Notes from Another Los Angeles


Book Description

The first book to focus on California architect Gregory Ain’s housing projects, which featured open kitchens, movable walls, and other design innovations. The Southern California architect Gregory Ain (1908–1988) collaborated with some of the most important figures of midcentury design, including Rudolph Schindler, Richard Neutra, and Charles and Ray Eames, and yet remains relatively unknown. Perhaps one reason for this anonymity is that although he designed private homes for wealthy liberals, Ain was more interested in finding ways to produce high-quality, low-cost houses in well-designed neighborhood settings for working-class families. This is the first book to examine the innovative housing projects that synthesized Ain’s architectural and political ideals. The book is arranged through a quartet of “notes”—both textual and visual—akin to a police or surveillance file (which is no accident, given that among these notes is Ain’s actual FBI file). The first presents a series of striking black-and-white photographs of four of Ain’s built housing projects by celebrated architectural photographer Julius Shulman. These are followed by illustrated essays on Ain by contemporary architectural historians, an archival section of articles, including notes for a lecture on Ain by the distinguished architectural writer and critic Esther McCoy, and lastly project descriptions, drawings, and contemporary color photographs by Kyungsub Shin. Ain’s housing projects represented a new paradigm in neighborhood design that celebrated the everyday life and diversity of ordinary people. Ain’s innovations—including open kitchens and movable partition walls for a “flexible house”—aimed to solve specific problems rather than pursue arbitrary expressions of uniqueness. His high-density developments anticipate contemporary efforts to design building with a minimal footprint. Generously illustrated, this volume reintroduces Ain to a forgetful field. Contributors Gregory Ain, Anthony Denzer, Anthony Fontenot, Anali Gharakhani, Esther McCoy, Nicholas Olsberg, Kyungsub Shin, Julius Shulman




Where We are Now


Book Description

Where We Are Now: Notes from Los Angeles is the second book by D. J. Waldie, one of the most gifted writers on the American scene. As Patt Morrison notes in her foreword, "The suburb is America's lifeline and its punchline, and Waldie is its bard." Few observers can present the facts of everyday life with the texture and emotion of a symphony, the way Waldie does.




Death Note Another Note: The Los Angeles BB Murder Cases


Book Description

Death Comes to Los Angeles There's a serial killer loose in Los Angeles and super-sleuth L is on the case. Along with Naomi Misora, a former FBI agent, he helps the LA police solve the grisly crimes. There's a Serial Killer Loose in Los Angeles and the local authorities need help fast. For some reason the killer has been leaving a string of maddeningly arcane clues at each crime scene. Each of these clues, it seems, is an indecipherable roadmap to the next murder. Onto the scene comes L, the mysterious super-sleuth. Despite his peculiar working habits--he's never shown his face in public, for example--he's the most decorated detective in the world and has never tackled a cased he hasn't been able to crack. But this time he needs help. Enlisting the services of an FBI agent named Naomi Misora, L starts snooping around the City of Angels. It soon becomes apparent that the killing spree is a psychotic riddle designed specifically to engage L in a battle of wits. Stuck in the middle between killer and investigator, it's up to Misora to navigate both the dead bodies and the egos to solve the Los Angeles BB Murder Cases.




Notes from the Field


Book Description

"Smith’s powerful style of living journalism uses the collective, cathartic nature of the theater to move us from despair toward hope.” —The Village Voice Anna Deavere Smith’s extraordinary form of documentary theater shines a light on injustices by portraying the real-life people who have experienced them. "One of her most ambitious and powerful works on how matters of race continue to divide and enslave the nation” (Variety). Smith renders a host of figures who have lived and fought the system that pushes students of color out of the classroom and into prisons. (As Smith has put it: “Rich kids get mischief, poor kids get pathologized and incarcerated.”) Using people’s own words, culled from interviews and speeches, Smith depicts Rev. Jamal Harrison Bryant, who eulogized Freddie Gray; Niya Kenny, a high school student who confronted a violent police deputy; activist Bree Newsome, who took the Confederate flag down from the South Carolina State House grounds; and many others. Their voices bear powerful witness to a great iniquity of our time—and call us to action with their accounts of resistance and hope.




Go Ahead in the Rain


Book Description

A New York Times Best Seller 2019 National Book Award Longlist, Nonfiction 2019 Kirkus Book Prize Finalist, Nonfiction A February IndieNext Pick Named A Most Anticipated Book of 2019 by Buzzfeed, Nylon, The A. V. Club, CBC Books, and The Rumpus, and a Winter's Most Anticipated Book by Vanity Fair and The Week Starred Reviews: Kirkus and Booklist "Warm, immediate and intensely personal."—New York Times How does one pay homage to A Tribe Called Quest? The seminal rap group brought jazz into the genre, resurrecting timeless rhythms to create masterpieces such as The Low End Theory and Midnight Marauders. Seventeen years after their last album, they resurrected themselves with an intense, socially conscious record, We Got It from Here . . . Thank You 4 Your Service, which arrived when fans needed it most, in the aftermath of the 2016 election. Poet and essayist Hanif Abdurraqib digs into the group’s history and draws from his own experience to reflect on how its distinctive sound resonated among fans like himself. The result is as ambitious and genre-bending as the rap group itself. Abdurraqib traces the Tribe's creative career, from their early days as part of the Afrocentric rap collective known as the Native Tongues, through their first three classic albums, to their eventual breakup and long hiatus. Their work is placed in the context of the broader rap landscape of the 1990s, one upended by sampling laws that forced a reinvention in production methods, the East Coast–West Coast rivalry that threatened to destroy the genre, and some record labels’ shift from focusing on groups to individual MCs. Throughout the narrative Abdurraqib connects the music and cultural history to their street-level impact. Whether he’s remembering The Source magazine cover announcing the Tribe’s 1998 breakup or writing personal letters to the group after bandmate Phife Dawg’s death, Abdurraqib seeks the deeper truths of A Tribe Called Quest; truths that—like the low end, the bass—are not simply heard in the head, but felt in the chest.




