Desiderius Erasmus of Rotterdam. On Copia of Words and Ideas [De Utraque Verborem Ac Rerum Copia]
Author : Érasme
Publisher :
Page : 111 pages
File Size : 12,78 MB
Release : 1963
Category :
ISBN :
Author : Érasme
Publisher :
Page : 111 pages
File Size : 12,78 MB
Release : 1963
Category :
ISBN :
Author : Ward Farnsworth
Publisher : David R. Godine Publisher
Page : 165 pages
File Size : 11,27 MB
Release : 2012-09
Category : Education
ISBN : 1567924670
Ward Farnsworth details the timeless principles of rhetoric from Ancient Greece to the present day, drawing on examples in the English language of consummate masters of prose, such as Lincoln, Churchill, Dickens, Melville, and Burke.
Author : Martha Silano
Publisher :
Page : 0 pages
File Size : 42,22 MB
Release : 2014
Category : Poetry
ISBN : 9780989979719
Martha Silano's newest collection of cosmic lingo tango
Author : Arthur Gibson
Publisher : Routledge
Page : 402 pages
File Size : 14,57 MB
Release : 2013-10-11
Category : Religion
ISBN : 1136365656
This is a publicity title in the light of the latest scientific discoveries Publication strongly supported by Jacques Derrida (who will provide endorsement for cover) and Martin Rees, astronomer royal Attractively illustrated throughout
Author : Y. Batsaki
Publisher : Springer
Page : 255 pages
File Size : 11,10 MB
Release : 2011-11-15
Category : Fiction
ISBN : 0230354610
Locating literature at the intersection of distinct areas of thinking on the nature, scope and methods of knowledge - philosophy, theology, science, and the law - this book engages with literary texts across periods and genres to address questions of probability, problems of evidence, the uses of experiment and the poetics and ethics of doubt.
Author : Kenneth A. Lockridge
Publisher : NYU Press
Page : 159 pages
File Size : 13,70 MB
Release : 1994-09
Category : History
ISBN : 0814750893
"A brilliant . . . analysis of the fragile hegemony and identities of colonial Virginia's elite men. . . . On the Sources of Patriarchal Rage compellingly illuminates the ragged edge where masculinity and colonial identity meet. . . . [the book] will undoubtedly send Jefferson scholars scurrying back to their notes. . . . Most significant, by being among the first to tackle the subject of masculinity in early America, Lockridge forces colonial scholars to reexamine the lives of men they thought they already knew too well." —William and Mary Quarterly Two of the greatest of Virginia gentlemen, William Byrd II and Thomas Jefferson, each kept a commonplace book--in effect, a journal where men were to collect wisdom in the form of anecdotes and quotations from their readings with a sense of detachment and scholarship. Writing in these books, each assembled a prolonged series of observations laden with fear and hatred of women. Combining ignorance with myth and misogyny, Byrd's and Jefferson's books reveal their deep ambivalence about women, telling of women's lascivious nature and The Female Creed and invoking the fallible, repulsive, and implicitly corruptible female body as a central metaphor for all tales of social and political corruption. Were these private outbursts meaningless and isolated incidents, attributable primarily to individual pathology, or are they written revelations of the forces working on these men to maintain patriarchal control? Their hatred for women draws upon a kind of misogynistic reserve found in the continental and English intellectual traditions, but it also twists and recontextualizes less misogynistic excerpts to intensified effect. From this interplay of intellectual traditions and the circumstances of each man's life and later behavior arises the possibility one or more specific politics of misogyny is at work here. Kenneth Lockridge's work, replete with excerpts from the books themselves, leads us through these texts, exploring the structures, contexts, and significance of these writings in the wider historical context of gender and power. His book convincingly illustrates the ferocity of early American patriarchal rage; its various meanings, however suggestively explored here, must remain contestable.
