Nothing Left Unsaid


Book Description

Saying the wrong thing in a delicate situation is a widespread fear. It’s difficult for most people to find the right words when confronted with life’s most troubling moments: illness or death of a loved one. Many self-help books deal with the aftermath of death, but in Nothing Left Unsaid Carol Orsborn provides counsel to those caring for a dying or seriously ill loved one. Speaking from personal experience, she helps readers find the words for what they really want to say and gives them questions to consider while there’s still time. The book is divided into three parts: stories, poems, and prayers; processes and rituals; and questions for conversation.




Nothing Left Unsaid


Book Description

'Vibrant, warm and often hilarious. An absolute delight' JANE FALLON 'Read Nothing Left Unsaid in two greedy stints. It's a novel written with wit, righteous rage and compassion' NIGELLA LAWSON 'A warm, touching and humorous hymn of praise to those she describes as "wee warrior women"' SUNDAY TIMES SCOTLAND GLASGOW, 2019. Sharon has rushed home at the news her mother has been admitted to hospital. It's clear Senga's life is coming to an end. As Sharon gathers family and friends together to say goodbye, Senga, as always, does things in her own mysterious way. She instructs Sharon to find the red diary she kept in the 1970s and to read it. There's something Senga needs to talk about while she still has time. The journey into her mother's past is both shocking and surprising, forcing Sharon to re-evaluate her own childhood, her marriage and what she wants her own future to hold. GLASGOW, 1976. Life in the tenements of Shettleston is a daily struggle. You need your wits about you to survive, and your friends. Senga has both in spades: she is part of the Shettleston 'menage' alongside her friends Bunty,Sandra, Philomena and Isa, and whatever life hands to them - cheating husbands, poverty, illness, threats and abuse - they throw something back just as hard. These women are strong because they need to be. And they never, ever walk away in times of crisis - as Sharon is about to find out. Praise for Janey Godley: 'Sharpest-elbowed comedy in the world' The New York Times 'A great comic' Billy Connolly




Nothing Left Unsaid; Except Everything After


Book Description

In a media obsessed society that tends to portray only the positive parts of life, poetry allows a space to unravel and articulate even the most painful parts of life creating a way to cope, heal, and express beauty in the pain. Capturing the feeling within the moment and preserving them forever to the experience and memory. From greif, pain, addiction, health issues, and heartbreak to love, happiness, traveling, and beauty, there's nothing left unsaid; except everything after this very moment.




There's Nothing Left to Say


Book Description

There's nothing left to say, yet there is so much I left unsaid. These are those moments.




Nothing Left Unsaid


Book Description




Nothing Left Unsaid


Book Description




Breast Cancer


Book Description

“I will always and forever feel I have a 'hole' in my life where my mother once existed.” “I think, when you have to think about the fact you might have to take care of your parents someday and juggle kids at the same time…It's a scary proposition.” “We had open communication during and before the breast cancer. But then after the breast cancer, I was often afraid to bring things up, in trying to protect Mom.” This insightful book tells the stories of women whose mothers had breast cancer. It uses their own voices to express the common fears and expectations of daughters in the periods before and during their mothers' illnesses, involving genetic risks, death and dying, and changes in their relationships. The case studies, tables and figures, and two appendices will benefit health professionals and counselors, while the poignant narratives will help mothers and daughters better understand their experiences with breast cancer. “I was kind of surprised to be alive and free of cancer at age 42, when at this point my mother was crippled by metastases. When I get to be 43—the age at which my mother died, or maybe when I get to 44—it's like, 'what do I do?' I have this life that I didn't expect to have.” Breast Cancer: Daughters Tell Their Stories presents the results of a qualitative, grounded theory study of breast cancer survivors, providing in-depth information about an aspect of breast cancer that has been previously overlooked. The book examines the daughters' experiences through four phases—the period prior to mother's illness, the period during mother's illness and treatment, the period following mother's death (if mother dies), and the long-term impact. From this study, recommendations are compiled for providing or improving services for tomorrow's daughters. “The radical mastectomy left her scarred and disfigured below her nightgown. It was bruised and nasty looking. That was kind of scary. I think that has terrified me since. Sometimes I'll have pains in my left breast and that's what I visualize. It's terrifying.” “I'm not really obsessed about dying of cancer. I'm more along the line of, 'If this is going to happen to me, and there's a chance it's going to, I'm gonna survive. I'm not going to die from it.” From an empathetic perspective, this book reveals how many daughters react to and deal with their mothers' diagnoses, depending on their age and family situation at the time of their mothers' illnesses. It shows how daughters can gain a more accurate idea of their level of risk by providing educational materials and developing new strategies for communication. It also helps breast cancer survivors see how their illnesses can shape their daughters' future outlook, offering new inspiration for resolving and preventing family crises.




Growing Up While Going Down the Rabbit Hole


Book Description

As the author’s childhood tumbles from her memory onto the pages of print, the reader is privy to all sorts of surprising revelations. Be prepared to chuckle with glee, feel your mouth gape reading about situations too weird to be untrue, wince as your heart breaks in sadness and anger over sordid situations, and shake your head both in disbelief and even perfect understanding of unusual childhood tales. Between the covers of the book, the author’s very direct style in sharing the goings-on around her that profoundly affected her talks to the reader personally and even bluntly. As the years pass, the toll from various elements in her life becomes clearer and grows higher. The book’s title was chosen because it chronicles from a curious angle a young girl’s memories of growing up. The story’s framework of recollections connected to given residences, the number of those residences, and the regularity with which this family migrated from one to another was interesting from the storytelling perspective and fortunate for Frances and all her readers. That her memories were mentally magnetized, that they attached and were thereby preserved according to the various times and places Frances called home, was an innovative, efficient, and effective writing device. Use of the rabbit hole idiom was spot-on, because despite growing older, taller, and maturing in ways (growing up), simultaneously an ominous, downward momentum was also steadily gaining more of a foothold in the life of this young person. Left unchecked, this destructive force would increasingly result in a stranger, more problematic, and chaotic life, an exquisite analogy provided by Lewis Carroll. The story shared within this book is a poignant and absorbing account as seen through the eyes of the child who lived it. Much is revealed throughout this narrative, and although the book ends, the story obviously continues. The indubitable question is not written but silently screams, what happens next?




The Top Five Regrets of the Dying


Book Description

The Top Five Regrets of Dying: A Life Transformed by the Dearly Departing.




Made Beautiful by Scars


Book Description

Veronica Farmer was diagnosed with extensive cancer just days before her wedding, and it was a powerful life scar for her. Made Beautiful by Scars started with the idea of Farmer sharing how cancer made her more beautiful. She then realized hosts of other womens lives are molded by their own scars. In this collection, she shares her story and the stories of twenty-two other women who have lived through trauma that did not break them. The narratives show how the tragedies they encountered grew them, expanded their beauty into a whole new realm, and touched many others. From Nicky who suffered the pain of infertility, to Kate who battled melanoma, and to Amanda who became a paraplegic, Made Beautiful by Scars captures raw stories from Farmer and other women who have faced all types of life scars and been made stronger. Farmer shines a light on the unimaginable strength of women, survivors who have been empowered by adversity and challenge.