A Backward Glance


Book Description

"Scholars in a number of disciplines (sociology, anthropology, law, Appalachian studies, southern studies Latino studies, labor studies) would find this book useful in both their research and courses." --Donald E. Davis, coeditor of Voices from the Nueva Frontera: Latino Immigration in Dalton, Georgia "Scholars working on policy questions, demographic concerns, cultural studies, political economy, and 'new destination' will all find this book extremely useful." --Altha J. Cravey, author of Women and Work in Mexico's Maquiladoras In recent decades, Latino immigration has transformed communities and cultures throughout the southeastern United States-and become the focus of a sometimes furious national debate. Global Connections and Local Receptions is one of the first books to provide an in-depth consideration of this profound demographic and social development. Examining Latino migration at the local, state, national, and binational levels, this book includes studies of southeastern locales and a statewide overview of Tennessee. Leading migration scholar Alejandro Portes offers a national analysis while Raúl Delgado Wise provides a Mexican perspective on the migration issue and its policy implications for both the United States and Mexico. This collection contains a broad base of contributions from legal scholars, sociologists, anthropologists, geographers, and political scientists. Readers will find demographic data charting trends in immigration, descriptions of organizing and of individual experiences, a quantitative comparison of new and old destinations, a critical history of U.S. immigration policy in recent decades, a report on access to housing and efforts to enact anti-immigrant laws, an assessment of how mass outmigration currently affects the national economy and communities in Mexico, analysis of the way dominant ideology frames "black-brown" relationships in southern labor markets, and a concluding essay with detailed recommendations for making U.S. immigration policy just and humane. Frances L. Ansley is Distinguished Professor of Law Emeritus at the University of Tennessee College of Law in Knoxville. She is the author of numerous book chapters and the principal humanities adviser to a documentary film. Her articles have been published in the California Law Review, Cornell Journal of International Law, Georgetown Journal of Poverty Law & Policy, University of Pennsylvania Journal of Labor & Employment Law, and numerous additional publications. Jon Shefner is associate professor of sociology and director of the Interdisciplinary Program in Global Studies at the University of Tennessee, Knoxville. He is the coeditor of Out of the Shadows: Political Action and the Informal Economy in Latin America. His recent book is The Illusion of Civil Society: Democratization and Community Mobilization in Low-Income Mexico.




For the Union Dead


Book Description




The Wary Fugitives


Book Description

John Crowe Ransom, Allen Tate, Donald Davidson, and Robert Penn Warren—each began his career as one of the coterie of southern poets centered at Vanderbilt University who attracted national attention with their publication of The Fugitive magazine in the early 1920s and the celebrated essays in I’ll Take My Stand. Collectively known as the Fugitives (or Agrarians as they were later called) they became ardent and influential participants in the regionalist-proletarian literary controversies of the Depression decades. Each of the four poets was personally concerned with the connection between their creative work and the social realities around them. In The Wary Fugitives Louis Rubin masterfully explores and illustrates the relationships between their poetry, novels, and literary criticism, and their work as social critics. He conducts, in the process, a revealing and provocative inquiry into the connection between American history and the twentieth-century South.







Collected Poems, 1919-1976


Book Description

One of the early-twentieth century Southern intellectuals and artists of the early twentieth century known as the Agrarians, Allen Tate wrote poetry that was rooted strongly in that region's past—in the land, the people, and the traditions of the American South as well as in the forms and concerns of the classic poets. In "Ode to the Confederate Dead"— generally recognized as his greatest poem—he delineates both the horror of the sight of rows of tombstones at a Confederate cemetery and the honor that such sacrifice embodies, resulting in "a masterpiece that could not be transcended" (William Pratt).




Flannery O'Connor


Book Description

Disturbing, ironic, haunting, brutal. What inner struggles led Flannery O’Connor to create fiction that elicits such labels? Much of the tension that drives O’Connor’s writing, says Sarah Gordon, stems from the natural resistance of her imagination to the obedience expected by her male-centered church, society, and literary background. Flannery O’Connor: The Obedient Imagination shows us a writer whose world was steeped in male presumption regarding women and creativity. The book is filled with fresh perspectives on O’Connor’s Catholicism; her upbringing as a dutiful, upper-class southern daughter; her readings of Thurber, Poe, Eliot, and other arguably misogynistic authors; and her schooling in the New Criticism. As Gordon leads us through a world premised on expectations at odds with O’Connor’s strong and original imagination, she ranges across all of O’Connor’s fiction and many of her letters and essays. While acknowledging O’Connor’s singular situation, Gordon also gleans insights from the lives and works of other southern writers, Eudora Welty, Caroline Gordon, and Margaret Mitchell among them. Flannery O’Connor: The Obedient Imagination draws on Sarah Gordon’s thirty years of reading, teaching, and discussing one of our most complex and influential authors. It takes us closer than we have ever been to the creative struggles behind such literary masterpieces as Wise Blood and “A Good Man Is Hard to Find.”




