Old Norse Myths as Political Ideologies


Book Description

The mythology of the Norse world has long been a source of fascination, from the first written texts of thirteenth-century Iceland up to the modern period. Most studies, however, have focused on the content of the narratives themselves, rather than the broader political contexts in which these myths have been explored. This volume offers a timely corrective to this broader trend by offering one of the first in-depth examinations of the political uses of Norse mythology within specific historical contexts. Tracing the changing interests and usages of Norse myths from the medieval period, via the nineteenth century and the importance of ancient Norse beliefs to both the Romantic and volkisch movements, up to the co-option of mythology and symbolism by political groups across the twentieth and early twenty-first centuries, the papers gathered here offer new and critical insights into the changing nature of historiography and the political agendas that Old Norse myths are made to serve, as well as shedding new light on the way in which 'myths' are conceptualized.




Old Norse Mythology


Book Description

"This book treats from the perspective of the series "World mythologies in theory and in everyday life" the body of texts from medieval Scandinavia, mostly Iceland, usually known as "Norse mythology" or "Scandinavian mythology." Specifically, it constitutes a case study of a "literary or textual mythology," that is, a mythology from the past that we know only through written texts that have been left to us, augmented in a few cases by artifacts and images. This case is particularly interesting because the texts (with a tiny handful of enigmatic exceptions) were recorded centuries after the Nordic peoples had abandoned the religion associated with the mythology and converted to Christianity. The mythology lived on without direct connection to ritual activity or religious conviction. Drawing both on sources from before the conversion and on comparative analysis, it is certainly possible to reach informed inferences about the mythology before the conversion to Christianity-that is, when it existed as part of the pre-Christian religion of the Nordic peoples and their successors. From the perspective of the mythologies of the world, what is perhaps most important about these inferences is that this pre-Christian mythology was not a canonical mythology, since it almost certainly lacked a canon of sacred texts such as one finds in the great world religions of today. The focus of the book is not the mythology in and of itself, as would be true of a handbook, but rather how particular historical and intellectual circumstances formed conceptions about it."--




Old Norse Mythology--comparative Perspectives


Book Description

The existing manuscripts of Old Norse mythology were written mainly by Christians, obscuring the pre-Christian oral histories. This book assembles comparisons from a range of analytical perspectives--examining the similarities and differences of the Old Norse mythologies with the myths of other cultures and within the Old Norse corpus itself.




Theorizing Old Norse Myth


Book Description

This collection explores the theoretical and methodological foundations through which we understand Old Norse myths and the mythological world, and the medieval sources in which we find expressions of these. Some contributions take a broad, comparative perspective; some address specific details of Old Norse myths and mythology; and some devote their attention to questions concerning either individual gods and deities, or more topographical and spatial matters (such as conceptions of pagan cult sites). The elements discussed provide an introductory and general overview of scholarly enquiry into myth and ritual, as well as an attempt to define myth and theory for Old Norse scholarship. The articles also offer a rehabilitation of the comparative method alongside a discussion of the concept of 'cultural memory' and of the cognitive functions that myths may have performed in early Scandinavian society. Particular subjects of interest include analyses of the enigmatic god Heimdallr, the more well-known Oðinn, the deities, the female asynjur, and the 'elves' or alfar. Text-based discussions are set alongside recent archaeological discoveries of cult buildings and cult sites in Scandinavia, together with a discussion of the most enigmatic site of all: Uppsala in Sweden. The key themes discussed throughout this volume are brought together in the concluding chapter, in a comprehensive summary that sheds new light on current scholarly perspectives.




Viking Myths and Sagas


Book Description

Written in consultation with leading academics.




Norse Mythology


Book Description

Provides information on the gods, heroes, rituals, beliefs, symbols, and stories of Norse mythology.




The Saga of the Volsungs


Book Description

From the translator of the bestselling Poetic Edda (Hackett, 2015) comes a gripping new rendering of two of the greatest sagas of Old Norse literature. Together the two sagas recount the story of seven generations of a single legendary heroic family and comprise our best source of traditional lore about its members—including, among others, the dragon-slayer Sigurd, Brynhild the Valkyrie, and the Viking chieftain Ragnar Lothbrok.




