Onoto Watanna


Book Description

In 1901, Winnifred Eaton arrived in New York City with literary ambitions, journalism experience, and the manuscript for A Japanese Nightingale, the novel that would make her famous. Her writing and gift for reinvention would set her apart from other women authors of her time and make her a fascinating early figure in Asian American literature. Diana Birchall, Eaton's granddaughter, tells the Horatio Alger story of the woman who became Onoto Watanna. Born to a British father and a Chinese mother, Winnifred capitalized on her exotic appearance--and protected herself from Americans' scorn of the Chinese--by "becoming" Japanese. Her popular Japanese-themed romance novels thrust her into the glittering world of New York's literati. From there she leapt to Hollywood to become a scriptwriting protégée of Carl Laemmle at Universal Studios. Yet her boldness and talent masked a sometimes-desperate personal life that included a troubled first marriage and the sudden end of her Hollywood career. A compelling saga of the shifting boundary between life and art, Onoto Watanna reveals the conflicting stories, personal tempests, and remarkable accomplishments of a woman whose career was sensational in every sense.




"A Half Caste" and Other Writings


Book Description

This series provides authoritative national, regional, city and state mapping from The American Automobile Association (AAA). Providing clear mapping for the independent traveller, it features a touring section; highlighted places of interest; and city maps with practical tourist info such as principal attractions, camping sites, airports and AAA-approved hotels.




The Heart of Hyacinth


Book Description

The Heart of Hyacinth, originally published in 1903, tells the coming-of-age story of Hyacinth Lorrimer, a child of white parents who was raised from infancy in Japan by a Japanese foster mother and assumed to be Eurasian. A crisis occurs when, 18 years after her birth, her American father returns to Japan to reclaim her just as Hyacinth has become engaged to a Japanese aristocrat, and she forcefully asserts her Japanese ties only to find that her prospective father-in-law will not tolerate a white wife for his son. Onoto Watanna creates in her protagonist a young white woman who not only claims a Japanese identity but shifts between her Japaneseness and her whiteness as expediency dictates. In this novel Watanna is on the cutting edge of what we now call race theory, using that theory—of racial constructions and fluidity—in the service of an avant-garde feminism.




A Japanese Nightingale


Book Description

After her performance at a beautiful tea house, Yuki, a Japanese dancer, is followed and harassed by a businessman. Claiming that they could make a lot of money together if Yuki went to America with him, the man does not intend to take no for an answer. When Jack, an awkward but friendly man, witnesses the harassment, he steps in to encourage the man to leave her alone. They then part ways, and Jack assumes they will never see each other again, but Yuki has a plan. Jack is one of the wealthiest foreigners in Japan, which Yuki learns through a mutual friend. When that mutual friend reintroduces Jack and Yuki, Yuki declares her intent to marry Jack. This was a common tradition among Western men—they would marry a Japanese woman, use her, and then leave the country without a second thought. Aware of the discrimination and racism that his fellow Americans practice, he tries to be careful not to partake in such heinous beliefs; therefore, he initially is opposed to the idea. Yuki, however, is persistent. Arguing that it would be mutually beneficial, Yuki admits that she is seeking financial stability. Upon her insistence, Jack finally gives in and agrees to marry. The two decide that it will be an open and honest relationship; Yuki is interested in Jack’s money, and he is interested in her appearance. But as they grow closer, the couple realize that their no-strings attached arrangement might not work out as planned. Onoto Watanna’s A Japanese Nightingale explores themes of gender, race, and sexuality, as well as addressing the constructs and exploitation of Asian femininity. With descriptive prose and powerful themes, A Japanese Nightingale empowers Asian identity and influenced current cultural movements. Published in 1904, A Japanese Nightingale became Onoto Watanna’s claim to fame. The novel was a big commercial success, and even inspired a silent film adaptation. However, despite its popularity, A Japanese Nightingale is rarely found in print. This edition of Onoto Watanna’s A Japanese Nightingale features an eye-catching cover design and is printed in a contemporary font, making it both readable and modern.