Native Guard (enhanced Audio Edition)


Book Description

Included in this audio-enhanced edition are recordings of the U.S. Poet Laureate Natasha Trethewey reading Native Guard in its entirety, as well as an interview with the poet from the HMH podcast The Poetic Voice, in which she recounts what it was like to grow up in the South as the daughter of a white father and a black mother and describes other influences that inspired the work. Experience this Pulitzer Prize–winning collection in an engaging new way. Growing up in the Deep South, Natasha Trethewey was never told that in her hometown of Gulfport, Mississippi, black soldiers had played a pivotal role in the Civil War. Off the coast, on Ship Island, stood a fort that had once been a Union prison housing Confederate captives. Protecting the fort was the second regiment of the Louisiana Native Guards -- one of the Union's first official black units. Trethewey's new book of poems pays homage to the soldiers who served and whose voices have echoed through her own life. The title poem imagines the life of a former slave stationed at the fort, who is charged with writing letters home for the illiterate or invalid POWs and his fellow soldiers. Just as he becomes the guard of Ship Island's memory, so Trethewey recalls her own childhood as the daughter of a black woman and a white man. Her parents' marriage was still illegal in 1966 Mississippi. The racial legacy of the Civil War echoes through elegiac poems that honor her own mother and the forgotten history of her native South. Native Guard is haunted by the intersection of national and personal experience.




The Congo and Other Poems


Book Description

More than 75 works, including a number of Lindsay's most popular performance pieces, "The Congo" and "The Santa Fe Trail" among them.




Hart Crane and Allen Tate


Book Description

Focusing on the vexed friendship between Hart Crane and Allen Tate, this book examines twentieth-century American poetry's progress toward institutional sanction and professional organization, a process in which sexual identities, poetic traditions, and literary occupations were in question and at stake. Langdon Hammer combines biography and formalist analysis to argue that American modernism was a Janus-faced phenomenon, at once emancipatory and elitist, which simultaneously attacked traditional cultural authority and reconstructed it in new forms. Hammer shows how Crane and Tate, working in relation to each other and to T. S. Eliot, created for themselves the competing roles of "genius" and "poet-critic." Crane embraced the self-authorizing powers of the individual talent at the cost of standing outside the emerging consensus of high modernist literary culture, an aesthetic isolation which converged with his social isolation as a gay man. Tate, turning against Crane, linked the modernist defense of tradition to an embattled heterosexual masculinity, while he adapted Eliot's stance to a career sustained by criticism and teaching. Ending his book with a discussion of Robert Lowell's career, Hammer maintains that Lowell's "confessional" poetry recapitulates the conflict enacted by Crane and Tate. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.




The Rebuke of History


Book Description

In 1930, a group of southern intellectuals led by John Crowe Ransom, Allen Tate, Donald Davidson, and Robert Penn Warren published I'll Take My Stand: The South and the Agrarian Tradition. A stark attack on industrial capitalism and a defiant celebration of southern culture, the book has raised the hackles of critics and provoked passionate defenses from southern loyalists ever since. As Paul Murphy shows, its effects on the evolution of American conservatism have been enduring as well. Tracing the Agrarian tradition from its origins in the 1920s through the present day, Murphy shows how what began as a radical conservative movement eventually became, alternately, a critique of twentieth-century American liberalism, a defense of the Western tradition and Christian humanism, and a form of southern traditionalism--which could include a defense of racial segregation. Although Agrarianism failed as a practical reform movement, its intellectual influence was wide-ranging, Murphy says. This influence expanded as Ransom, Tate, and Warren gained reputations as leaders of the New Criticism. More notably, such "neo-Agrarians" as Richard M. Weaver and M. E. Bradford transformed Agrarianism into a form of social and moral traditionalism that has had a significant impact on the emerging conservative movement since World War II.