historical specialists in the fields of fine art, photography, film, oral history, architecture, virtual sources, music, cartoons, landscape and material culture to explain why, when and how these less traditional sources can be used. Each chapter introduces the reader to the source, suggests the methodological and theoretical questions historians should keep in mind when using it, and provides case studies to illustrate best practice in analysis and interpretation. Pulling these disparate sources together, the introduction discusses the nature of historical sources and those factors which are unique to, and shared by, the sources covered throughout the book. Taking examples from around the globe, this collection of essays aims to inspire practitioners of history to expand their horizons, and incorporate a wide variety of primary sources in their work.




Humphry Repton


Book Description

Humphry Repton (1752–1818) remains one of England’s most interesting and prolific garden and landscape designers. Renowned for his innovative design proposals and distinctive before-and-after images, captured in his famous “Red Books,” Repton’s astonishing career represents the link between the simple parklands of his predecessor Capability Brown and the more elaborate, structured, and formal landscapes of the Victorian age. This lavishly illustrated book, based on a wealth of new research, reinterprets Repton’s life, working methods, and designs, and examines why they proved so popular in a rapidly changing world.