The Architecture of Norman England


Book Description

This important addition to the literature is the first overall study of the architecture of Norman England since Sir Alfred Clapham's English Romanesque Architecture after the Conquest (1934). Eric Fernie, a recognized authority on the subject, begins with an overview of the architecture ofthe period, paying special attention to the importance of the architectural evidence for an understanding of the Norman Conquest. The second part, the core of the book, is an examination of the buildings defined by their function, as castles, halls, and chamber blocks, cathedrals, abbeys, andcollegiate churches, monastic buildings, parish churches, and palace chapels. The third part is a reference guide to the elements which make up the buildings, such as apses, passages, vaults, galleries, and decorative features, and the fourth offers an account of the processes by which they wereplanned and constructed. This book contains powerful new ideas that will affect the way in which we look at and analyze these buildings.




Gothic Architecture in England


Book Description

This is an EXACT reproduction of a book published before 1923.




Anglo-Norman Castles


Book Description

Wide-ranging studies offer an in-depth analysis of castle-building 11th - 12th centuries and place castles within their broader social and political context. The castles of the eleventh and twelfth centuries remain among the most visible symbols of the Anglo-Norman world. This collection brings together for the first time some of the most significant articles in castle studies, with contributions from experts in history, archaeology and historic buildings. Castles remain a controversial topic of academic debate and here equal weight is given to seminal articles that have defined the study of the subject while at the same time emphasising newer approaches to the fortresses of the Anglo-Norman aristocracy. The studies in this volume range from discussions of the residential and military role of the castle to architectural symbolismand royal attitudes to baronial fortification. The result is a survey that offers an in-depth analysis of castle-building during the eleventh and twelfth centuries but which also places Anglo-Norman castles within their broader social, architectural and political context. Contributors: ANN WILLIAMS, RICHARD EALES, DEREK RENN, LAWRENCE BUTLER, ROBERT HIGHAM, MARJORIE CHIBNALL, R.ALLEN BROWN, CHARLES COULSON, SIDNEY PAINTER, FREDERICK C. SUPPE, GRANT G. SIMPSON, BRUCE WEBSTER, J.R. KENYON, THOMAS McNEILL, T.A. HESLOP, PHILIP DIXON, PAMELA MARSHALL, JOHN BLAIR, CHARLES COULSON, ROBERT LIDDIARD




The Invention of Norman Visual Culture


Book Description

In this book, Lisa Reilly establishes a new interpretive paradigm for the eleventh and twelfth-century art and architecture of the Norman world in France, England, and Sicily. Traditionally, scholars have considered iconic works like the Cappella Palatina and the Bayeux Embroidery in a geographically piecemeal fashion that prevents us from seeing their full significance. Here, Reilly examines these works individually and within the larger context of a connected Norman world. Just as Rollo founded the Normandy 'of different nationalities', the Normans created a visual culture that relied on an assemblage of forms. To the modern eye, these works are perceived as culturally diverse. As Reilly demonstrates, the multiple sources for Norman visual culture served to expand their meaning. Norman artworks represented the cultural mix of each locale, and the triumph of Norman rule, not just as a military victory but as a legitimate succession, and often as the return of true Christian rule.










Medieval England


Book Description

Medieval England presents the political and cultural development of English society from the Norman Conquest to the end of the Wars of the Roses. It is a story of change, progress, setback, and consolidation, with England emerging as a wealthy and stable country, many of whose essential features were to remain unchanged until the Industrial Revolution. Edmund King traces his chronicle through the lives of successive monarchs, the inescapable central thread of that epoch. The momentous events of the times are also recreated, from the compiling of the Domesday Book, through the wars with the Scots, the Welsh, and the French, to the Peasants' Revolt and the disastrous Black Death.







Military Architecture in England During the Middle Ages


Book Description

"Military Architecture in England During the Middle Ages" is one of the first systematic books on early English architecture. The book starts with an analysis of the early earthworks and Roman stations. It reviews the most incredible castles of the Medieval period and the gradual shift to constructing fortified dwelling houses.




Phantom Architecture


Book Description

A skyscraper one mile high, a dome covering most of downtown Manhattan, a triumphal arch in the form of an elephant: some of the most exciting buildings in the history of architecture are the ones that never got built. These are the projects in which architects took materials to the limits, explored challenging new ideas, defied conventions, and pointed the way towards the future. Some of them are architectural masterpieces, some simply delightful flights of fancy. It was not usually poor design that stymied them – politics, inadequate funding, or a client who chose a ‘safe’ option rather than a daring vision were all things that could stop a project leaving the drawing board. These unbuilt buildings include the grand projects that acted as architectural calling cards, experimental designs that stretch technology, visions for the future of the city, and articles of architectural faith. Structures likeBuckminster Fuller’s dome over New York or Frank Lloyd Wright’s mile-high tower can seem impossibly daring. But they also point to buildings that came decades later, to the Eden Project and the Shard. Some of those unbuilt wonders are buildings of great beauty and individual form like Etienne-Louis Boullée’s enormous spherical monument to Isaac Newton; some, such as the city plans of Le Corbusier, seem to want to teach us how to live; some, like El Lissitsky’s ‘horizontal skyscrapers’ and Gaudí’s curvaceous New York hotel, turn architectural convention upside-down; some, such as Archigram’s Walking City and Plug-in City, are bizarre and inspiring by turns. All are captured in this magnificently illustrated book.