OFF THE WALL Prison Art & Humor


Book Description

I wanted to show the world that rehabilitation of criminals is a reality and not just a dream. Since most are in prison for property crimes, which stem from living in poverty, it just did not seem smart to lock them up a few years and then kick them out just as poor as they went in. Off The Wall will enable me to hire convicts by buying their art and prose. It will be therapy for some and more money for most. At least they will have a fighting chance. What do they have now? Please note that some of this stuff is gross, weird, unusual, and bizarre. Profanity! This is a combination of humor and expose/opinions. Something for everybody. But not for those who are easily offended or grossed out. Very ingenious stuff, though. A good read! See preview.




Theology, Empowerment, and Prison Ministry


Book Description

In Theology, Empowerment, and Prison Ministry Meins G.S. Coetsier offers a new account of Karl Rahner’s theological anthropology and the prison pastorate with a contemporary expansion for meaning, seeking an antidote to the suffering of those incarcerated with a “theology of empowerment.”




SHEER GENIUS (Examining the Universe)


Book Description

Once again, Rundy has outdone himself. And he has taken us to new heights. This man was once listed as one of the smartest men in America...if not the world. The way that Rundy perceives the world around us is nothing short of amazing. In this latest work, Rundy gives us answers to many questions which have eluded us. This collection of theories covers more than two dozen topics. Among these, why Astrology is real, the speed of light varies, the solar system used to have only five planets, how to spot abusive people/predators, how to reduce crime by more than 30%%%%, making rehabilitation of criminals reality, exposing government corruption, improving the economy, how to get rich, and the impending civil war. If you want answers to life's mysteries, you need look no further than Sheer Genius. Then again, maybe you shouldn't read this. Some of it is pretty scary. Small Print Version 12/14




Behind the Razor Ribbon


Book Description

Life inside a Federal Penitentiary is a mystery to most people. Closely governed by rule and law, Federal Penitentiaries are nevertheless complex communities of people who live and work behind the razor ribbon that encircles them. Correctional Officers are among the few people who are part of the daily experiences behind the walls of prisons across the country. This collection of images of twenty-nine pieces of artwork and their narratives is one retired Correctional Officer’s depiction of that community, and of his experiences working at the Saskatchewan Penitentiary. The artwork, created with various mediums, captures moments and events, experiences and feelings—both traumatic and humorous—that have impacted the artist. This body of work provides a glimpse into what life behind the razor ribbon is like for those who live and work there, and has been a healing journey for the artist who created it. Behind the Razor Ribbon—A Correctional Officer’s Perspective illuminates and provides understanding of the role of the Correctional Officer in Canada’s prison system in a unique and personal context.




Framing Literary Humour


Book Description

Contrary to what their oppressive design would lead us to believe, might structures of imprisonment actually incite humour? Starting from the most obvious areas of imprisonment (war camps, prison cells) and moving to the less obvious (masks, bodies), Framing Literary Humour demonstrates how 20th-century humour in theory and in fiction cannot be fully understood without a careful look at its connection with the notion of imprisonment. Understanding imprisonment as a concrete spatial setting or a metaphorical image, Jeanne Mathieu-Lessard analyses selected works of Romain Gary, Giovannino Guareschi, Wyndham Lewis, Vladimir Nabokov and Luigi Pirandello to reconfigure confinement as an essential structural condition for the emergence of humour.




If You Don't Laugh You'll Cry


Book Description

Introduces readers to prison workers as they share stories, debate the role of corrections in American racial politics and social justice, and talk about the important function of humor in their jobs.




The Mars Room


Book Description

TIME’S #1 FICTION TITLE OF THE YEAR • NEW YORK TIMES NOTABLE BOOK OF 2018 FINALIST for the MAN BOOKER PRIZE and the NATIONAL BOOK CRITICS CIRCLE AWARD LONGLISTED for the ANDREW CARNEGIE MEDAL An instant New York Times bestseller from two-time National Book Award finalist Rachel Kushner, The Mars Room earned tweets from Margaret Atwood—“gritty, empathic, finely rendered, no sugar toppings, and a lot of punches, none of them pulled”—and from Stephen King—“The Mars Room is the real deal, jarring, horrible, compassionate, funny.” It’s 2003 and Romy Hall, named after a German actress, is at the start of two consecutive life sentences at Stanville Women’s Correctional Facility, deep in California’s Central Valley. Outside is the world from which she has been severed: her young son, Jackson, and the San Francisco of her youth. Inside is a new reality: thousands of women hustling for the bare essentials needed to survive; the bluffing and pageantry and casual acts of violence by guards and prisoners alike; and the deadpan absurdities of institutional living, portrayed with great humor and precision. Stunning and unsentimental, The Mars Room is “wholly authentic…profound…luminous” (The Wall Street Journal), “one of those books that enrage you even as they break your heart” (The New York Times Book Review, cover review)—a spectacularly compelling, heart-stopping novel about a life gone off the rails in contemporary America. It is audacious and tragic, propulsive and yet beautifully refined and “affirms Rachel Kushner as one of our best novelists” (Entertainment Weekly).




The Outsider, Art and Humour


Book Description

This cross-disciplinary book, situated on the periphery of culture, employs humour to better comprehend the arts, the outsider and exclusion, illuminating the ever-changing social landscape, the vagaries of taste and limits of political correctness. Each chapter deals with specific themes and approaches – from the construct of outsider and complexity of humour, to Outsider Art and spaces – using various theoretical and analytical methods. Paul Clements draws on humour, especially from visual arts and culture (and to a lesser extent literature, film, music and performance), as a tool of ridicule, amongst other discourses, employed by the powerful but also as a weapon to satirize them. These ambiguous representations vary depending on context, often assimilated then reinterpreted in a game of authenticity that is poignant in a world of facsimile and 'fake news'. The humour styles of a range of artists are highlighted to reveal the fluidity and diversity of meaning which challenges expectations and at its best offers resistance and, crucially, a voice for the marginal. This book will be of particular interest to scholars in art history, cultural studies, fine art, humour studies and visual culture.







The 1931-1940: American Film Institute Catalog of Motion Pictures Produced in the United States


Book Description

"The entire field of film historians awaits the AFI volumes with eagerness."--Eileen Bowser, Museum of Modern Art Film Department Comments on previous volumes: "The source of last resort for finding socially valuable . . . films that received such scant attention that they seem 'lost' until discovered in the AFI Catalog."--Thomas Cripps "Endlessly absorbing as an excursion into cultural history and national memory."--Arthur Schlesinger, Jr.