North American Fat Ass


Book Description

You pick the foods, We pick the portion size... Lose a pant size the 1st month and another the next. What is Our Perfect Portions? - Our Perfect Portions is NOT about another fad diet we have all tried before. - It's NOT about depriving yourself of the foods you love. - Its NOT about being unrealistic or over complicating your life. - Our Perfect Portions is A SHORTCUT. This is the fastest and easiest way to shred the pounds so you can feel SEXY in your own Skin. In the last 17 years I've seen a lot and tried a lot of different ways to build a body I love. This is the fastest, easiest, healthiest and best way. This is the perfect time to take the Challenge. Imagine a world where everyone, including you can see positive results, no matter what food choices you make or what lifestyle you lead....




Our Perfect Portions


Book Description

You pick the foods, We pick the portion size... Lose a pant size the 1st month and another the next. What is Our Perfect Portions? • Our Perfect Portions is NOT about another fad diet we have all tried before. • It’s NOT about depriving yourself of the foods you love. • Its NOT about being unrealistic or over complicating your life. • Our Perfect Portions is A SHORTCUT. This is the fastest and easiest way to shred the pounds so you can feel SEXY in your own Skin. In the last 17 years I’ve seen a lot and tried a lot of different ways to build a body I love. This is the fastest, easiest, healthiest and best way. This is the perfect time to take the Challenge. Imagine a world where everyone, including you can see positive results, no matter what food choices you make or what lifestyle you lead.




The New Partridge Dictionary of Slang and Unconventional English: A-I


Book Description

Entry includes attestations of the head word's or phrase's usage, usually in the form of a quotation. Annotation ©2006 Book News, Inc., Portland, OR (booknews.com).




Daddy-O's Book of Big-Ass Art


Book Description

Recipient of three National Endowment for the Arts grants and with works exhibited at the prestigious Biennale de Paris, New York’s Whitney Museum, the de Menil Collection in Houston, and other venues, Bob “Daddy-O” Wade started “keeping it weird” in 1961 when he arrived in Austin with his ’51 custom Ford hot rod and his slicked-back hair. Primed to study art at the University of Texas, Wade’s coif and dragster earned him his trademark moniker, and the abstract, welded sculptures he fashioned from automobile bumpers in his frat house basement laid the foundations for the distinctive, larger-than-life art pieces that would eventually make him famous. Daddy-O is the creator of the forty-foot iguana that perched atop the Lone Star Café in New York City, the immense cowboy boots (entered in the Guinness Book of World Records) outside San Antonio’s North Star Mall, and Dinosaur Bob, who graces the roof of the National Center for Children’s Illustrated Literature in Abilene, Texas. He is widely recognized as one of the progenitors of the “Cosmic Cowboy Culture” that emerged in Texas during the 1970s. Daddy-O’s Book of Big-Ass Art features images of more than a hundred of Wade’s most famous pieces, complete with the wild tales that lie behind the art, told in brief essays by both Wade and more than forty noted artists and writers familiar with Wade’s work.




African-American English


Book Description

African-American English: Structure, History and Use provides a comprehensive survey of linguistic research into African-American English. The main linguistic features are covered, in particular the grammar, phonology and lexicon. Further chapters explore the sociological, political and educational issues connected with African-American English. The editors are the leading experts in the field and along with other key figures, notably William Labov, Geneva Smitherman and Walt Wolfram, they provide an authoritative, diverse guide to this topical subject area. Drawing on many contemporary references: the Oakland School controversy, the rap of Ice-T, the contributors reflect the state of current scholarship on African-American English, and actively dispel many misconceptions, address new questions and explore new approaches. The book is designed to serve as a text for the increasing number of courses on African-American English and as a convenient reference for students of linguistics, black studies and anthropology at both undergraduate and postgraduate level.




Bay Street Blood


Book Description

Nobody likes a bully, whether it is a school boy bully, political bully or a corporate bully. Having discovered a bonanza, Rocco Manetti’s exploration company has become the target of a corporate bully – a multinational powerhouse which intends to acquire the bonanza by hook or by crook, by fair means or foul. All’s fair in love and war, and although business doesn’t waste much time on love, it certainly has a ravenous appetite for war. Manetti, fully occupied with fending off a hostile takeover bid, is forced to simultaneously confront another threat in the form of a blackmailer who has knowledge of Manetti’s involvement in a long-ago homicide. The blackmailer soon proves to be a psychopath, which leaves Manetti in a life-or-death struggle for personal survival, as well as the life-or-death struggle for corporate survival.










An American Zeitgeist: Volume I


Book Description

Judd, upon returning from the hell called War, found himself in another hell in the Nation he called home. A thriving web of human trafficking, child sex rings, and child slavery. A Global market where the blood of innocents were bought and sold, daily. ... The Playground of the Rich. Only this time, it was not Emperors, Kings or Queens conducting their Orchestra of Evil. No ... this was new. A battlefield called “America”. The new Merchants of Flesh? Politicians. Bankers. Celebrities. Corporate Giants. The Clientele? One and the same. However, one of these people had crossed the line ... The Lady in Red, that is. She had awakened something in Judd. Something very ... old. So who was she? More importantly who ... rather, what was Judd? The Lady in Red” was the “name” assigned to her by Judd’s goddaughter, his best friend’s youngest child ... who said it first, in fear of, “The Lady in Red,” she had called this ... female ... after being abducted and brutalized by this woman in a red, professional dress. She had asked of her mother, “Mommy, is the lady in red coming back?” The real question to be asked here is “What” was coming ... The Madness of Lazurus has begun.




Ed Bullins


Book Description

This book on the prize-winning African American playwright Ed Bullins is the first to chronicle the life and work of the man who dominated the New York theatre scene between 1968 and 1982. With his presentations of street life, Bullins transformed the Protest and Art-theatre traditions founded by W. E. B. DuBois and Alain Locke and made important contributions to black theatre.