Old and Middle English c.890-c.1450


Book Description

Spanning almost seven centuries, this anthology encapsulates the foundation and consolidation of literature written in English, culminating in some of the finest works produced in English in the high Middle Ages. New edition of this widely-used anthology of Old and Middle English literature Now extended to include newly-edited versions of Old English Wonders of the East, of Poema Morale, extracts from Julian of Norwich and Margery Kempe Full translations are offered for the Old and earlier Middle English material, along with marginal glosses for the later texts A general introduction gives an outline of key works and the historical context in which they are written




Introduction to Old English


Book Description

Featuring numerous updates and additional anthology selections, the 3rd edition of Introduction to Old English confirms its reputation as a leading text designed to help students engage with Old English literature for the first time. A new edition of one of the most popular introductions to Old English Assumes no expertise in other languages or in traditional grammar Includes basic grammar reviews at the beginning of each major chapter and a “minitext” feature to aid students in practicing reading Old English Features updates and several new anthology readings, including King Alfred’s Preface to Gregory’s Pastoral Care




Old and Middle English c.890-c.1400


Book Description

Spanning almost seven centuries, this anthology encapsulates the foundation and consolidation of literature written in English, culminating in some of the finest works produced in English in the high Middle Ages. New edition of this widely-used anthology of Old and Middle English literature. Spans almost seven centuries, from the earliest writings in English to the time of Chaucer. Encapsulates the foundation and consolidation of literature written in English, culminating in some of the finest works produced in the high Middle Ages. Now extended to include newly-edited versions of key late medieval texts, namely ‘Sir Gawain and the Green Knight’, extracts from ‘Piers Plowman’, and selections from Chaucer. Texts are arranged by date of manuscript. Full translations are offered for the Old and earlier Middle English material, along with marginal glosses for the later texts. A general introduction gives an outline of key works and the historical context in which they were written.




A Guide to Old English


Book Description




Beginning Old English


Book Description

This basic introduction to Old English is an essential guide for students with little or no linguistic knowledge. Unlike other textbooks on the subject, Beginning Old English focuses on the explanation and demonstration of how the language works, using accessible illustrations from simplified Old English texts and showing how many features of present-day English have their roots in this stage of the language. Beginning Old English - builds up reading skills by using simple texts to support the acquisition of key vocabulary and to develop awareness of language structure - offers an introduction to the conventions of Old English poetry and how they are realised across different genres: religious verse, riddles, elegies and heroic poetry - explores issues in the translation of Old English verse - guides the reader through four major texts: Cynewulf and Cyneheard, Beowulf (extract), The Battle of Maldon and The Dream of the Rood - features activities, glossaries, illustrations and a Further Reading section. Concise and approachable, this invaluable text will appeal to anyone with an interest in the early history of English language and literature. This is a simple introduction to Old English for students with little linguistic knowledge. Unlike other textbooks, Beginning Old English focuses on the explanation of how the language works, using accessible illustrations from Old English texts and showing how features of present-day English have their roots in this stage of the language. Assumes no previous linguistic knowledge Second edition updated and revised to take advantage of the availability of digital and online resources, such as the Electronic Beowulf and Learning with the Online Thesaurus of Old English A new chapter, Introducing Old English Prose, added to Part I, complements the existing chapter on Introducing Old English Poetry, by analysing the extent to which different prose genres draw on the techniques of poetry Two new texts, The Ruin and Ælfric's Life of St Æthelthryth, have been added to Part II, which provides graded readings from simplified texts to canonical works in Old English (contains long extracts from Beowulf, Cynewulf and Cyneheard, The Battle of Maldon and The Dream of the Rood)




