Sketches of North Carolina


Book Description







Sketches of North Carolina


Book Description




Sketches of Pitt County


Book Description

These sketches are the result of years of inquiry, research and compilation intended to give such traditions and facts as could be had from reliable sources and records. The demand for sketches of many of Pitt's prominent men made necessary the addition of a second part. Advertisements were necessary from a financial standpoint and are included in the back, separate and apart.







Historical Sketches of North Carolina


Book Description

Vol. 2 has a county by county history and includes some brief family histories and lists of residents.




Painting North Carolina


Book Description

In this book you will be treated to a magnificent selection of both studio and plein air works by nationally recognized and locally renowned artists. From their personal comments you will discover what attracted them to various scenes while learning about locations throughout the state. You may have had the opportunity to view photo books and tourist guides featuring North Carolina, but there is nothing as enlightening as seeing the location you love or have always wanted to visit through an artist's eye. The artists' view adds a whole new dimension and enhances our ability to appreciate our surroundings. The paintings within these pages remind us of the extraordinary beauty that surrounds us every day. With paintings by Brenda Behr, Scott Boyle, Allison Chambers, Lynda Chambers, Diana L. Coidan, Judy Crane, Karen Lee Crenshaw, Wyn Easton, Lou Everett, Sharon Forthofer, Dorothy (Dodi) Groesser, John Groesser, Jean Kolb Grunewald, Ann K. Hair, Nicole White Kennedy, Rose S. Kennedy, Kimberlee C. Maselli, Rick McCLure, Karen Meredith, Charles Movalli, Dan Nelson, David R. Oakley, Frank Pierce, Jeff Pittman, Patricia Pittman, John Poon, Mike Rooney, Marsha Sams Thrift, Dan Vaughan, Lori White, Dawn E. Whitelaw, Richard D. Wilson, Jr, and Jimmy Craig Womble II. About the Author: An award-winning artist, Kimberlee has received numerous national and international accolades. She is also a popular workshop instructor offering classes throughout the year, and can be seen exhibiting her work in many galleries across North Carolina and adjacent states, demonstrating at art exhibitions and featured in instructional videos. Kimberlee actively participates in the community to help foster the arts and is one of the founding members of PAINTNC.org, North Carolina's premiere plein air painting association. Her love for plein air motivated her previous book, Painting North Carolina: Impressions en Plein Air. The book was awarded a Gold Medal of Excellence in the 13th Annual International IPPY Competition and featured at Book Expo in New York City, the largest publishing event in North America. To view her paintings or learn about upcoming events, visit: www.KimberleeMaselli.com




A History of Watauga County, North Carolina


Book Description

This well-known history of Watauga County, North Carolina, is considered one of the best ever written. From Watauga County's 'Yankee Ancestry' to its role in the Revolutionary and Civil Wars, nothing is overlooked.




Tales of the Congaree


Book Description

This volume brings back into print a remarkable record of black life in the 1920s, chronicled by Edward C.L. Adams, a white physician from the area around the Congaree River in central South Carolina. It reproduces Adams's major works, Congaree Sketches (1927) and Nigger to Nigger (1928), two collections of tales, poems, and dialogues from blacks who worked his land, presented in the black vernacular language. They are supplemented here by a play, Potee's Gal, and some brief sketches of poor whites. What sets Adams's tales apart from other such collections is the willingness of his black informants to share with him not only their stories of rabbits and "hants" but also their feelings on such taboo subjects as lynchings, Jim Crow courts, and chain gangs. Adams retells these tales as if the blacks in them were talking only among themselves. Whites do not appear in these works, except as rare background figures and topics of conversation by Tad, Scip, and other black storytellers. As Tad says, "We talkin' to we." That Adams was permitted to hear such tales at all is part of the mystery that Robert O'Meally explains in his introduction. The key to the mystery is Adams's ability -- in his life, as in his works -- to wear both black and white masks. He remained a well-placed member of white society at the same time that he was something of a maverick within it. His black informants therefore saw him not only as someone more likeable and trustworthy than most whites but also as someone who was in a position to help them in some way if he understood more about their lives. As a writer, O'Meally suggests, Adams was not simply an objective recorder of folklore. By donning a black mask, Adams was able to project attitudes and values that most whites of his place and time would have disavowed. As a result, his tales have a complexity and richness that make them an authentic witness to the black experience as well as a lasting contribution to American letters.