The Bayeux Tapestry


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Forging Napoleon's Grande ArmŽe


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The men who fought in Napoleon’s Grande Armée built a new empire that changed the world. Remarkably, the same men raised arms during the French Revolution for liberté, égalité, and fraternité. In just over a decade, these freedom fighters, who had once struggled to overthrow tyrants, rallied to the side of a man who wanted to dominate Europe. What was behind this drastic change of heart? In this ground-breaking study, Michael J. Hughes shows how Napoleonic military culture shaped the motivation of Napoleon’s soldiers. Relying on extensive archival research and blending cultural and military history, Hughes demonstrates that the Napoleonic regime incorporated elements from both the Old Regime and French Revolutionary military culture to craft a new military culture, characterized by loyalty to both Napoleon and the preservation of French hegemony in Europe. Underscoring this new, hybrid military culture were five sources of motivation: honor, patriotism, a martial and virile masculinity, devotion to Napoleon, and coercion. Forging Napoleon's Grande Armée vividly illustrates how this many-pronged culture gave Napoleon’s soldiers reasons to fight.




The Bayeux Tapestry


Book Description




The Bayeux Tapestry


Book Description

"In the past two decades, scholarly assessment of the Bayeux Tapestry has begun to consider issues beyond its sources and analogues, dating, origin and purpose, and site of display." "This volume demonstrates the utility of more recent interpretive approaches to this famous artefact, especially with regard to newer concepts of gender, materiality, reception theory, cultural criticism, performativity, spatial narrative, New Historicism, and post-structuralism." "The essays frame vital issues for the future of Tapestry scholarship: they provide original perspectives, and engage with myriad critical concerns: the (New-) historical layering of meaning, representational systems of gender difference, visuality, memory and architecture, modern obsessions with author-like patronage, post-colonial notions of territory and saintly relics, and the function of historiography and media." "A bibliography of three centuries of critical writings completes the work." --Book Jacket.













Syllabus Series


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