The Mind's Eye


Book Description

In The Mind’s Eye, Oliver Sacks tells the stories of people who are able to navigate the world and communicate with others despite losing what many of us consider indispensable senses and abilities: the power of speech, the capacity to recognize faces, the sense of three-dimensional space, the ability to read, the sense of sight. For all of these people, the challenge is to adapt to a radically new way of being in the world. There is Lilian, a concert pianist who becomes unable to read music and is eventually unable even to recognize everyday objects, and Sue, a neurobiologist who has never seen in three dimensions, until she suddenly acquires stereoscopic vision in her fifties. There is Pat, who reinvents herself as a loving grandmother and active member of her community, despite the fact that she has aphasia and cannot utter a sentence, and Howard, a prolific novelist who must find a way to continue his life as a writer even after a stroke destroys his ability to read. And there is Dr. Sacks himself, who tells the story of his own eye cancer and the bizarre and disconcerting effects of losing vision to one side. Sacks explores some very strange paradoxes—people who can see perfectly well but cannot recognize their own children, and blind people who become hyper-visual or who navigate by “tongue vision.” He also considers more fundamental questions: How do we see? How do we think? How important is internal imagery—or vision, for that matter? Why is it that, although writing is only five thousand years old, humans have a universal, seemingly innate, potential for reading? The Mind’s Eye is a testament to the complexity of vision and the brain and to the power of creativity and adaptation. And it provides a whole new perspective on the power of language and communication, as we try to imagine what it is to see with another person’s eyes, or another person’s mind.




One Mind's Eye


Book Description




The Mind's Eye


Book Description

The book provides a comprehensive state-of-the-art overview of current research on cognitive and applied aspects of eye movements. The contents include peer-reviewed chapters based on a selection of papers presented at the 11th European Conference on Eye Movements (Turku, Finland 2001), supplemented by invited contributions. The ECEM conference series brings together researchers from various disciplines with an interest to use eye-tracking to study perceptual and higher order cognitive functions. The contents of the book faithfully reflect the scope and diversity of interest in eye-tracking as a fruitful tool both in basic and applied research. It consists of five sections: visual information processing and saccadic eye movements; empirical studies of reading and language production; computational models of eye movements in reading; eye-tracking as a tool to study human-computer interaction; and eye movement applications in media and communication research. Each section is concluded by a commentary chapter by one of the leading authorities in the field. These commentaries discuss and integrate the contributions in the section and provide an expert view on the most significant present and future developments in the respective areas. The book is a reference volume including a large body of new empirical work but also principal theoretical viewpoints of leading research groups in the field.




Journey Into the Mind's Eye


Book Description

A stunning tale set in England, Paris, and Moscow, chronicling Blanch's love for an older Russian man and the passionate obsession that takes her to Siberia and beyond. “My book is not altogether autobiography, nor altogether travel or history either. You will just have to invent a new category,” Lesley Blanch wrote about Journey into the Mind’s Eye, a book that remains as singularly adventurous and intoxicating now as when it first came out in 1968. Russia seized Lesley Blanch when she was still a child. A mysterious traveler—swathed in Siberian furs, bearing Fabergé eggs and icons as gifts along with Russian fairy tales and fairy tales of Russia—came to visit her parents and left her starry-eyed. Years later the same man returned to sweep her off her feet. Her love affair with the Traveller, as she calls him, transformed her life and fueled an abiding fascination with Russia and Russian culture, one that would lead her to dingy apartments reeking of cabbage soup and piroshki on the outskirts of Paris in the 1960s, and to Siberia and beyond.




In My Mind's Eye: A Thought Diary


Book Description

Riffing on cats and Brexit, the Royals and the annoyances of aging, the nonagenarian Jan Morris delights with her wickedly hilarious first-ever diary collection. Celebrated as the “greatest descriptive writer of her time” (Rebecca West), Jan Morris has been dazzling readers since she burst on the scene with her on-the-spot reportage of the first ascent of Everest in 1953. Now, the beloved ninety-two-year-old, author of classics such as Venice and Trieste, embarks on an entirely new literary enterprise—a collection of daily diaries, penned over the course of a single year. Ranging widely from the idyllic confines of her North Wales home, Morris offers diverse sallies on her preferred form of exercises (walking briskly), her frustration at not recognizing a certain melody humming in her head (Beethoven’s Pathétique, incidentally), her nostalgia for small-town America, as well as intimate glimpses into her home life. With insightful quips on world issues, including Britain’s “special relationship” with the United States and the #MeToo movement, In My Mind’s Eye will charm old and new Jan Morris fans alike.




