The Art of the Medal


Book Description




Medallic Art of the American Numismatic Society, 1865-2014


Book Description

"During the past 150 years, the American Numismatic Society has been a leader in the publication of art medals in the United States. Generally employing the finest medalists available, the Society has set an example few can match. In addition, with the exception of the United States Mint, no U.S. entity can boast so long and distinguished a contribution in this area. Founded in 1858, the American Numismatic and Archaeological Society, as it was known from 1864-1907, believed the issuance of medals to be a part of its mission from the earliest years of its existence. Author Scott H. Miller includes 60 medals issued by the ANS between 1865 and 2014 along with two COAC medals and the 1910 Actors' Fund Medal, all accompanied by color photographs. Many entries are supplemented by artist's sketches and archival photographs as well as the stories behind each issue. Four Appendixes include recipients of some of these medals as well as the list of dies, hubs, galvanos, and casts of ANS medals in the ANS's own collection."




Numismatic Art in America


Book Description

Traces American coinage from its tentative beginnings in 1792 Philadelphia into the 21st century. Vermeule explores the artistic heritage and merits of each coin, and analyzes the influence of the popular arts upon coin design.




Coins and Costume in Late Antiquity


Book Description

This catalogue focuses on numismatic gold jewelry, from pendants set with coins and medallions to stamped pseudo-medallions, or a combination of both. Special attention is given to the technical issues of mounting techniques.




So-Called Dollars


Book Description

When So-Called Dollars was published it was the first, and it is still the only book to deal comprehensively with its subject matter. The book begins with the legendary Erie Canal Completion issues of 1826 and proceeds to catalog 135 years of the Golden Age of American history, all the way up to 1961. Although there have been many propositions for reviving the book over the years, none were more than theoretical musings until two collectors, Tom Hoffman of Crystal Lake, IL and Jonathan Brecher of Cambridge, MA set the process in motion. They have been joined by two others, Dave Hayes and John Dean, to produce a remarkable new edition, of the sort that can only be the product of dedicated hobbyists who love their subject and see it as their obligation to share with others the knowledge gained from years of collecting. While the second edition holds true to the original in basic style and in substance, prices have skyrocketed and it offers much that is new. There are many more illustrations than in the first edition. In fact, virtually every type is now represented by a photograph. More historical information for the issues is presented in the text, which has been further expanded with additional listings of both previously unknown metal varieties and totally new items. The size of each item is now given in mm rather than in 16ths of an inch as in the 1963 edition. Each issue has been assigned a rarity rating of from R-1, indicating more than 5,000 known, to R-10, meaning unique. In addition, a loose-leaf price guide included in each book at no additional charge. The index has been expanded to include references to more subjects and places. Finally, there is a section of color plates. The Hibler & Kappen book remains the standard reference work on the subject with its HK numbers an instantly recognizable means of cataloging and identification.










Antiquarianism and the Visual Histories of Louis XIV


Book Description

Antiquarianism and the Visual Histories of Louis XIV: Artifacts for a Future Past provides a new interpretation of objects and images commissioned by Louis XIV (1638-1715) to document his reign for posterity. The Sun King's image-makers based their prediction of how future historians would interpret the material remains of their culture on contemporary antiquarian methods, creating new works of art as artifacts for a future time. The need for such items to function as historical evidence led to many pictorial developments, and medals played a central role in this. Coin-like in form but not currency, the medal was the consummate antiquarian object, made in imitation of ancient coins used to study the past. Yet medals are often elided from the narrative of the arts of ancient r?me France, their neglect wholly disproportionate to the cultural status that they once held. This revisionary study uncovers a numismatic sensibility throughout the iconography of Louis XIV, and in the defining monuments of his age. It looks beyond the standard political reading of the works of art made to document Louis XIV's history, to argue that they are the results of a creative process wedded to antiquarianism, an intellectual culture that provided a model for the production of history in the grand si?e.







Medallic Art of the American Numismatic Society, 1865-2014


Book Description

During the past 150 years, the American Numismatic Society has been a leader in the publication of art medals in the United States. Generally employing the finest medalists available, the Society has set an example few can match. In addition, with the exception of the United States Mint, no U.S. entity can boast so long and distinguished a contribution in this area. Founded in 1858, the American Numismatic and Archaeological Society, as it was known from 1864-1907, believed the issuance of medals to be a part of its mission from the earliest years of its existence.Author Scott H. Miller includes 60 medals issued by the ANS between 1865 and 2014 along with two COAC medals and the 1910 Actors' Fund Medal, all accompanied by color photographs. Many entries are supplemented by artist's sketches and archival photographs as well as the stories behind each issue. Four appendixes include recipients of some of these medals as well as the list of dies, hubs, galvanos, and casts of ANS medals in the ANS's own collection.