Norse Mythology: The Illustrated Edition


Book Description

The #1 New York Times bestseller—a “gripping, suspenseful” (Washington Post) retelling of Norse myths—now with spectacular illustrations. In this dazzling, illustrated edition of the instant classic that has sold more than a million copies, award-winning illustrator Levi Pinfold brings Neil Gaiman’s bravura rendition of the Norse gods and their world to life. Bursting off the page with breathtaking, full-color art are tales of fierce battles with giants, storied quests for knowledge, and the gods in Asgard: Odin, the highest of the high, wise, daring, and cunning; Thor, Odin’s son, incredibly strong, yet not the wisest of gods; and Loki—son of a giant—blood brother to Odin and a trickster and unsurpassable manipulator. Gaiman fashions these primeval stories into a novelistic arc that takes us from the genesis of the legendary nine worlds to Ragnorak, the twilight of the gods and the rebirth of a new time. Through his epic storytelling and Pinfold’s enthralling images, these gods emerge with their fiercely competitive natures, their susceptibility to being duped and to duping others, and their tendency to let passion ignite their actions, breathing vivid life into these long-ago myths. “Who else but Neil Gaiman could become an accomplice of the gods, using the sorcery of words to make their stories new?” —Maria Tatar, translator and editor of The Annotated Brothers Grimm “Gaiman brings rakish mischief and severe glamour to the Norse canon.” —The New Yorker “Remarkable. . . . Gaiman has provided an enchanting contemporary interpretation of the Viking ethos.” —Lisa L. Hannett, Atlantic “A lively, funny and very human rendition of Thor the thunder god, his father Odin and the dark-hearted trickster Loki (plus countless other gods and monsters).” —Petra Mayer, NP




Old Norse Religion in Long-term Perspectives


Book Description

The study of Old Norse Religion is a truly multidisciplinary and international field of research. The rituals, myths and narratives of pre-Christian Scandinavia are investigated and interpreted by archaeologists, historians, art historians, historians of religion as well as scholars of literature, onomastics and Scandinavian studies. For obvious reasons, these studies belong to the main curricula in Scandinavia but are also carried out at many other universities in Europe, the United States and Australia a fact that is evident to any reader of this book. In order to bring this broad and varied field of research together, an international conference on Old Norse religion was held in Lund in June 2004. About two hundred delegates from more than fifteen countries took part. The intention was to gather researchers to encourage and improve scholarly exchange and dialogue, and Old Norse religion in long-term perspectives presents a selection of the proceedings from that conference. The 75 contributions elucidate topics such as worldview and cosmology, ritual and religious practice, myth and memory as well as the reception and present-day use of Old Norse religion. The main editors of this volume have directed the multidisciplinary research project Roads to Midgard since 2000. The project is based at Lund University and funded by the Bank of Sweden Tercentenary Foundation.




Norse Myths


Book Description

A beautifully illustrated and compelling collection of more than 30 ancient Norse myths for children. Exciting stories, extraordinary creatures, and compelling gods, goddesses, and heroes come together in this compendium of Norse myths--first told long ago by the Vikings. Perfect for children ages 7 to 9, this collection contains more than 30 enthralling new retellings. Read about Thor, the god of thunder and how he once disguised himself as a bride to seek revenge on a giant and retrieve his powerful hammer, Mjolnir; and how Sif, the goddess of fertility, had her long golden hair cut off by Loki, the trickster god. Each myth is told with thrilling immediacy, in language that is easy for children to understand, while retaining the awe, majesty, and intrigue of the original tales. Stunning illustrations by multi-award-winning artist Katie Ponder breathe new life into each story. Additional feature pages delve deeper into the mythical world, providing profiles of the featured gods and goddesses and giving the context behind the myths. The reference section provides key background information, such as Norse cosmology and facts about the incredible Norse characters, and comes complete with a pronunciation e-guide. Norse Myths is the perfect gift, featuring foil on the cover and beautiful illustrations throughout. Children will love exploring the tales by themselves or as bedtime stories. This stunning ebook will be treasured forever.