New Insights on the Gospels - Volume II


Book Description

“New Insights on the Gospels” Volume is part of a collection that enables you to accompany Our Lord Jesus Christ throughout every Sunday of the liturgical year, together with the founder of the Heralds of the Gospel. Dr Scott Hahn, Fr. Scanlan Chair of Biblical Theology and New Evangelization at the Franciscan University of Steubenville, OH, comments: “What a remarkable movement is the Heralds ! I spent my time this afternoon at JFK airport and my flight back to Pittsburgh reading New Insights- with great profit and excitement. I am so impressed by Msgr. Scognamiglio’s profound insight into Scripture as well as the spiritual wisdom that he communicates so clearly.” The work “New Insights on the Gospels,” beyond being exegetical and pastoral, has the merit of making theology accessible to all readers regardless of social status or academic level. To soar in the heights of Theology, what is needed, more than culture or intelligence, is faith. Faith enables us to penetrate truths and mysteries that lie beyond the reach of human understanding. When it comes to believing, higher learning or intellectual capacity is not of consequence; what truly matters is having a soul that is open to God’s light. It is only in the Catholic Faith that today’s world will find answers to the problems that perturb it. Perhaps this explains the growing interest among the faithful in deepening their knowledge of Catholic Doctrine. Could this be the reason for the successful publication of the first volumes of this collection? Published in four languages—English, Spanish, Italian, and Portuguese—its first edition quickly ran out, achieving a circulation of almost seventy thousand copies. Saving precious teachings of the Fathers and Doctors of the Church from falling into oblivion, it is a response to the worthy and emphatic recommendation of the Second Vatican Council of giving primacy to Thomism (cf. Optatam totius, n.16) in the study of the mysteries of salvation. The work has met wide acceptance among priests, for whom it is mainly intended, to serve as a resource in homily preparation. But it has met an equally warm reception among the lay faithful who are eager to broaden their religious knowledge. This may be a unique symptom of the spiritual condition of our age: the thirst for the divine. It is a thirst that increases as it is quenched, causing neither distress nor pain but only joy for those who seek to satisfy it in the crystalline springs of the Word of God.




Groucho and Me


Book Description

The “Me” in the title is a comparatively unknown Marx named Julius (1895-1977), who, under the nom de plume of Groucho, enjoyed a sensational career on Broadway and in Hollywood with such comedy classics as Animal Crackers, Monkey Business, Horse Feathers, Duck Soup, A Night at the Opera, and A Day at the Races. His solo career included work as a film actor, television game show emcee, and author of The Groucho Letters, Memoirs of a Mangy Lover, and his classic autobiography, Groucho and Me. With impeccable timing, outrageous humor, irreverent wit, and a superb sense of the ridiculous, Groucho tells the saga of the Marx Brothers: the poverty of their childhood in New York’s Upper East Side; the crooked world of small-time vaudeville (where they learned to carry blackjacks); how a pretzel magnate and the graceless dancer of his dreams led to the Marx Brothers’ first Broadway hit, I’ll Say She Is!, how the stock market crash in 1929 proved a godsend for Groucho (even though he lost nearly a quarter of a million dollars); the adventures of the Marx Brothers in Hollywood, the making of their hilarious films, and Groucho’s triumphant television series, You Bet Your Life!. Here is the life and lunatic times of the great eccentric genius, Groucho, a.k.a. Julius Henry Marx. “The book is never less than readable and its glimpses of American show business at its least glamorous are simple, true and sometimes rather touching.”—Times Literary Supplement “My advice is to ration yourself to a chapter a night—it’s that delectable.”—Chicago Sunday Tribune




Lope de Vega's Comedias de Tema Religioso


Book Description

Lope's use of self-reverential devices in Lo fingido verdadero and La buena guarda serves to highlight the illusory nature of life and the relationship between lo verdadero and lo divino which lie at the heart of the theocentric world view of seventeenth-century Spain. The conflicting imperatives of human and divine love and the issue of identity are features of all of the plays. Furthermore, it is illustrated that the interplay between illusion and reality and the relationship between playwright and audience are crucial to Lope's dramatic output."--Jacket.




Leopoldo Alas (Clarín)


Book Description

Novelist-critic Leopoldo Alas's reputation suffered neglect and silent reproval during much of the twentieth century, especially under the Franco regime, but his reputation has now achieved classic status in Spain. Clearly related to this is the great increase in the number of translations - Julian Barnes called La Regenta 'the foreign classic tardily discovered'. This bibliography picks up where the first one left off in 1984. It is divided into primary material and secondary material. Primary material includes: Anthologies and Selections; Criticism; Novels; Short Story Collections; Plays; Correspondence; Prologues; Reprints; Translations; and Miscellaneous, with two new categories: autograph manuscripts and iconography.




The War with Mexico (The Complete Two-Volume Edition)


Book Description

"The War with Mexico" in 2 volumes is one of the best-known works by an American historian Justin Harvey Smith. The Mexican-American War was an armed conflict between the United States and Mexico from 1846 to 1848. It followed in the wake of the 1845 U.S. annexation of Texas, which Mexico still considered Mexican territory since the government did not recognize the treaty signed by Mexican General Antonio López de Santa Anna when he was a prisoner of the Texian Army during the 1836 Texas Revolution. For Mexico, this was a provocation: Mexican forces attacked U.S. forces, and the United States Congress declared war. Volume 1: Mexico and the Mexicans The Political Education of Mexico The Relations between the United States and Mexico, 1825–1843 The Relations between the United States and Mexico, 1843–1846 The Mexican Attitude on the Eve of War The American Attitude on the Eve of War The Preliminaries of the Conflict Palo Alto and Resaca de Guerrero The United States Meets the Crisis The Chosen Leaders Advance Taylor Sets out for Saltillo Monterey Saltillo, Parras, and Tampico Santa Fe Chihuahua The California Question The Conquest of California The Genesis of Two Campaigns Santa Anna Prepares to Strike Buena Vista Volume 2: Behind the Scenes at Mexico Vera Cruz Cerro Gordo Puebla On to the Capital Contreras and Churubusco Negotiations Molino del Rey, Chapultepec and Mexico Final Military Operations The Naval Operations The Americans as Conquerors Peace The Finances of the War The War in American Politics The Foreign Relations of the War







