Big Sister Now


Book Description

"A little girl gets used to sharing her parents with her baby brother and realizes there are some benefits to being a big sister now. Includes a Note to parents"--Provided by publisher.







When My Brother Was an Aztec


Book Description

"I write hungry sentences," Natalie Diaz once explained in an interview, "because they want more and more lyricism and imagery to satisfy them." This debut collection is a fast-paced tour of Mojave life and family narrative: A sister fights for or against a brother on meth, and everyone from Antigone, Houdini, Huitzilopochtli, and Jesus is invoked and invited to hash it out. These darkly humorous poems illuminate far corners of the heart, revealing teeth, tails, and more than a few dreams. I watched a lion eat a man like a piece of fruit, peel tendons from fascia like pith from rind, then lick the sweet meat from its hard core of bones. The man had earned this feast and his own deliciousness by ringing a stick against the lion's cage, calling out Here, Kitty Kitty, Meow! With one swipe of a paw much like a catcher's mitt with fangs, the lion pulled the man into the cage, rattling his skeleton against the metal bars. The lion didn't want to do it— He didn't want to eat the man like a piece of fruit and he told the crowd this: I only wanted some goddamn sleep . . . Natalie Diaz was born and raised on the Fort Mojave Indian Reservation in Needles, California. After playing professional basketball for four years in Europe and Asia, Diaz returned to the states to complete her MFA at Old Dominion University. She lives in Surprise, Arizona, and is working to preserve the Mojave language.




The Illustration of the Master


Book Description

The Illustration of the Master examines the crucial role of the illustrated press in the formation of the reading public and the writing profession during Henry James's lifetime. The book re-examines James's stories, criticism, and travel essays in light of the explosive growth of the magazine industry in the United States and abroad at the turn of the century. Using previously unpublished archival sources, Amy Tucker delves into James's negotiations with publishers, editors, and literary agents, as well as his interactions with some of the celebrated artists who were assigned to illustrate his work. Reproducing more than 120 illustrations, advertisements, and other images that accompanied James's work, this book reveals the vital interplay of word and image that helped define literary culture at a moment when "popular entertainment" and "high art" had not yet gone their separate ways.