The Immortality of the Soul


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Spinoza's Heresy


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At the heart of Spinoza's Heresy is a mystery: why was Baruch Spinoza so harshly excommunicated from the Amsterdam Jewish community at the age of twenty-four? In this philosophical sequel to his acclaimed, award-winning biography of the seventeenth-century thinker, Steven Nadler argues that Spinoza's main offence was a denial of the immortality of the soul. But this only deepens the mystery. For there is no specific Jewish dogma regarding immortality: there is nothing that a Jew is required to believe about the soul and the afterlife. It was, however, for various religious, historical and political reasons, simply the wrong issue to pick on in Amsterdam in the 1650s. After considering the nature of the ban, or cherem, as a disciplinary tool in the Sephardic community, and a number of possible explanations for Spinoza's ban, Nadler turns to the variety of traditions in Jewish religious thought on the postmortem fate of a person's soul. This is followed by an examination of Spinoza's own views on the eternity of the mind and the role that that the denial of personal immortality plays in his overall philosophical project. Nadler argues that Spinoza's beliefs were not only an outgrowth of his own metaphysical principles, but also a culmination of an intellectualist trend in Jewish rationalism.




Aristotle's On the Soul


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In this timeless and profound inquiry, Aristotle presents a view of the psyche that avoids the simplifications both of the materialists and those who believe in the soul as something quite distinct from body. On the Soul also includes Aristotle's idiosyncratic and influential account of light and colors. On Memory and Recollection continues the investigation of some of the topics introduced in On the Soul. Sachs's fresh and jargon-free approach to the translation of Aristotle, his lively and insightful introduction, and his notes and glossaries, all bring out the continuing relevance of Aristotle's thought to biological and philosophical questions.







The Immortal in You


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Many scientists and philosophers believe that you are no more than a machine. By their account there is no afterlife and you are no better than any other kind of animal. The existence of mankind, according to such thinkers, is purely the outcome of chance events. There never was any tendency, natural or supernatural, to produce life and the human mind. The universe is hostile or indifferent toward you, and you occupy no special place within it. At the heart of this story of mankind lies not science but a rarely expressed philosophical assumption that modern science, at least in principle, tells all there is to know about you and the world. With his unique blend of cogency, clarity, and charm, philosopher Michael Augros hauls that assumption out into the light and demolishes it. The Immortal in You demonstrates how an astute use of common sense and a study of common human experience reveal that there is more to you—much more—than science could possibly say. From the author of Who Designed the Designer?, this modern response to the ancient exhortation “Know thyself” delivers a wealth of fresh, powerful, and uplifting ideas about what it is to be human, which will engage thoughtful readers regardless of their beliefs.




Henry More. The Immortality of the Soul


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The significance of Henry More's vitalist philosophy in the history of ideas has been realized relatively recently, as the bibliography will reveal. The general neglect of the Cambridge Platonist movement may be attributed to the common prejudice that its chief exponents, especially More, were obscure mystics who were neither coherent in their philosophical system nor attractive in their prose style. I hope that this modern edition of More's principal treatise will help to correct this unjust im pression and reveal the keenness and originality of More's intellect, which sought to demonstrate the relevance of classical philosophy in an age of empirical science. The wealth of learning -- ranging as it does from Greek antiquity to 17th century science and philosophy -- that informs More' s intellectual system of the universe should, in itself, be a recom mendation to students of the history of ideas. Though, for those in search of literary satisfaction, too, there is not wanting, in More's style, the humour, and grace, of a man whose erudition did not divorce him from a sympathetic understanding of human contradictions. As for More's elaborate speculations concerning the spirit world in the final book of this treatise, I think that we would indeed be justified in regarding their combination of classical mythology amd scientific naturalism as the literary and philosophical counterpart of the great celestial frescoes of the Baroque masters.