Country Women


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More Than the Truth


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The inspirational success story of the first 100 years of Hutchinson Builders. What started out as a one-man band in 1912, when an English immigrant builder arrived with his family to start a new life in Australia, has grown into the country's largest privately owned construction company. The Hutchies' story straddles a century that witnessed two world wars, the great depression and tumultuous cycles of financial crises against the back drop of the rough and tumble world of construction. As well as tracking the survival and eventual growth of Hutchies into the dynamic and well respected company of today, the book outlines its evolution through successive generations of Jack Hutchinsons at the helm with a fifth generation poised to take on that role. That story is told by way of a historical account as well as captured through the republication and inclusion of every back issue of "Hutchies' Truth", the company's colourful, tabloid-style newsletter covering those years.




The Training of Youth


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On Radji Beach


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When Singapore fell dramatically to the Japanese on 15 February 1942, hundreds of people scrambled to leave. Amongst the evacuees were 65 Australian nurses who boarded coastal freighter "Vyner Brooke" which Japanese bombers sank. The largest group of nurses that made it to shore gathered at Radji Beach. Eventually the shipwreck survivors surrendered to the Japanese rather than slowly starve to death. The Japanese did not accept their surrender and divided the Europeans into three groups and killed all in turn. The Australian nurses were in the third group, and 21 of them died in a hail of bullets as they walked into the waters off the beach. There was one survivor, Vivian Bullwinkel, and she went on to survive the various camps and diseases that took away several of her friends.




Sunshine and Rainbows


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A history of the development of homosexuality as an Australian subculture. Proceeding chronologically from the 1820s through to the vibrant alternative culture that exists in 2000, this book argues that the manner in which gay and lesbian identity has been constructed in Queensland is typical of Australia generally.




Hot Modernism


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This thematic presentation of the history of modernist architecture of queensland, Australia provides a fascinating case of the interrelation of climatic design and an aspiration for distinct cultural identity for a region. As international modernism swept the world after the Second World War it confronted differing landscapes, climates, and building traditions. The case of queensland is exemplary in this regard. queensland provided the challenge of heat and humidity that the theorists of modernism expected would be a scientific rationale from which regional variations of the movement would grow as Western progressive architecture was taken up in the developing world. But queensland was a relatively wealthy society with a sophisticated architectural culture and a well established discourse on the climatic determination of building form that had already given it a distinct regional identity. Hot Modernism is a thematic history that traces the conflicts and felicities that occurred as international modernism met a strongly developed regional cultural identity. In nine essays written by a group of international scholars and organised into four thematic sections (Foundations: Modernism and its Critique; Influences; People, Firms & Networks and Building Programmes), Hot Modernism highlights the foundation and growth of modern architecture in queensland, as well as issues that are common to post-war architecture internationally, such as urban form and transport, art and education, civic pride and the rediscovery of history. The regional flowerings of mid-twentieth century modernism in Europe and the Americas have in recent years been meticulously dissected and widely published, and Hot Modernism contributes to the emerging understanding that modernism, despite its internationalism, was not a monolit hic cultural movement, nor one that can be understood at a national level. The vastness of the Australian continent, along with its rich climatic, geographic and cultural diversity, necessitates a more nuanced, place-based approach. Hot Modernism zooms into this finer grain as it investigates and expounds the idiosyncratic, regional building practice that emerged in queensland in the decades following the Second World War. Based on substantial oral history and archival research, this publication offers engaging first-hand accounts and vivid illustrations of significant buildings and their under-acknowledged designers.




The Writing on the Wall


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Anzac Memories


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Anzac Memories was first published to acclaim in 1994, and has achieved international renown for its pioneering contribution to the study of war memory and mythology. Michael McKernan wrote that the book gave ‘as good a picture of the impact of the Great War on individuals and Australia as we are likely to get in this generation’, and Michael Roper concluded that ‘an immense achievement of this book is that it so clearly illuminates the historical processes that left men like my grandfather forever struggling to fashion myths which they could live by’. In this new edition Alistair Thomson explores how the Anzac legend has transformed over the past quarter century, how a ‘post-memory’ of the Great War creates new challenges and opportunities for making sense of the national past, and how veterans’ war memories can still challenge and complicate national mythologies. He returns to a family war history that he could not write about twenty years ago because of the stigma of war and mental illness, and he uses newly released Repatriation files to question his own earlier account of veterans’ post-war lives and memories and to think afresh about war and memory.




In Sligo Long Ago


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