Only Pieces


Book Description

Edgar wants nothing more than to live his life out loud. But telling the truth about his sexuality isn’t so easy in his traditional Mexican-American family, and his Amá has made it clear she won’t accept who he is. Things get even harder when Edgar’s macho father returns home after months away, and the house erupts into fighting and simmering tension. Edgar worries what would happen if he told his father the truth about who he is, and feels he’ll never fit in anywhere. Then Edgar runs into Alex, a popular football player at school. With Alex, Edgar feels happy and free, believing he might finally pick up all the broken pieces of his heart. But falling in love is more complicated than Edgar can ever imagine--and coming out might destroy the only life he’s ever known.




Only Pieces


Book Description

Edgar wants nothing more than to live his life out loud. But telling the truth about his sexuality isn’t so easy in his traditional Mexican-American family, and his Amá has made it clear she won’t accept who he is. Things get even harder when Edgar’s macho father returns home after months away, and the house erupts into fighting and simmering tension. Edgar worries what would happen if he told his father the truth about who he is, and feels he’ll never fit in anywhere. Then Edgar runs into Alex, a popular football player at school. With Alex, Edgar feels happy and free, believing he might finally pick up all the broken pieces of his heart. But falling in love is more complicated than Edgar can ever imagine--and coming out might destroy the only life he’s ever known.




The Pieces


Book Description

Keisha A year ago, I had it all; the perfect children, a thriving career, and a loving husband. My life couldn't have gotten any better, but then, out of nowhere, my perfect little world came tumbling down. My husband left me for my cousin. My son was on the verge of being kicked out of school. My job... Let's just say a breakroom misunderstanding forced me to dish out thousands of dollars in anger management classes that I didn't need. I was on the verge of a mental breakdown when he came into my life and changed it all around.Kyler Life for me was no walk in the park. I broke free from my nut job parents, followed my dreams, and overcame my very awkward teenage years. I left a string of broken hearts over the last eight years, and I planned on breaking more in the future. Well, that was the plan until I saw her again for the first time in ten years. She was my childhood crush and the only woman that stole the breath right out of me with a single look. Her face had gotten me through some traumatic events in life. Now here she was suffering at the hands of the man that nearly stole my life. I had to help. It was only right. I just prayed that I didn't get my heart ripped out in the process.







Girl in Pieces


Book Description

#1 NEW YORK TIMES BESTSELLER "A haunting, beautiful, and necessary book."—Nicola Yoon, #1 New York Times bestselling author of Everything, Everything Charlotte Davis is in pieces. At seventeen she’s already lost more than most people do in a lifetime. But she’s learned how to forget. The broken glass washes away the sorrow until there is nothing but calm. You don’t have to think about your father and the river. Your best friend, who is gone forever. Or your mother, who has nothing left to give you. Every new scar hardens Charlie’s heart just a little more, yet it still hurts so much. It hurts enough to not care anymore, which is sometimes what has to happen before you can find your way back from the edge. A deeply moving portrait of a girl in a world that owes her nothing, and has taken so much, and the journey she undergoes to put herself back together. Kathleen Glasgow's debut is heartbreakingly real and unflinchingly honest. It’s a story you won’t be able to look away from. And don’t miss Kathleen Glasgow's novels You’d Be Home Now and How to Make Friends with the Dark, both raw and powerful stories of life.







Bulletin


Book Description




Emerging Traditions


Book Description

The monograph explores the linguistic impact of the colonial and postcolonial situations in South Africa on language policy, on literary production and especially on the stylistics of fiction by indigenous South Africans writing in English. A secondary concern is to investigate the present place of English in the multilingual spectrum of South African languages and to see how this worldly English relates to Global English, in the South African context. The introduction presents a socio-linguistic overview of South Africa from pre-historic times until the present, including language planning policies during and after the colonial era and a cursory review of how the difficulties encountered in implementing the Language Plan, provided for by the new South African constitution, impinge on the development of black South African English. Six chapters track the course of English in South Africa since the arrival of the British in 1795, considered from the point of view of the indigenous African population. The study focuses on ways in which indigenous authors 'indigenize' their writing, innovating and subverting stylistic conventions, including those of African orature, in order to bend language and genre towards their own culture and objectives. Each chapter corresponds to a briefly outlined historical period that is largely reflected in linguistic and literary developments. A small number of significant works for each period are discussed, one of which is selected for a case-study at the end of each chapter, where it is subjected to detailed stylistic analysis and appraised for the degree of indigenization or other linguistic or socio-historic influences on style. The methodology adopted is a linguistic approach to stylistics, focusing on indigenization of English, inspired by the work of Chantal Zabus in her book, The African Palimpsest: Indigenization of Language in the West African Europhone Novel (2007, (1991)). The conclusion reappraises the original hypothesis - that the specific characteristics of South African literary production, including styles of writing, can be related to the political, social and economic context - in the light of many fresh insights; and discusses the place occupied by English in the cultural struggle of the formerly colonized peoples of South Africa.







Songs and Musicians in the Fifteenth Century


Book Description

The essays in this volume are concerned with song repertories and performance practice in 15th-century Europe. The first group of studies arises from the author's long-term fascination with the widely dispersed traces of English song and , in particular, with the most successful song by any English composer, O rosa bella. This leads to a set of enquiries into the distribution and international currents of the song repertory in Italy and Spain. The essays in the final section, taken together, represent an extended discussion of the problems of performance, both of voice and instrument, what they performed and how.