Obsidian Reflections


Book Description

Departing from the political economy perspective taken by the vast majority of volumes devoted to Mesoamerican obsidian, Obsidian Reflections is an examination of obsidian's sociocultural dimensions—particularly in regard to Mesoamerican world view, religion, and belief systems. Exploring the materiality of this volcanic glass rather than only its functionality, this book considers the interplay among people, obsidian, and meaning and how these relationships shaped patterns of procurement, exchange, and use. An international group of scholars hailing from Belize, France, Japan, Mexico, and the United States provides a variety of case studies from Mexico, Guatemala, Belize, and Honduras. The authors draw on archaeological, iconographic, ethnographic, and ethnohistoric data to examine obsidian as a touchstone for cultural meaning, including references to sacrificial precepts, powerful deities, landscape, warfare, social relations, and fertility. Obsidian Reflections underscores the necessity of understanding obsidian from within its cultural context—the perspective of the indigenous people of Mesoamerica. It will be of great interest to Mesoamericanists as well as students and scholars of lithic studies and material culture.




Obsidian Reflections


Book Description

Departing from the political economy perspective taken by the vast majority of volumes devoted to Mesoamerican obsidian, Obsidian Reflections is an examination of obsidian's sociocultural dimensions—particularly in regard to Mesoamerican world view, religion, and belief systems. Exploring the materiality of this volcanic glass rather than only its functionality, this book considers the interplay among people, obsidian, and meaning and how these relationships shaped patterns of procurement, exchange, and use. An international group of scholars hailing from Belize, France, Japan, Mexico, and the United States provides a variety of case studies from Mexico, Guatemala, Belize, and Honduras. The authors draw on archaeological, iconographic, ethnographic, and ethnohistoric data to examine obsidian as a touchstone for cultural meaning, including references to sacrificial precepts, powerful deities, landscape, warfare, social relations, and fertility. Obsidian Reflections underscores the necessity of understanding obsidian from within its cultural context—the perspective of the indigenous people of Mesoamerica. It will be of great interest to Mesoamericanists as well as students and scholars of lithic studies and material culture.




Obsidian Reflections


Book Description

Does the future meet the past, or does the past meet the future? Olivia Adam shall endeavor to discover that answer while trying to stay alive in this historic incident. Her normal career-oriented life is flipped upside down after stumbling into an antique shop and found herself thrusted over 200 years in the past. A ransom demand and near-deadly poisoning have her wondering if she will have the opportunity to find her answers. The idyllic vacation she had planned cast away as a noble lord plays with her heartstrings, attempting to lure her into a forbidden love. Olivia finds herself on a deadly adventure that has her precariously tiptoeing a fine line between two worlds that have collided in the most stunning way. Will she ever return home, or has destiny chosen her path for her in this electrifying tale we can all ponder does a mirror reflection really tell-all?




Mirror-travels


Book Description

Offering a critical analysis of Smithson's view of time, it provides comprehensive case studies of three of his most influential projects: "The Monuments of Passaic," a sardonic tour of a decaying New Jersey city conducted in the wake of the passage of the National Historic Preservation Act; "Incidents of Mirror-Travel in the Yucatan," a textual-sculptural-photographic travelogue that coincided with a series of revolutionary discoveries about Maya history; and the Spiral Jetty."--BOOK JACKET.




Obsidian Mirror


Book Description

The obsidian mirror. Its power is great and terrible. Men have been lost in it, the dead brought back to life through it, and the future annihilated by it. Or this is what will happen unless the mirror is destroyed. Three people seek the mirror: the first has been sent from the future to shatter its power; the second will protect the mirror at all costs, obsessed with its power; and the third needs the mirror to find a murdered father and save his life. But only one can succeed. The mirror can send you to the past, but it will not bring you back. With superb world-building that includes the real world, the faery world, and a dystopic future, this hauntingly astonishing adventure is the start of a new trilogy from the master of the sci-fi/fantasy genre, Catherine Fisher. Fans of Orson Scott Card, Dr. Who, Shakespeare, and Blade Runner won't be disappointed.




