On the Trail of Americana Music


Book Description

Based on numerous interviews with leading musicians and music industry professionals, this book explores the illusive genre and movement that is Americana. From its historical roots in Country, Folk and other rebel music, the story of Americana music is told by those who are taking it in new directions today. With so many music venues closed and incomes reduced, musicians speak of their hopes and fears for the future of the industry in challenging times. Interviews with: Emily Barker, Yola, Troy Cassar-Daley, Kasey Chambers, Dave Cobb, Paul Kelly, John Murry, Lindi Ortega, Wildwood Kin and many more. ABOUT THE AUTHOR Ralph Brookfield trained as a molecular physicist, worked as a freelance writer and software engineer, ran his own software business then became a director of technology in the digital television industry until 2012. Since then, he has pursued his passions of writing and music which he combines in his songwriting, playing regularly with his band in the Ealing area, the crucible of RnB music in the UK, where he also manages and promotes grassroots music. He is married, has two grown-up children, and is a founder member of the infamous Hanwell Ukulele Group. REVIEWS: “This book is the story of the richest tapestry of music ever found in one country... So join in with the author on this journey of discovery, from coast to coast, from around the world, this wonderful music... this is Americana!” – Pete Clack, Blues in Britain Magazine. “This is a great and informative read for any fan of the world’s coolest music genre, Americana.” – Nash Chambers, award-winning Music Producer “A deep, inquisitive dive into the Americana story so far. In the best possible way, Ralph Brookfield’s roots are showing.” -Paul Sexton, Music writer and broadcaster “... it is a volume of varied parts and something of a curate’s egg. The chapters on the history and strands of Americana in America make good reading as do the chapters on Ireland, and the role of women. Perhaps not surprisingly the interest in the other chapters diminishes in proportion to the nature and size of the Americana ‘scene’ found in each country. I did admire his reasoned thoughts on Keith Urban (seemingly someone subject to a degree of derision) and where he sits in the musical cosmos... One real bonus is a huge list of what are called endnotes... Brookfield finishes the book with some brief words on the future, which he sees might take us eventually to the land of Cosmic American Music as described by Gram Parsons. Presently he identifies a retro movement as exemplified by Pokey le Farge. He also recognises Kasey Chambers’s work with native Australians, Psychedelic influences, and the work of Gangstagrass and the Alabama 3. Americana remains a very rich stew!” – Gordon Sharpe -Americana-UK.




Born to Lead


Book Description

Born to Lead identifies those artists who have left indelible marks on Americana a musical genre which resists definition yet ironically, is easily recognizable.




True to the Roots


Book Description

An intimate series of portraits of and visits with musicians who are part of the musical genre known as Americana, or alternative country.




Frontier Figures


Book Description

Frontier Figures is a tour-de-force exploration of how the American West, both as physical space and inspiration, animated American music. Examining the work of such composers as Aaron Copland, Roy Harris, Virgil Thomson, Charles Wakefield Cadman, and Arthur Farwell, Beth E. Levy addresses questions of regionalism, race, and representation as well as changing relationships to the natural world to highlight the intersections between classical music and the diverse worlds of Indians, pioneers, and cowboys. Levy draws from an array of genres to show how different brands of western Americana were absorbed into American culture by way of sheet music, radio, lecture recitals, the concert hall, and film. Frontier Figures is a comprehensive illumination of what the West meant and still means to composers living and writing long after the close of the frontier.




