Odes and Elegies, with the Patriot, a Poem


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Representing the National Landscape in Irish Romanticism


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Ireland is a country which has come to be defined in part by an ideology which conflates nationalism with the land. From the Irish Revival’s celebration of the Irish peasant farmer as the ideal Irishman to the fierce history of land claim battles between the Irish and their colonizers, notions of the land have become particularly bound up with conceptions of what Ireland is and what it is to be Irish. In this book, Wright considers this fraught relationship between land and national identity in Irish literature. In doing so, she presents a new vision of the Irish national landscape as one that is vitally connected to larger geographical spheres. By exploring issues of globalization, international radicalism, trade routes, and the export of natural resources, Wright is at the cutting edge of modern global scholarly trends and concerns. In considering texts from the Romantic era such as Leslie’s Killarney, Edgeworth’s “Limerick Gloves,” and Moore’s Irish Melodies, Wright undercuts the nationalist myth of a “people of the soil” using the very texts which helped to construct this myth. Reigniting the field of Irish Romanticism, Wright presents original readings which call into question politically motivated mythologies while energizing nationalist conceptions that reflect transnational networks and mobility.







The Patriot Poets


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Since before the Declaration of Independence, poets have shaped a collective imagination of nationhood at critical points in American history. In The Patriot Poets Stephen Adams considers major odes and "progress poems" that address America's destiny in the face of slavery, the Civil War, imperialist expansion, immigration, repeated financial boom and bust, gross social inequality, racial and gendered oppression, and the rise of the present-day corporate oligarchy. Adams elucidates how poets in the nineteenth and twentieth centuries addressed political crises from a position of patriotic idealism and how military interventions overseas in Cuba and in the Philippines increasingly caused poets to question the actions of those in power. He traces competing loyalties through major works of writers at both extremes of the political spectrum, from the radical Republican versus Confederate voices of the Civil War, through New Deal liberalism versus the lost-cause propaganda of the defeated South and the conservative isolationism of the 1930s, and after the Second World War, the renewed hope of Black leaders and the existential alienation of Allen Ginsberg's counter-culture. Blazing a new path of critical discourse, Adams questions why America, of all nations, has appeared to rule out politics as a subject fit for poetry. His answer draws connections between familiar touchstones of American poetry and significant yet neglected writing by Philip Freneau, Sidney Lanier, Archibald MacLeish, William Vaughn Moody, Muriel Rukeyser, Genevieve Taggard, Allen Tate, Henry Timrod, Melvin B. Tolson, and others. An illuminating and pioneering work, The Patriot Poets provides a rich understanding of the ambivalent relationship American poets and poems have had with nation, genre, and the public.




Back to the Present: Forward to the Past, Volume I


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The island of Ireland, north and south, has produced a great diversity of writing in both English and Irish for hundreds of years, often using the memories embodied in its competing views of history as a fruitful source of literary inspiration. Placing Irish literature in an international context, these two volumes explore the connection between Irish history and literature, in particular the Rebellion of 1798, in a more comprehensive, diverse and multi-faceted way than has often been the case in the past. The fifty-three authors bring their national and personal viewpoints as well as their critical judgements to bear on Irish literature in these stimulating articles. The contributions also deal with topics such as Gothic literature, ideology, and identity, as well as gender issues, connections with the other arts, regional Irish literature, in particular that of the city of Limerick, translations, the works of Joyce, and comparisons with the literature of other nations. The contributors are all members of IASIL (International Association for the Study of Irish Literatures). Back to the Present: Forward to the Past. Irish Writing and History since 1798 will be of interest to both literary scholars and professional historians, but also to the general student of Irish writing and Irish culture.




Odes and Elegies, Descriptive and Sentimental


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This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.







Patriotism and Poetry in Eighteenth-Century Britain


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The poetry of the mid- and late-eighteenth century has long been regarded as primarily private and apolitical; in this wide-ranging study Dustin Griffin argues that in fact the poets of the period were addressing the great issues of national life--rebellion at home, imperial wars abroad, an expanding commercial empire, an emerging new British national identity. Taking up the topic of patriotic verse, Griffin shows that poets such as Thomas Gray, Christopher Smart, Oliver Goldsmith, and William Cowper were engaged in the century-long debate about the nature of true patriotism.