Author : Richard A. Posner
Publisher : Pantheon
Page : 130 pages
File Size : 48,41 MB
Release : 2009-03-12
Category : Social Science
ISBN : 0307496538
A concise, lively, and bracing exploration of an issue bedeviling our cultural landscape–plagiarism in literature, academia, music, art, and film–by one of our most influential and controversial legal scholars. Best-selling novelists J. K. Rowling and Dan Brown, popular historians Doris Kearns Goodwin and Stephen Ambrose, Harvard law professor Charles Ogletree, first novelist Kaavya Viswanathan: all have rightly or wrongly been accused of plagiarism–theft of intellectual property–provoking widespread media punditry. But what exactly is plagiarism? How has the meaning of this notoriously ambiguous term changed over time as a consequence of historical and cultural transformations? Is the practice on the rise, or just more easily detectable by technological advances? How does the current market for expressive goods inform our own understanding of plagiarism? Is there really such a thing as “cryptomnesia,” the unconscious, unintentional appropriation of another’s work? What are the mysterious motives and curious excuses of plagiarists? What forms of punishment and absolution does this “sin” elicit? What is the good in certain types of plagiarism? Provocative, insightful, and extraordinary for its clarity and forthrightness, The Little Book of Plagiarism is an analytical tour de force in small, the work of “one of the top twenty legal thinkers in America” (Legal Affairs), a distinguished jurist renowned for his adventuresome intellect and daring iconoclasm.
Author : Paul Butler
Publisher : University Press of Colorado
Page : 274 pages
File Size : 17,48 MB
Release : 2020-11-02
Category : Language Arts & Disciplines
ISBN : 164642011X
Style and the Future of CompositionStudies explores style’s potential for informing how students are taught to write well and its power as a tool for analyzing the language and discourse practices of writers and speakers in a range of contexts. Many college writing teachers operate under the belief that style still refers primarily to the kinds of issues discussed in Strunk and White’s popular but outdated book The Elements of Style. This work not only challenges this view but also offers theories and pedagogies from diverse perspectives that help teachers and students develop strategic habits and mindsets to negotiate languages, genres, and discourse conventions. The chapters explore the ways in which style directly affects—and is affected by—multiple sources of shifting disciplinary inquiry, contributing new insights by drawing on research in cultural studies, sociolinguistics, discourse studies, translingualism, and writing across the curriculum, as well as new approaches to classical rhetorical theory. The reemergence of stylistic inquiry can be used dynamically to produce new insights not only about emerging disciplinary interests but also about the study of style as a kind of language in and of itself. Style and the Future of Composition Studies demonstrates that style deserves to be a central focus of writing teaching. More than just the next style collection, the book advocates for style’s larger prominence in composition discussions generally. It will be of interest to a broad range of students and scholars of writing studies, as well as a wider set of readers in academe. Contributors: Cydney Alexis, Laura Aull, Anthony Box, Jimmy Butts, Mike Duncan, William FitzGerald, Melissa Goldthwaite, Eric House, TR Johnson, Almas Khan, Zak Lancaster, Eric Leake, Andrea Olinger, Thomas Pace, Jarron Slater, Jonathan Udelson
Author : Magda Dragu
Publisher : Taylor & Francis
Page : 158 pages
File Size : 43,97 MB
Release : 2024-04-30
Category : Literary Criticism
ISBN : 104002212X
Subversion and Conformity of Literary Collage: Between Cut and Glue fills a gap in the current scholarship on literary collage, by addressing how different the interpretations of the concept are, depending on the author who uses the concept and the material and writers surveyed. The book studies writers who employed literary collage during the twentieth and twenty-first centuries, some whose works have been intensely analyzed from this perspective (William S. Burroughs and Walter Benjamin), but also some whose collage-writing style has recently been investigated by writers, being usually placed under the umbrella term of artist books (Stelio Maria Martini).
Author : Albert Rabil
Publisher : University Press of America
Page : 212 pages
File Size : 15,44 MB
Release : 1993
Category : Philosophy
ISBN : 9780819192172
Erasmus was a sixteenth century educator, theologian, satirist, and scholar and there have been a number of attempts to describe his intellectual development and to measure his greatness. However, Rabil believes that most interpretations of Erasmus and his work fail in analyzing Erasmus in a way consistent with all the source material on which such an interpretation must be based. The author argues that religion and humanism are the proper poles in relation to which Erasmus' intellectual development must be understood. In Rabil's own interpretation of Erasmus, he covers Erasmus' intellectual development as it relates to his editing of the New Testament in Greek, his translation of it into Latin, a look at the methodology in Erasmus' annotations and paraphrase of Romans, and a comparison of Erasmus and Luther on Romans. Rabil demonstrates that Erasmus' intellectual development occurred at every turning point, from his first poem in 1483 until he achieved a maturity of outlook in his edition of the Greek New Testament in 1516. Originally published in 1972 by Trinity University Press.