Americana Music


Book Description

With roots in Appalachia, the Mississippi Delta, New Orleans, the Piedmont, Memphis, and the prairies of Texas and the American West, the musical genre called Americana can prove difficult to define. Nevertheless, this burgeoning trend in American popular music continues to expand and develop, winning new audiences and engendering fresh, innovative artists at an exponential rate. As Lee Zimmerman illustrates in Americana Music: Voices, Visionaries, and Pioneers of an Honest Sound, “Americana” covers a gamut of sounds and styles. In its strictest sense, it is a blanket term for bluegrass, country, mountain music, rockabilly, and the blues. By a broader definition, it can encompass roots rock, country rock, singer/songwriters, R&B, and their various combinations. Bob Dylan, Hank Williams, Carl Perkins, and Tom Petty can all lay valid claims as purveyors of Americana, but so can Elvis Costello, Solomon Burke, and Jason Isbell. Americana is new and old, classic and contemporary, trendy and traditional. Mining the firsthand insights of those whose stories help shape the sound—people such as Ralph Stanley, John McEuen (Nitty Gritty Dirt Band), Chris Hillman (Byrds, Flying Burrito Brothers), Paul Cotton and Rusty Young (Poco), Shawn Colvin, Kinky Friedman, David Bromberg, the Avett Brothers, Amanda Shires, Ruthie Foster, and many more—Americana Music provides a history of how Americana originated, how it reached a broader audience in the ’60s and ’70s with the merging of rock and country, and how it evolved its overwhelmingly populist appeal as it entered the new millennium.




A Haven For Songs


Book Description




The Americana Revolution


Book Description

Americana is a music that defies definition. It isn’t rock, although it does encompass rock. It isn’t folk, but folk is there. It isn’t Celtic, but it is woven with Celtic threads. It is a blend of forms, music that draws on a wide range of influences. Gathering these many genres together, Americana continually reinvents itself and actively tells the story of its origins and its future. The Americana Revolution: From Country and Blues Roots to the Avett Brothers, Mumford & Sons, and Beyond is an informal social history that describes Americana as both a musical genre and a movement, showing what it is, where it came from, and where it is going. Musician and historian Michael Scott Cain examines how the idea of genre, especially Americana, affects the creation and consumption of music. He tries to discern the formulas of this slippery genre and seeks out the places where artists have broken or bent those formulas in the name of creativity. Through anecdotes and interviews, Cain provides a firsthand view into the creation of Americana to clarify how the genre can be categorized and defined. Through the stories of its creators both long gone and new to the scene, Americana music comes alive as a diverse melting pot of creative genius. With this book, Cain grants music lovers from all backgrounds an unparalleled view into the future of a music that embraces new influences but never forgets its roots.




It Still Moves


Book Description

"Where lies the boundary between meaning and sentiment? Between memory and nostalgia? America and Americana? What is and what was? Does it move?" —Donovon Hohn, A Romance of Rust Part travelogue, part cultural criticism, part music appreciation, It Still Moves does for today's avant folk scene what Greil Marcus did for Dylan and The Basement Tapes. Amanda Petrusich outlines the sounds of the new, weird America—honoring the rich tradition of gospel, bluegrass, country, folk, and rock that feeds it, while simultaneously exploring the American character as personified in all of these genres historically. Through interviews, road stories, geographical and sociological interpretations, and detailed music criticism, Petrusich traces the rise of Americana music from its gospel origins through its new and compelling incarnations (as evidenced in bands and artists from Elvis to Iron and Wine, the Carter Family to Animal Collective, Johnny Cash to Will Oldham) and explores how the genre is adapting to the twenty-first century. Ultimately the book is an examination of all things American: guitars, cars, kids, motion, passion, enterprise, and change, in a fervent attempt to reconcile the American past with the American present, using only dusty records and highway maps as guides.




Bluegrass, Newgrass, Old-Time, and Americana Music


Book Description

A colorful and comprehensive history of bluegrass and old-time Appalachian music from its legendary roots to today’s Grammy-winning stars. With simple instrumentation—banjo, guitar, and base—a great variety of musical traditions converged to create the “old-timey” music of Appalachia. Over time, that mountain sound evolved into numerous genres and subgenres that continue to thrive today. Now musician and roots music historian Craig Harris takes readers on an anecdotal journey through this distinctly American music. From the Grand Ole Opry and the historic Bristol Sessions to contemporary festivals and the reemergence of Bluegrass in popular culture, Harris combines extensive research and never-before-seen photographs with more than ninety exclusive interviews. Bluegrass, Newgrass, Old-Time, and Americana Music is chock full of anecdotes about Bill Monroe, Flatt & Scruggs, Del McCoury, Doc Watson, Alison Kraus, the Nitty Gritty Dirt Band, and more.




On the Trail of Negro Folk-songs


Book Description

Traces Negro folksongs back to their American beginnings. Dance songs, ballads, lullabies, work songs, and others are discussed.