Shadows in the Mind's Eye


Book Description

"Tromp weaves a complex historical tale incorporating love, suspense, hurt, and healing--all the elements that keep the pages turning." —Julie Cantrell, New York Times and USA TODAY bestselling author of Perennials Charlotte Anne Mattas longs to turn back the clock. Before her husband, Sam, went to serve his country in the war, he was the man everyone could rely on--responsible, intelligent, and loving. But the person who's come back to their family farm is very different from the protector Annie remembers. Sam's experience in the Pacific theater has left him broken in ways no one can understand--but that everyone is learning to fear. Tongues start wagging after Sam nearly kills his own brother. Now when he claims to have seen men on the mountain when no one else has seen them, Annie isn't the only one questioning his sanity and her safety. If there were criminals haunting the hills, there should be evidence beyond his claims. Is he really seeing what he says, or is his war-tortured mind conjuring ghosts? Annie desperately wants to believe her husband. But between his irrational choices and his nightmares leaking into the daytime, she's terrified he's going mad. Can she trust God to heal Sam's mental wounds--or will sticking by him mean keeping her marriage at the cost of her own life? Debut novelist Janyre Tromp delivers a deliciously eerie, Hitchcockian story filled with love and suspense. Readers of psychological thrillers and historical fiction by Jaime Jo Wright and Sarah Sundin will add Tromp to their favorite authors list.




The Mind's Eye


Book Description

Eighty-eight-year old Elva and Courtney, an attractive sixteen-year-old with a severed spinal cord, lie in adjacent beds in a grim Bismarck, North Dakota convalescent home. Ignored by the world, the only resource they have left is their imagination. As Elva and Courtney go on a fantasy trip to Italy (accompanied by Elva's long dead husband and guided by a 1910 travel book), Elva shows Courtney a new way to envision love. But to accept it, and the gift of the imagination, Courtney must make the trip her own--even if she destroys the art Elva holds most dear. Written entirely in dialogue, The Mind's Eye can be performed as reader's theater, but it is a fully satisfying novel. In this extraordinarily innovative, profound, and yet readable book Paul Fleischman makes us all feel what a powerful--and dangerous--tool the imagination can be.




The Mind's Eye


Book Description

Focusing on imagery and sound, this groundbreaking book on the teaching of poetry writing is concise, practical, and inexpensive and it's the only poetry writing text designed specifically for a college term. Winner of the Distinguished Teaching Award, Kevin Clark is a university professor, a widely published poet, and the author of the collection In the Evening of No Warning. Developed and proven over two decades of college level workshops, the flexible progression of lessons and exercises guides students through the major components of contemporary poetry writing. WHAT YOU'LL FIND IN THIS EDITION Clear, active prose that instructs without condescending An adaptable sequence of chapters guiding writers through increasingly complex aspects of poetry: imagery, sound, implication, conflict, transformation, the lyric (and lyricism), structure, portraiture, narrative, traditional forms, sequencing, and other facets of the art, especially revision. More than 100 writing exercises, ranging from the general to the highly specific. Over 80 inspiring model poems by a diverse group of well-known contemporary poets plus poems by students. The Poet's Note Card, a concise summary of main ideas at the end of each chapter. Suggestions for extending interest in poetry beyond the classroom: how to form poetry writing groups; how to arrange and give poetry readings; and how to publish poems.







The Mind's Eye


Book Description

"Now ninety years old, Cartier-Bresson seldom photographs; he devotes much of his time to drawing, and remains as forceful and discerning as ever in his writings. The last section of The Mind's Eye includes his commentary on photographer friends he has known - including Robert Capa, Andre Kertesz, Ernst Haas, and Sarah Moon - which reveal the impassioned and compassionate vision for which Cartier-Bresson is beloved."--BOOK JACKET.