The Fourteenth Century


Book Description







The Alana Collection: Italian paintings from the 13th to 15th century


Book Description

This book represents the culmination of years of hard work and intense passion. It celebrates the love of beauty as it is manifested in the art collection introduced in the volume. The works catalogued encompass around one fifth of Alanas entire Italian Old Master collection. It is the product of work and research, of numerous visits to different countries and cities in order to see the original works of art, visit art fairs, and seek the advice of a variety of specialists. The collection covers the period that goes from Italian Gothic to Italian High Renaissance art. Alanas aim has always been to build a collection that considers not only the great masters, but also those who followed in their footsteps and added their personal contributions alongside the achievements of the major figures. Alanas ambition has been to chart the history and evolution of the different Italian schools, the ways in which they inspired one another, and ultimately created so many distinctively beautiful works of art. In order to do this, this collection has been conceived as a living one, which continues to improve, evolve and welcome new works. A private and artistic history of each master is given, as well as rich visual reproductions, basic information, and a thorough technical explanation of both the most important masterpieces (those in color) and the ones that are relevant to the style or period (those in black and white). The volume concludes with a table noting the names and locations of the works mentioned in the book, as well as an extensive bibliography.




Historical Painting Techniques, Materials, and Studio Practice


Book Description

Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.




National Union Catalog


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Includes entries for maps and atlases.







An Italian Journey


Book Description

Published in conjunction with an exhibition on view at the Metropolitan Museum of Art, New York, May 12-Aug 15, 2010.