Notes on a Foreign Country


Book Description

Winner of the Overseas Press Club of America's Cornelius Ryan Award • Finalist for the Pulitzer Prize in Nonfiction A New York Times Book Review Notable Book • Named a Best Book of the Year by New York Magazine and The Progressive "A deeply honest and brave portrait of of an individual sensibility reckoning with her country's violent role in the world." —Hisham Matar, The New York Times Book Review In the wake of the September 11 attacks and the U.S.-led invasion of Iraq, Suzy Hansen, who grew up in an insular conservative town in New Jersey, was enjoying early success as a journalist for a high-profile New York newspaper. Increasingly, though, the disconnect between the chaos of world events and the response at home took on pressing urgency for her. Seeking to understand the Muslim world that had been reduced to scaremongering headlines, she moved to Istanbul. Hansen arrived in Istanbul with romantic ideas about a mythical city perched between East and West, and with a naïve sense of the Islamic world beyond. Over the course of her many years of living in Turkey and traveling in Greece, Egypt, Afghanistan, and Iran, she learned a great deal about these countries and their cultures and histories and politics. But the greatest, most unsettling surprise would be what she learned about her own country—and herself, an American abroad in the era of American decline. It would take leaving her home to discover what she came to think of as the two Americas: the country and its people, and the experience of American power around the world. She came to understand that anti-Americanism is not a violent pathology. It is, Hansen writes, “a broken heart . . . A one-hundred-year-old relationship.” Blending memoir, journalism, and history, and deeply attuned to the voices of those she met on her travels, Notes on a Foreign Country is a moving reflection on America’s place in the world. It is a powerful journey of self-discovery and revelation—a profound reckoning with what it means to be American in a moment of grave national and global turmoil.




Courtyard Housing in Los Angeles


Book Description

Essays, drawings, plans, and over 200 black-and-white photographs document the courtyard housing in Los Angeles. The style, expressed in both grand and humble dwellings, was at its height in the 1920's and 1930's, but is still around to provide privacy and greenspace in the dense urban area. Annotation copyright by Book News, Inc., Portland, OR




Notes from No Man's Land


Book Description

Winner of the National Book Critics Circle Award for Criticism Winner of the Graywolf Press Nonfiction Prize Acclaimed for its frank and fascinating investigation of racial identity, and reissued on its ten-year anniversary, Notes from No Man’s Land begins with a series of lynchings, ends with a list of apologies, and in an unsettling new coda revisits a litany of murders that no one seems capable of solving. Eula Biss explores race in America through the experiences chronicled in these essays—teaching in a Harlem school on the morning of 9/11, reporting from an African American newspaper in San Diego, watching the aftermath of Hurricane Katrina from a college town in Iowa, and rereading Laura Ingalls Wilder in the Rogers Park neighborhood of Chicago. What she reveals is how families, schools, communities, and our country participate in preserving white privilege. Notes from No Man’s Land is an essential portrait of America that established Biss as one of the most distinctive and inventive essayists of our time.




Coves of Departure


Book Description

In a book that has been called "a love song to nature," the author documents the latest decade of his explorations of the Baja peninsula and the Sea of Cortez. While much of the book narrates his experience as a writing professor taking undergraduates on sea kayak expeditions to the Isla Espiritu Santo archipelago each year during spring break, the book also reflects on experiences with a condor restoration project in the Sierra San Pedro Martir, and an altogether different teaching experience based in a field station on Bahia de los Angeles. While the author’s intent is to evoke Baja ecologies in fresh ways, the reader comes to realize that he’s also describing how education can become a transformational experience. A retired scuba instructor who turned to academics and went on to receive his college’s highest teaching award, Dr. Farnsworth believes that education should be a lifelong adventure, and that explorations of the natural world should be animated by reverence and delight.




Dragonfly Notes


Book Description

When a seemingly routine medical procedure results in her mother's premature death, Anne Panning is left reeling. In her first full-length memoir, the celebrated essayist and short story writer draws on decades of memory and experience, piecing together hard truths about her own past and her mother's. We follow Panning's winding path from rural Minnesota to the riverbanks of Vietnam's Mekong Delta. A stark, poignant tale of two women deeply connected, yet forever apart, Dragonfly Notes is a testament to the prevailing nature of love, whether in the form of a rediscovered note, a sudden moment of unexpected recall, or sometimes, simply, the sight a dragonfly flitting past.