Imperial Odessa: Peoples, Spaces, Identities


Book Description

Imperial Odessa: Peoples, Spaces, Identities is a book about a cosmopolitan city written by a cosmopolitan scholar with a literary flair. Evrydiki Sifneos conceives Odessa as more of a fin-de siècle east Mediterranean port-metropolis than as a provincial port-city of the Russian Empire in the nineteenth century due to two of its principal characteristics: its function as a hub of international trade and travel, and the multi-ethnic character of its inhabitants. The book unfolds around two interpenetrating axes. The first one introduces a new "peripatetic" approach that discovers the space of the city; and the other, the one that has given it its dynamic, is the socio-economic transformations that germinated within the political changes.










Between East and West


Book Description







Leonardo, Architect


Book Description

The monumental Mole Vanvitelliana in the harbor of the Adriatic City of Ancona is the spectacular setting for a most original Leonardo exhibition. For the first time Leonardo's presence at Urbino and Pesaro as an architect and general engineer in the service of Cesare Borgia in 1502 is presented in a historical and cultural context that includes every aspect of Leonardos art, science and technology, and also his philosophical outlook. The rarely seen materials, presented here in a fully illustrated catalogue, are also discussed in detail by seven scholars of international repute coordinated by the editor.




Medieval Narratives Between History and Fiction


Book Description

"The rise of literary fiction in medieval Europe has been a hotly debated topic among scholars for at least two decades, but until now that debate has come with severe limitations, focusing on ‘modern’ French and German romances of the twelfth and thirteenth centuries. Attempting to find common ground among scholars from various disciplines and regions, Medieval Narratives between History and Fiction seeks to clarify the subject by including a wide range of medieval narratives irrespective of their modern label and affiliation to certain disciplines. The chapters collected here broaden the discussion by moving beyond the canonical French and German romances, focusing mainly on texts in Greek, Latin and Old Norse (and also some in Serbian), and by opting for a ‘peripheral’ and a long-term view of the subject. The chapters take us from Graeco-Roman antiquity to medieval France, then to the Scandinavian lands and from there to south-eastern Europe and Byzantium as the link back to the Graeco-Roman world. This disposition also follows a spiral motion in time, leading us from antiquity to late antiquity and from the eleventh to the fifteenth century. By expanding the linguistic as well as the geographical and chronological scope of the debate, the book shows that we should not think of a ‘rise of fiction’ per se; rather, we should see fiction as a potential always imbued in and related to historical narratives – and recognize that non-fictional and non-vernacular writing are important for a modern understanding of medieval fiction."--