Not by War Alone


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We Were Not Alone


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On War


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When You Ride Alone You Ride with Bin Laden


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Offers a series of images, inspired by historic war posters, that encourage the American people to conserve energy, take more interest in foreign affairs, and advance the War on Terrorism, and provides supporting arguments.




Going Solo


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In Going Solo, the world's favourite storyteller, Roald Dahl, tells of life as a fighter pilot in Africa. 'They did not think for one moment that they would find anything but a burnt-out fuselage and a charred skeleton, and they were astounded when they came upon my still-breathing body lying in the sand nearby.' In 1938 Roald Dahl was fresh out of school and bound for his first job in Africa, hoping to find adventure far from home. However, he got far more excitement than he bargained for when the outbreak of the Second World War led him to join the RAF. His account of his experiences in Africa, crashing a plane in the Western Desert, rescue and recovery from his horrific injuries in Alexandria, flying a Hurricane as Greece fell to the Germans, and many other daring deeds, recreates a world as bizarre and unnerving as any he wrote about in his fiction. 'Very nearly as grotesque as his fiction. The same compulsive blend of wide-eyed innocence and fascination with danger and horror' Evening Standard 'A non-stop demonstration of expert raconteurship' The New York Times Book Review Roald Dahl, the brilliant and worldwide acclaimed author of Charlie and the Chocolate Factory, James and the Giant Peach, Matilda, and many more classics for children, also wrote scores of short stories for adults. These delightfully disturbing tales have often been filmed and were most recently the inspiration for the West End play, Roald Dahl's Twisted Tales by Jeremy Dyson. Roald Dahl's stories continue to make readers shiver today.




Capitalism, Alone


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For the first time in history, the globe is dominated by one economic system. Capitalism prevails because it delivers prosperity and meets desires for autonomy. But it also is unstable and morally defective. Surveying the varieties and futures of capitalism, Branko Milanovic offers creative solutions to improve a system that isn’t going anywhere.




Blindfold and Alone


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Three hundred and fifty-one men were executed by British Army firing squads between September 1914 and November 1920. By far the greatest number, 266 were shot for desertion in the face of the enemy. The executions continue to haunt the history of the war, with talk today of shell shock and posthumous pardons. Using material released from the Public Records Office and other sources, the authors reveal what really happened and place the story of these executions firmly in the context of the military, social and medical context of the period.




The Black God's War


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"Moses is a fine writer deserving of success, and I think that it will follow ... Personally, I really enjoyed Moses's work." -David Farland, NYT Bestselling Author of The Runelords "The Black God's War is, to date, the finest example of quality independent fantasy I've seen."--IndieFantasyReview "An inventive tale with high command of craft." -Scott Nicholson, Bestselling Kindle Author of The Red Church ________ Against the backdrop of epic warfare and the powers of ten mysterious gods, Lucia struggles to understand The Black One. Her father-king wants war. Her messianic brother wants peace. The black god wants his due. She suffers all the consequences. King Vieri is losing his war against the lands of Pawelon. Feeling abandoned by his god, he forces his son Caio, the kingdom's holy savior, to lead his army. Victory ought to come soon. To counter Caio's powers, Pawelon's prince enters the conflict. Rao is a gifted sage, a master of spiritual laws. He joins the rajah to defend their citadel against the invaders. But Rao's ideals soon clash with his army's general. The Black One tortures Lucia nightly with visions promising another ten years of bloodshed. She can no longer tell the difference between the waking world and her nightmares. Lucia knows the black god too well. He entered her bed and dreams when she was ten. The Black One watches, waiting to see Lucia confront an impossible decision over the fates of two men-and two lands. ________ "The writing is tight, the characters well-drawn and deep, and the world feels alive and many-layered." -W. Brondtkamffer's Blog "Siregar's prose is smooth and he has his sense of pacing nailed down ... More like this, please." -Signal dot Noise blog "If you want to read a talented new author with a flair for storytelling, you should definitely pick up this story." -Debra L. Martin's Review, Two Ends of the Pen Blog ..". excellent storytelling in this debut, a tale spun with a degree of elegance I did not fully." -Ron C. Nieto's Blog "Siregar's strongest suit may be the character development on display, as the royal siblings and a few other characters exude their personalities and frailties in a believable fashion." -Skull Salad Reviews "'The Black God's War' has all the right ingredients ... His characters are as passionate as his descriptive prose. The pacing is perfect ... This is a work epic fantasy fans don't want to miss." -Bryan Thomas Schmidt's blog




Bowling Alone: Revised and Updated


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Updated to include a new chapter about the influence of social media and the Internet—the 20th anniversary edition of Bowling Alone remains a seminal work of social analysis, and its examination of what happened to our sense of community remains more relevant than ever in today’s fractured America. Twenty years, ago, Robert D. Putnam made a seemingly simple observation: once we bowled in leagues, usually after work; but no longer. This seemingly small phenomenon symbolized a significant social change that became the basis of the acclaimed bestseller, Bowling Alone, which The Washington Post called “a very important book” and Putnam, “the de Tocqueville of our generation.” Bowling Alone surveyed in detail Americans’ changing behavior over the decades, showing how we had become increasingly disconnected from family, friends, neighbors, and social structures, whether it’s with the PTA, church, clubs, political parties, or bowling leagues. In the revised edition of his classic work, Putnam shows how our shrinking access to the “social capital” that is the reward of communal activity and community sharing still poses a serious threat to our civic and personal health, and how these consequences have a new resonance for our divided country today. He includes critical new material on the pervasive influence of social media and the internet, which has introduced previously unthinkable opportunities for social connection—as well as unprecedented levels of alienation and isolation. At the time of its publication, Putnam’s then-groundbreaking work showed how social bonds are the most powerful predictor of life satisfaction, and how the loss of social capital is felt in critical ways, acting as a strong predictor of crime rates and other measures of neighborhood quality of life, and affecting our health in other ways. While the ways in which we connect, or become disconnected, have changed over the decades, his central argument remains as powerful and urgent as ever: mending our frayed social capital is key to preserving the very fabric of our society.




War: How Conflict Shaped Us


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Is peace an aberration? The New York Times bestselling author of Paris 1919 offers a provocative view of war as an essential component of humanity. NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW “Margaret MacMillan has produced another seminal work. . . . She is right that we must, more than ever, think about war. And she has shown us how in this brilliant, elegantly written book.”—H.R. McMaster, author of Dereliction of Duty and Battlegrounds: The Fight to Defend the Free World The instinct to fight may be innate in human nature, but war—organized violence—comes with organized society. War has shaped humanity’s history, its social and political institutions, its values and ideas. Our very language, our public spaces, our private memories, and some of our greatest cultural treasures reflect the glory and the misery of war. War is an uncomfortable and challenging subject not least because it brings out both the vilest and the noblest aspects of humanity. Margaret MacMillan looks at the ways in which war has influenced human society and how, in turn, changes in political organization, technology, or ideologies have affected how and why we fight. War: How Conflict Shaped Us explores such much-debated and controversial questions as: When did war first start? Does human nature doom us to fight one another? Why has war been described as the most organized of all human activities? Why are warriors almost always men? Is war ever within our control? Drawing on lessons from wars throughout the past, from classical history to the present day, MacMillan reveals the many faces of war—the way it has determined our past, our future, our views of the world, and our very conception of ourselves.