His Royal Nibs


Book Description




The Literary Voices of Winnifred Eaton


Book Description

Winnifred Eaton, better known under her Japanese pseudonym, Onoto Watanna, was of English and Chinese heritage, but born and raised in Canada. She published over a dozen novels and hundreds of short stories, magazine articles, and screenplays during the first half of the twentieth century. Her romances featuring Japanese and Eurasian heroines sold widely. However, by the time of her death in 1954, most of her books were out of print. Winnifred (unlike her sister, the better-known writer Edith Eaton) has been a troubling figure for Asian Americanists. She attempted to disguise her ethnic heritage, writing under a Japanese pen name, and in legal documents, she usually claimed a white racial identity. Scholars have noted her use of Orientalist stereotypes in her novels, and even though she depicted a broad range of non-Asian characters - such as Irish maids and cowboys - her pottrayals often relied on the accepted stereotypes of the day. Rather than dismiss her characterizations as evasions of the topics that readers today wish she had explored, Jean Lee Cole asks why Winnifred Eaton may have chosen the subjects she did. Cole shows that the many voices Eaton adopted reveal her deep




Quaint, Exquisite


Book Description

How Japan captured the Victorian imagination and transformed Western aesthetics From the opening of trade with Britain in the 1850s, Japan occupied a unique and contradictory place in the Victorian imagination, regarded as both a rival empire and a cradle of exquisite beauty. Quaint, Exquisite explores the enduring impact of this dramatic encounter, showing how the rise of Japan led to a major transformation of Western aesthetics at the dawn of globalization. Drawing on philosophy, psychoanalysis, queer theory, textual criticism, and a wealth of in-depth archival research, Grace Lavery provides a radical new genealogy of aesthetic experience in modernity. She argues that the global popularity of Japanese art in the late nineteenth century reflected an imagined universal standard of taste that Kant described as the “subjective universal” condition of aesthetic judgment. The book features illuminating cultural histories of Gilbert and Sullivan’s Mikado, English derivations of the haiku, and retellings of the Madame Butterfly story, and sheds critical light on lesser-known figures such as Winnifred Eaton, an Anglo-Chinese novelist who wrote under the Japanese pseudonym Onoto Watanna, and Mikimoto Ryuzo, a Japanese enthusiast of the Victorian art critic John Ruskin. Lavery also explains the importance and symbolic power of such material objects as W. B. Yeats’s prized katana sword and the “Japanese vellum” luxury editions of Oscar Wilde. Quaint, Exquisite provides essential insights into the modern understanding of beauty as a vehicle for both intimacy and violence, and the lasting influence of Japanese forms today on writers and artists such as Quentin Tarantino.




Sunny-san


Book Description

Step into the world of Japanese-American author Onoto Watanna with this delightful novel. Set in the early 20th century, 'Sunny-San' tells the story of a young Japanese woman who travels to America in search of adventure and romance. Along the way, she encounters a cast of colorful characters, including a handsome American man who captures her heart. With its charming depiction of cross-cultural romance and its vivid portrait of early 20th century America, this book is a must-read for anyone who loves historical fiction. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Tama


Book Description

"Tama" by Onoto Watanna. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.




The Romance of Race


Book Description

In the United States miscegenation is not merely a subject of literature and popular culture. It is in many ways the foundation of contemporary imaginary community. The Romance of Race examines the role of minority women writers and reformers in the creation of our modern American multiculturalism. The national identity of the United States was transformed between 1880 and 1930 due to mass immigration, imperial expansion, the rise of Jim Crow, and the beginning of the suffrage movement. A generation of women writers and reformers—particularly women of color—contributed to these debates by imagining new national narratives that put minorities at the center of American identity. Jane Addams, Pauline Hopkins, Onoto Watanna (Winnifred Eaton), María Cristina Mena, and Mourning Dove (Christine Quintasket) embraced the images of the United States—and increasingly the world—as an interracial nuclear family. They also reframed public debates through narratives depicting interracial encounters as longstanding, unacknowledged liaisons between white men and racialized women that produced an incestuous, mixed-race nation. By mobilizing the sexual taboos of incest and miscegenation, these women writers created political allegories of kinship and community. Through their criticisms of the nation’s history of exploitation and colonization, they also imagined a more inclusive future. As Jolie A. Sheffer identifies the contemporary template for American multiculturalism in the works of turn-of-the century minority writers, she uncovers a much more radical history than has previously been considered.