General Catalogue of Printed Books


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The Poems of A.O. Barnabooth


Book Description

In 1908 a small volume of poetry was published in Paris by an unknown author named A. O. Barnabooth-who in fact did not exist. Only after the book received favorable reviews by major French writers and critics did its real author, Valery Larbaud, step forward to claim Barnabooth as his alter ego. The revised and expanded 1913 edition of the book, with Larbaud credited as its author, has become a classic, eventually being included in the esteemed Pleiade series of books devoted to great French writers and has remained in print in France for almost 100 years now. In The Poems of A. O. Barnabooth Larbaud expresses an ambivalent yearning for exotic places where one might be exalted by both the sadness and the beauty of life. He is fascinated by otherness. But, as Rimbaud put it, I is another. Larbaud/Barnabooth says, I always write with a mask upon my face. but sometimes this mask dissolves. Larbaud's modulation between cynical despair and the simple pleasures of everyday life bare the mercurial heart of a young poet fascinated by the mystery of identity, making The Poems of A. O. Barnabooth the marvelous and modern book that it is. This current bilingual edition, translated by the poets Ron Padgett and Bill Zavatsky, includes an introduction, additional poems by Larbaud, period post card illustrations, and detailed notes for all the poems.




Les Tragiques...


Book Description




A Transnational Poetics


Book Description

Poetry is often viewed as culturally homogeneous—“stubbornly national,” in T. S. Eliot’s phrase, or “the most provincial of the arts,” according to W. H. Auden. But in A Transnational Poetics, Jahan Ramazani uncovers the ocean-straddling energies of the poetic imagination—in modernism and the Harlem Renaissance; in post–World War II North America and the North Atlantic; and in ethnic American, postcolonial, and black British writing. Cross-cultural exchange and influence are, he argues, among the chief engines of poetic development in the twentieth and twenty-first centuries. Reexamining the work of a wide array of poets, from Eliot, Yeats, and Langston Hughes to Elizabeth Bishop, Lorna Goodison, and Agha Shahid Ali, Ramazani reveals the many ways in which modern and contemporary poetry in English overflows national borders and exceeds the scope of national literary paradigms. Through a variety of transnational templates—globalization, migration, travel, genre, influence, modernity, decolonization, and diaspora—he discovers poetic connection and dialogue across nations and even hemispheres.