Obłazowa Cave


Book Description




Oblazowa Cave


Book Description




Oblazowa Cave


Book Description




Archaeology of Mountain Landscapes


Book Description

Mountains contain a rich and diverse set of remnants left by human societies. They have been inhabited since prehistory and have been transformed by human activity during prehistorical and historical times, and that history defines mountain landscapes as we know them today. Archaeology of Mountain Landscapes contains twenty contributions by forty-one specialists currently researching mountain areas in the Americas, Asia, and Europe. The different case studies address the subject diachronically, ranging from prehistory to modern times, and employ a variety of methodological strategies, including archaeological surveys and excavation, paleoenvironmental studies, and historical and ethnographical research. This volume demonstrates how multidisciplinary archaeological fieldwork is radically changing our vision of mountain landscapes. Viewing mountain landscapes as archaeological documents contributes to our understanding of the history of mountain environments and offers new archaeological datasets to use in the interpretation of human societies. Taken together, the essays collected here offer a comprehensive view of current research and suggest new directions for future study.




Ancestors


Book Description

An extraordinary exploration of the ancestry of Britain through seven burial sites. By using new advances in genetics and taking us through important archaeological discoveries, Professor Alice Roberts helps us better understand life today. ‘This is a terrific, timely and transporting book - taking us heart, body and mind beyond history, to the fascinating truth of the prehistoric past and the present’ Bettany Hughes We often think of Britain springing from nowhere with the arrival of the Romans. But in Ancestors, pre-eminent archaeologist, broadcaster and academic Professor Alice Roberts explores what we can learn about the very earliest Britons, from burial sites and by using new technology to analyse ancient DNA. Told through seven fascinating burial sites, this groundbreaking prehistory of Britain teaches us more about ourselves and our history: how people came and went and how we came to be on this island. It explores forgotten journeys and memories of migrations long ago, written into genes and preserved in the ground for thousands of years. This is a book about belonging: about walking in ancient places, in the footsteps of the ancestors. It explores our interconnected global ancestry, and the human experience that binds us all together. It’s about reaching back in time, to find ourselves, and our place in the world. PRE-ORDER CRYPT, THE FINAL BOOK IN ALICE ROBERTS' BRILLIANT TRILOGY – OUT FEBRUARY 2024.







What Is Paleolithic Art?


Book Description

The noted archaeologist explores the varieties of prehistoric cave art across the world and offers surprising insights into its purpose and meaning. What drew our Stone Age ancestors into caves to paint in charcoal and red hematite, to watch the likenesses of lions, bison, horses, and aurochs as they flickered by firelight? Was it a creative impulse, a spiritual dawn, a shamanistic conception of the world? In this book, Jean Clottes, one of the most renowned figures in the study of cave paintings, pursues an answer to the “why” of Paleolithic art. Discussing sites and surveys across the world, Clottes offers personal reflections on how we have viewed these paintings in the past, what we learn from looking at them across geographies, and what these paintings may have meant—and what function they may have served—for their artists. Steeped in Clottes’s shamanistic theories of cave painting, What Is Paleolithic Art? travels from well-known Ice Age sites like Chauvet, Altamira, and Lascaux to visits with contemporary aboriginal artists, evoking a continuum between the cave paintings of our prehistoric past and the living rock art of today. Clottes’s work lifts us from the darkness of our Paleolithic origins to reveal surprising insights into how we think, why we create, why we believe, and who we are




Snip, Burn, Solder, Shred


Book Description

Snip, Burn, Solder, Shred is packed with fun craft and toy-making projects for geeks on a budget. Inside, you’ll find illustrated instructions for 24 quirky playthings. Part I: Kid Stuff contains child-friendly projects like the Lock-N-Latch Treasure Chest and a PVC TeePee; Part II: The Electro-Skiffle Band is devoted to homemade musical instruments; and Part III: The Locomotivated showcases moving toys, like a muzzleloader that shoots marshmallows and a steam-powered milk-carton boat. Each project costs just $10 or less to make and is suitable for anyone, regardless of experience level. As you build, you’ll learn useful sewing and carpentry skills, and the appendix offers a primer on electronics and soldering. You (and your kids) will have hours of fun making projects like: –A simple electric guitar – An oversized joy buzzer that (safely) administers a 100-volt jolt – Cool, mess-free, screen-printed T-shirts – Kites made from FedEx envelopes – Booming Thunderdrums made from salvaged x-ray film – Classic board games like Go, Tafl, and Shut-the-Box Whether you’re a mom or dad in search of a rainy day activity, a Scout leader looking to educate and entertain your troop, or just a DIY weekend warrior, the projects in Snip, Burn, Solder, Shred will inspire and amuse you. Now, roll up your sleeves and make!




Antiquity


Book Description

Includes section "Reviews."




Weapons and Tools in Rock Art


Book Description

Weapons and tools are frequently found depicted in rock art in many parts of the globe and different periods and in varying social contexts. This collection of papers by leading rock art specialists examines the subjective and metaphorical value of weapons and tools in art, the actions that created them, and their contexts. It also takes into account that such representations incorporate and transmit some kind of understanding about the world and the relationship between objects and humans. Contributors analyse objects and weapons as status symbols, as evidences of cultural contacts, as ideological devices, etc. Divided into regional sections which, for once, do not focus on Scandinavia, chapters deal with the representations of weapons and certain kinds of tools (such as axes and sickles) in different prehistoric, protohistoric and traditional community contexts all over the world. Attention focuses on rock art, but also looks at stelae and statue-menhirs, as well as other kinds of ‘container’ or vehicle for this kind of depiction. The major concern is to discuss the possible meanings of these embodied signs in different areas and periods, since meanings are permeable both to time and space. Papers either centre their attention in broader approaches based on a specific area, region or people, or focus on particular case studies.