Bibliotheca Lindesiana ...


Book Description




Fragonard


Book Description




The Material and the Ideal


Book Description

Reflecting the diverse interests of Jean-Michel Spieser, his colleagues, students and friends contribute papers focused on topics ranging from the changing role of the apse and the layout of late antique basilicas to holy relics said to have been brought from Constantinople. Many of the articles address the nature and impact of specific media - goldsmiths' work, ivory and ceramics - while a group of highly original, broader studies is devoted to such larger issues as ritual display in the tenth century, the metaphorical significance of pottery and an interrogation of the supposed influence of Byzantine icons on Western medieval art. Throughout, the achievement of the authors is to move from concrete observations of particular objects to the larger meaning they held for those who commissioned and made use of them.




A Critical and Historical Corpus of Florentine Painting


Book Description

This new volume proposes, in similar format but with recent photographs, illustrating the painting in their present state, the new edition of the book dedicated by Richard Offner in 1947 to the workshop of Bernardo Daddi, artist very much in demand in the first half of the 14th century. To some 70 pictures catalogued by Offner with entries which are now updated with new data on state and history as well as with bibliography, ten further, hitherto unpublished or little known items are given in this edition. The survey offered here makes the circle of Daddi, where several of chief figures of the Florentine painting in the second half of the Trecento were formed, one of the better known areas of the history of Italian painting of the Middle Age and early Renaissance.










The Flemish Primitives


Book Description

The third volume includes a final group of preeminent, identified artists from the period of transition at the end of the 15th and the beginning of the 16th century. Artistic production at this time was still rooted in late medieval thought, yet more and more seized with new renaissance developments, and at a permanent state of ferment with constantly changing needs of society. The catalogue deals with correspondingly complex issues of interpretation through the works of Hieronymus Bosch, Albrecht Bouts, Gerard David, Colijn de Coter and Goossen van der Weyden. It comprises a technical, stylistic and iconographical investigation of seventeen paintings on the basis of a scientific research method, which has been fully established over the years. The authors have been able to adjust various attributions and interpretations. At the same time most valuable discoveries have been made with regard to the provenance of some work belonging to the Albrecht Bouts and Colijn de Coter Groups.