Catalogue des objets d'art et d'ameublement, principalement du XVIIIe siècle, tableaux anciens par L. Boilly, F. Boucher, C. Chatelet, J. van Goyen, J. Senave, N. Taunay, etc., porcelaines anciennes de Sèvres, Saxe, Vincennes, objets de vitrine, coupe en céladon de la Chine, monture en bronze doré d'époque Louis XV, bronzes, pendules, lustres, sculpture, sièges et meubles anciens, estampillés de Avril, Boulard (J.-B.), Boudin (L.), Birkle, Cordie (S.), Cosson (J.-L), Corbissier, Delaunay (J.), Durand, Delaporte (A.), Feuerstein, Genty (D.), Hedouin (I.-B.), Lardin, Lexcellent, Migeon, Mariette, Othon, Petit (N.), Przirimbel, Rubestuck, Roussel (P.), R. V. I. C., Stockel (J.), Schmidt (A.-M.), Saumer (C.-C.), Wattelin (P.), important bureau plat et meuble à mécanique d'époque Régence et Louis XV, trois ameublements de salon, l'un d'eux en ancienne tapisserie des Gobelins à contrefond jaune, tapisseries anciennes du XVIIIe siècle, décoration du XVIIe siècle dans le goût de Pillement, tapis anciens, appartenant à divers amateurs


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Catalogue des objets d'art et d'ameublement, tableaux anciens, gouaches, dessus de porte, peintures sur verre des écoles françaises et italiennes, céramiques, faïences et porcelaines anciennes, vases en porcelaine et sujets biscuit de la manufacture de Dihl et Guerhard (XVIIIe siècle), bronzes et objets d'Extrême-Orient, marbres, bronzes, pendules, glaces en bois sculpté, suite de papiers peints représentant le port de Naples, d'après Vernet, sièges et meubles des XVIIIe et XIXe siècles, dont plusieurs portant les estampilles des maîtres ébénistes Criaerd, Bonnemain, Dieudonné, etc., tapis d'Aubusson provenant du château du Houx


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Rethinking Boucher


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"Unequivocally a modern, Francois Boucher (1703-70) defined the French artistic avant-garde throughout his career. Yet the triumph of modernist aesthetics - with its focus on the self-critical, the autonomous, and the intellectually challenging - has long discouraged art historians and other viewers from taking Boucher's playful and alluring works seriously. Rethinking Boucher revisits the cultural meanings and reception of his diverse oeuvre, inviting us to revise the interpretive cliches by which we have sought to tame this artist and his epoch."--BOOK JACKET.







Architectural Space in Eighteenth-Century Europe


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Architectural Space in Eighteenth-Century Europe: Constructing Identities and Interiors explores how a diverse, pan-European group of eighteenth-century patrons - among them bankers, bishops, bluestockings, and courtesans - used architectural space and décor to shape and express identity. Eighteenth-century European architects understood the client's instrumental role in giving form and meaning to architectural space. In a treatise published in 1745, the French architect Germain Boffrand determined that a visitor could "judge the character of the master for whom the house was built by the way in which it is planned, decorated and distributed." This interdisciplinary volume addresses two key interests of contemporary historians working in a range of disciplines: one, the broad question of identity formation, most notably as it relates to ideas of gender, class, and ethnicity; and two, the role played by different spatial environments in the production - not merely the reflection - of identity at defining historical and cultural moments. By combining contemporary critical analysis with a historically specific approach, the book's contributors situate ideas of space and the self within the visual and material remains of interiors in eighteenth-century Europe. In doing so, they offer compelling new insight not only into this historical period, but also into our own.




Furnishing the Eighteenth Century


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Cannibalismes disciplinaires


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Ce volume est issu du colloque "Histoire de l'art et anthropologie" qui s'est tenu du 21 au 23 juin 2007




Catalogue des objets d'art et d'ameublement. Sculptures par Houdon, Clodion, etc.; Très-belles pendules, grands candélabres, flambeaux, bras, chenets, etc. en bronze doré du temps de Louis XVI; Pendule en vieux Sèvres; Porcelaines diverses; Faïences; Bronzes d'art; Belle horloge Louis XIV en marqueterie; Sièges en tapisserie; Beaux meubles des époques XIV, Louis XV et Louis XVI. Très-belles tapisseries. Tableaux anciens et modernes. Aquarelles. Dépendant de la succession de feu Madame la Comtesse de Montesquiou-Fezensac...


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Luxury in the Eighteenth Century


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'Luxury in the 18th Century' explores the political, economic, moral and intellectual effects of the production and consumption of luxury goods, and provides a broadly-based account from a variety of perspectives, addressing key themes of economic debate, material culture, the principles of art and taste, luxury as 'female vice' and the exotic.