Jungian Reflections on Systemic Racism


Book Description

Jungian Reflections on Systemic Racism is a unique contribution of Jungian analysts and analysts-in-training who provide individual perspectives and approaches to promoting greater inclusivity in analytical theory, training and practice. This book examines issues of racism through intrapsychic, interpersonal, and archetypal lenses. Drawing from the specificity and ingenuity of Jungian psychoanalysis, the authors provide personal narratives, clinical vignettes, and theoretical perspectives that exemplify ways of comprehending and furthering the work of anti-racism. The editors assert that without deeper exploration of our theories, distinguishing between the theory itself and the theorist’s unconscious biases, our clinical paradigms unconsciously align and thus perhaps promote an attitude of white supremacy in psychoanalytic training programs and practices. Without claiming to reflect the official view of any particular psychoanalytic community, it utilizes Jung’s analytic paradigm to offer insight into the dynamics of the cultural complex of racism from a depth psychological perspective. Jungian Reflections on Systemic Racism is an important resource for psychoanalytic students, trainees, supervisors, and practitioners, as well as for clinicians, medical professionals, social workers, mental health professionals, sociologists, and anyone interested in the wide impact of the unscientific construct of 'race’.




Tezcatlipoca


Book Description

Tezcatlipoca: Trickster and Supreme Deity brings archaeological evidence into the body of scholarship on “the lord of the smoking mirror,” one of the most important Aztec deities. While iconographic and textual resources from sixteenth-century chroniclers and codices have contributed greatly to the understanding of Aztec religious beliefs and practices, contributors to this volume demonstrate the diverse ways material evidence expands on these traditional sources. The interlocking complexities of Tezcatlipoca’s nature, multiple roles, and metaphorical attributes illustrate the extent to which his influence penetrated Aztec belief and social action across all levels of late Postclassic central Mexican culture. Tezcatlipoca examines the results of archaeological investigations—objects like obsidian mirrors, gold, bells, public stone monuments, and even a mosaic skull—and reveals new insights into the supreme deity of the Aztec pantheon and his role in Aztec culture.




Manufactured Light


Book Description

Complex and time-consuming to produce, iron-ore mirrors stand out among Prehispanic artifacts for their aesthetic beauty, their symbolic implications, and the complexity and skill of their assembly. Manufactured Light presents the latest archaeological research on these items, focusing on the intersection of their significance and use and on the technological aspects of the manufacturing processes that created them. The volume covers the production, meaning, and utilization of iron-ore mirrors in various Mesoamerican communities. Chapters focus on topics such as experimental archaeology projects and discussions of workshops in archaeological contexts in the Maya, Central Mexico, and northwest Mexico regions. Other chapters concentrate on the employment and ideological associations of these mirrors in Prehispanic times, especially as both sacred and luxury items. The final chapters address continuities in the use of mirrors from Prehispanic to modern times, especially in contemporary indigenous communities, with an emphasis on examining the relationship between ethnographic realities and archaeological interpretations. While the symbolism of these artifacts and the intricacy of their construction have long been recognized in archaeological discussions, Manufactured Light is the first synthesis of this important yet under-studied class of material culture. It is a must-read for students and scholars of Mesoamerican archaeology, ethnography, religion, replicative experimentation, and lithic technology. Contirbutors include: Marc G. Blainey, Thomas Calligaro, Carrie L. Dennett, Emiliano Gallaga, Julie Gazzola, Sergio Gómez Chávez, Olivia Kindl, Brigitte Kovacevich, Achim Lelgemann, José J. Lunazzi, John J. McGraw, Emiliano Melgar, Joseph Mountjoy, Reyna Solis, and Karl Taube.




Controlling Colours


Book Description

Colour defines our material world, operates as a communication tool and creates meaning. This book revisits well known and well documented sites or artefacts and explores their colours and colour connotations by looking at various contexts such as processes, landscape, iconography, body decoration or the colour connotations of death.




Iconicity of the Uto-Aztecans


Book Description

Uto-Aztecan iconic practices are primarily conditioned by the consciousness of the snake as a death-dealing power, and as such, an animal that displays the deepest fears and anxieties of the individual. The attempt to study a snake simulacrum thus constitutes the basic objective of this volume. A long, all-embracing iconicity of snakes and related snake motifs are evident in different cultural expressions ranging from rock art templates to other cultural artifacts like basketry, pottery, temple architecture and sculptural motifs. Uto-Aztecan iconography demonstrates a symbolic memorial order of emotional valences, as well as the negotiations with death and a belief in rebirth, just as the skin-shedding snake reptile manifests in its life cycle.