Old Englishness in King Horn and Athelston


Book Description

This volume compares characteristics of Old English literature to ‘Matter of England’ romances to determine whether key aspects of the poetry of the former continued in these stories on into the Middle English period. First, the book demonstrates the contemplative tone, respect for nature, and communal mindset present via monastic and hagiographic traditions in Old English poetry, before arguing that the midland romances, King Horn and Athelston, also possess these characteristics. Ultimately, it reveals important aspects of the afterlife of Old English literature and culture in England. Some intriguing discoveries are detailed, including unexpected points of contact between the English and Arabs in both the pre- and post-Conquest periods, as shown by the etymology of Saracen diction in King Horn. Furthermore, comparisons with the dreamer in The Dream of the Rood and an examination of the Old English verb “þencan” used by the Saracen reveal a complicated characterization, which goes deeper than what may be expected for the stock pagan enemy in Middle English romance. The book also investigates the possibility that, in Athelston, there is a reference to the Viking Guthrum, revealing the complex associations that late medieval English culture might have had with its Viking/Anglo-Saxon past. Finally, while looking at Athelston through the lens of the Anglo-Saxon natural world, this study probes what feels like a very Old English sense of kenotic love (via St. Edmund). This is manifested in the promise of grace at the outset of the romance, one that oversees not only a chain of events leading to King Athelston’s final submission and repentance, but also the unification of disparate cultures and a leveling of hierarchies. These romances seem to imbue the stories with a spiritual component, a “concrete universal,” and signify metonymy similar to the elegiac hopeful longing and the communal in the Old English poetry.




The Medieval Worlds of Neil Gaiman


Book Description

Neil Gaiman is one of the most widely known writers of the twentieth and twenty-first centuries, having produced fiction and nonfiction, fantasy and horror, television, comics, and prose. He often attributes this eclecticism to his “compost heap” approach to writing, gathering inspiration from life, religion, literature, and mythology. Readers love to sink into Gaiman’s medieval worlds—but what makes them “medieval”? Shiloh Carroll offers an introduction to the idea of medievalism, how the literature and culture of the Middle Ages have been reinterpreted and repurposed over the centuries, and how the layers of interpretation have impacted Gaiman’s own use of medieval material. She examines influences from Norse mythology and Beowulf to medieval romances and fairy tales in order to expand readers’ understanding and appreciation of Gaiman’s work, as well as the rest of the medievalist films, TV shows, and books that are so popular today.




The Bible, Gender, and Reception History: The Case of Job's Wife


Book Description

The Bible, Gender, and Reception History: The Case of Job's Wife investigates the fleeting appearance in the Bible of Job's wife and its impact on the imaginations of readers throughout history. It begins by presenting key interpretive gaps in the biblical text concerning Job and his wife, explaining the way gender studies offers guiding principles with which the author engages a reception history of their marriage. After analyzing Job and his wife within medieval Christian theology of Eden, the author identifies ways in which Job's wife visually aligns with medieval images of Satan. The volume explores portrayals of Job and his wife in publications on marriage and gender roles in the sixteenth and seventeenth centuries, moving onto an investigation of William Blake's sharp artistic divergence from the common tradition in his representation of Job's wife as a shrew. In the exploration of societal portrayals of Job and his Wife throughout history, this book discovers how arguments about marriage intertwine with not only gender roles, but also, with political, social, and historical movements.




The Porpoise


Book Description

In a bravura feat of storytelling, Mark Haddon calls upon narratives ancient and modern to tell the story of Angelica, a young woman trapped in an abusive relationship with her father. When a young man named Darius discovers their secret, he is forced to escape on a boat bound for the Mediterranean. To his surprise he finds himself travelling backwards over two thousand years to a world of pirates and shipwrecks, of plagues and miracles and angry gods. Moving seamlessly between the past and the present, Haddon conjures the worlds of Angelica and her would-be savior in thrilling fashion. As profound as it is entertaining, The Porpoise is a stirring and endlessly inventive novel from one of our finest storytellers.




An Ecology of World Literature


Book Description

What is a literature? How do literatures of different countries interact with each other? In this groundbreaking study, Alexander Beecroft develops a new way of thinking about world literature. Drawing on a series of examples and case studies, the book ranges from ancient epic to the contemporary fiction of Roberto Bolao and Amitav Ghosh. Beecroft identifies a series of literary ecologies, from small-scale societies to the planet as a whole, within which literary texts are produced and circulated. An Ecology of World Literature places in dialogue scholarship on ancient and modern, western and non-western texts, producing new and unexpected demands for literary study.