The Assassination of Gaitán


Book Description

Drawn in part from personal interviews with participants and witnesses, Herbert Braun’s analysis of the riot’s roots, its patterns and consequences, provides a dramatic account of this historic turning point and an illuminating look at the making of modern Colombia. Braun’s narrative begins in the year 1930 in Bogotá, Colombia, when a generation of Liberals and Conservatives came to power convinced they could kept he peace by being distant, dispassionate, and rational. One of these politicians, Jorge Eliécer Gaitán, was different. Seeking to bring about a society of merit, mass participation, and individualism, he exposed the private interests of the reigning politicians and engendered a passionate relationship with his followers. His assassination called forth urban crowds that sought to destroy every visible evidence of public authority of a society they felt no longer had the moral right to exist. This is a book about behavior in public: how the actors—the political elite, Gaitán, and the crowds—explained and conducted themselves in public, what they said and felt, and what they sought to preserve or destroy, is the evidence on which Braun draws to explain the conflicts contained in Colombian history. The author demonstrates that the political culture that was emerging through these tensions offered the hope of a peaceful transition to a more open, participatory, and democratic society. “Most Colombians regard Jorge Eliécer Gaitán as a pivotal figure in their nation’s history, whose assassination on April 9, 1948 irrevocably changed the course of events in the twentieth century. . . . As biography, social history, and political analysis, Braun’s book is a tour de force.”—Jane M. Rausch, Hispanic American Historical Review




Censura y recepción de Hemingway en España


Book Description

Aquest llibre és un estudi de la censura i recepció que les obres d’Ernest Hemingway van tenir a Espanya. En el primer capítol es demostra que quan el nord-americà va escriure «Per a qui toquen les campanes» defensava la política cultural de l’Aliança d'Intel·lectuals Antifeixistes per a la Defensa de la Cultura. A més, s’hi ofereix una anàlisi al·legòrica de la novel·la amb l’objectiu de demostrar com el text s’assembla a les al·legories d’Alberti. El segon capítol resumeix la crítica espanyola sobre les obres de Hemingway. Es fa atenció especial a les ressenyes anticipades que es publicaren a Espanya abans que els seus llibres apareguessen en el país. Cinc dels set capítols d’aquest llibre són resultat de la recerca que s’ha dut a terme en l’Arxiu General de l’Administració d’Alcalá de Henares. El tercer capítol és un resum dels expedients compilats pels censors espanyols sobre les obres de l’escriptor publicades a Espanya durant el règim de Franco. El quart comenta l’expedient que els censors franquistes van reunir sobre el llibre «Hemingway, entre la vida y la muerte», de l’autor espanyol José Luis Castillo-Puche. Aquest capítol demostra com els censors controlaren la crítica sobre Hemingway, a més de censurar els llibres de l’escriptor. El cinquè capítol reprodueix i comenta la correspondència sobre el film «Per a qui toquen les campanes» enviada entre l’ambaixador d’Espanya a Washington i els cònsols espanyols als Estats Units. El sisè capítol publica i comenta la correspondència sobre el film «Les neus del Kilimanjaro» enviada entre els diplomàtics espanyols destinats als Estats Units. El setè estudia l’expedient compilat sobre Gustavo Durán, amic de Hemingway durant la Guerra Civil i personatge de la novel·la «Per a qui toquen les campanes». Aquest expedient aporta una nova interpretació de les al·lusions al poble d’Usera en la novel·la de Hemingway.







The Oxford Handbook of the Latin American Novel


Book Description

The Latin American novel burst onto the international literary scene with the Boom era--led by Julio Cortázar, Gabriel García Márquez, Carlos Fuentes, and Mario Vargas Llosa--and has influenced writers throughout the world ever since. García Márquez and Vargas Llosa each received the Nobel Prize in literature, and many of the best-known contemporary novelists are inspired by the region's fiction. Indeed, magical realism, the style associated with García Márquez, has left a profound imprint on African American, African, Asian, Anglophone Caribbean, and Latinx writers. Furthermore, post-Boom literature continues to garner interest, from the novels of Roberto Bolaño to the works of César Aira and Chico Buarque, to those of younger novelists such as Juan Gabriel Vásquez, Alejandro Zambra, and Valeria Luiselli. Yet, for many readers, the Latin American novel is often read in a piecemeal manner delinked from the traditions, authors, and social contexts that help explain its evolution. The Oxford Handbook of the Latin American Novel draws literary, historical, and social connections so that readers will come away understanding this literature as a rich and compelling canon. In forty-five chapters by leading and innovative scholars, the Handbook provides a comprehensive introduction, helping readers to see the region's intrinsic heterogeneity--for only with a broader view can one fully appreciate García Márquez or Bolaño. This volume charts the literary tradition of the Latin American novel from its beginnings during colonial times, its development during the nineteenth and the first half of the twentieth century, and its flourishing from the 1960s onward. Furthermore, the Handbook explores the regions, representations of identity, narrative trends, and authors that make this literature so diverse and fascinating, reflecting on the Latin American novel's position in world literature.