Not Quite the End


Book Description

At age twenty-two, Ummu Ahmadain was in her final year of university studying biology. Nothing was supposed to stand in the way of her earning a degree—until it did. In a poignant retelling of her life story, Ummu chronicles her experiences starting with her initial diagnosis of renal disease through the associated obstacles as she struggled to stay on top of her deteriorating condition. While revealing how she witnessed the power of unconditional love and the sacrifices of a doting sister who selflessly gave up a kidney so Ummu could have a second chance at life, she testifies to the strength of the human spirit when tested to the edge of its limits, physically and emotionally, and of patience and acceptance as she learned to trust God’s mercy and love during her trials and tribulations. Not Quite the End is the inspiring true story of a woman’s incredible journey as she battled end stage renal disease, found hope during the darkest moments, and relied on God to carry her through her challenges.




Not Quite the End


Book Description

At age twenty-two, Ummu Ahmadain was in her final year of university studying biology. Nothing was supposed to stand in the way of her earning a degree-until it did. In a poignant retelling of her life story, Ummu chronicles her experiences starting with her initial diagnosis of renal disease through the associated obstacles as she struggled to stay on top of her deteriorating condition. While revealing how she witnessed the power of unconditional love and the sacrifices of a doting sister who selflessly gave up a kidney so Ummu could have a second chance at life, she testifies to the strength of the human spirit when tested to the edge of its limits, physically and emotionally, and of patience and acceptance as she learned to trust God's mercy and love during her trials and tribulations. Not Quite the End is the inspiring true story of a woman's incredible journey as she battled end stage renal disease, found hope during the darkest moments, and relied on God to carry her through her challenges.




Not Quite the End of the World


Book Description

Charles has his life organized just the way he wants it. But when a freak accident plunges his city into anarchy, Charles and his boss, Janet, must journey to a distant town where things are simpler. Along the way they encounter a particularly hot sun, possibly dirty water, cans that can't be opened, impolite cannibals and sore feet. But in a world where the only trail mix has no chocolate chips, can things ever go back to the way they were?




Not Quite Dead


Book Description

A broken engagement sends Graciela Harper crawling back to Heron Creek with her tail between her legs, but finds the sleepy little town too changed to set her life right. Not even her budding drinking problem can obscure her Gramps’s failing health, or erase the mental picture of her first love happily married to her childhood best friend. To top it all off, she’s having a heck of time convincing the town’s dashing young mayor of her unfit-for-dating status. When the ghost of 18th century lady pirate Anne Bonny starts insisting on a near daily audience, Graciela has to confront something else she never expected—being certifiably nuts at twenty-five years old. Her brand new "I don't give a crap" attitude makes it easy to dismiss the mysterious threats that seem to be tied to her search for more information on the long dead pirate, but when her family becomes a target, Gracie knows she needs to find out why the ghost insists on being a constant, reeking companion. If Graciela can put aside her prejudice against people without a pulse, she may discover that Anne Bonny’s problems are intricately linked with her own. The past harbors answers could help the cantankerous spirit find closure, but she is, after all, already dead. If Graciela doesn’t move fast, she might find herself doing the haunting, instead of the other way around.




Not Quite Narwhal


Book Description

Born deep in the ocean, Kelp is not like the other narwhals and one day, when he spies a creature on land that looks like him, he learns why.




In the Not Quite Dark


Book Description

Following her prize–winning collection Break Any Woman Down, Dana Johnson returns with a collection of bold stories set mostly in downtown Los Angeles that examine large issues –love, class, race – and how they influence and define our most intimate moments. In "The Liberace Museum," a mixed–race couple leave the South toward the destination of Vegas, crossing miles of road and history to the promised land of consumption; in "Rogues," a young man on break from college lands in his brother's Inland Empire neighborhood during a rash of unexplained robberies; in "She Deserves Everything She Gets," a woman listens to the strict advice given to her spoiled niece about going away to college, reflecting on her own experience and the night she lost her best friend; and in the collection's title story, a man setting down roots in downtown L.A. is haunted by the specter of both gentrification and a young female tourist, whose body was found in the water tower of a neighboring building. With deep insight into character, intimate relationships, and the modern search for personal freedom, In the Not Quite Dark is powerful new work that feels both urgent and timeless.




Batteries Not Included


Book Description

Chip, an android created by the high school science teacher, enrolls in junior high school, where his attempt to clear himself of charges of stealing lead to humorous adventures.




Not Quite Not White


Book Description

Winner of the ALA Asian/Pacific American Award for Nonfiction "Captivating... [a] heartfelt account of how newcomers carve a space for themselves in the melting pot of America." --Publishers Weekly A first-generation immigrant's "intimate, passionate look at race in America" (Viet Thanh Nguyen), an American's journey into the heart of not-whiteness. At the age of 12, Sharmila Sen emigrated from India to the U.S. The year was 1982, and everywhere she turned, she was asked to self-report her race - on INS forms, at the doctor's office, in middle school. Never identifying with a race in the India of her childhood, she rejects her new "not quite" designation - not quite white, not quite black, not quite Asian -- and spends much of her life attempting to blend into American whiteness. But after her teen years trying to assimilate--watching shows like General Hospital and The Jeffersons, dancing to Duran Duran and Prince, and perfecting the art of Jell-O no-bake desserts--she is forced to reckon with the hard questions: What does it mean to be white, why does whiteness retain the magic cloak of invisibility while other colors are made hypervisible, and how much does whiteness figure into Americanness? Part memoir, part manifesto, Not Quite Not White is a searing appraisal of race and a path forward for the next not quite not white generation --a witty and sharply honest story of discovering that not-whiteness can be the very thing that makes us American.




Not Quite Nice


Book Description

Sunday Times Bestseller Theresa is desperate for a change. Forced into early retirement, tired of babysitting her bossy daughter's obnoxious children, she sells her house and moves to a picture-perfect town, just outside Nice. Once the hideaway of artists and writers, Bellevue-Sur-Mer is now home to the odd movie star and, as Theresa discovers, a close-knit set of expats. Settling to the gentle rhythm of the seaside, Theresa embraces her new-found friendships and freedom. But life is never as simple as it seems, and when skeletons fall out of several closets, Theresa starts to wonder if life on the French Riviera is quite as nice as it first appeared ...




Long Way Down


Book Description

“An intense snapshot of the chain reaction caused by pulling a trigger.” —Booklist (starred review) “Astonishing.” —Kirkus Reviews (starred review) “A tour de force.” —Publishers Weekly (starred review) A Newbery Honor Book A Coretta Scott King Honor Book A Printz Honor Book A Time Best YA Book of All Time (2021) A Los Angeles Times Book Prize Winner for Young Adult Literature Longlisted for the National Book Award for Young People’s Literature Winner of the Walter Dean Myers Award An Edgar Award Winner for Best Young Adult Fiction Parents’ Choice Gold Award Winner An Entertainment Weekly Best YA Book of 2017 A Vulture Best YA Book of 2017 A Buzzfeed Best YA Book of 2017 An ode to Put the Damn Guns Down, this is New York Times bestselling author Jason Reynolds’s electrifying novel that takes place in sixty potent seconds—the time it takes a kid to decide whether or not he’s going to murder the guy who killed his brother. A cannon. A strap. A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULE Or, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES. And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if Will gets off that elevator. Told in short, fierce staccato narrative verse, Long Way Down is a fast and furious, dazzlingly brilliant look at teenage gun violence, as could only be told by Jason Reynolds.