Author : Simon Donger
Publisher : Routledge
Page : 240 pages
File Size : 45,70 MB
Release : 2010-05-20
Category : Art
ISBN : 1136971297
'ORLAN' is a study of ORLAN's pioneering art. The book covers her entire career in performance and a range of other art forms. It describes and analyses her various innovative uses of the body as artistic material.
Author : Orlan
Publisher :
Page : 0 pages
File Size : 30,61 MB
Release : 2007
Category :
ISBN :
Author : C. Jill O'Bryan
Publisher : U of Minnesota Press
Page : 235 pages
File Size : 30,43 MB
Release :
Category :
ISBN : 1452906769
The French artist Orlan is infamous for performances during which her body is surgically altered. In nine such performance surgeries, features from Greek goddesses painted by Botticelli, Gerard, Moreau, and an anonymous School of Fontainebleau artist, as well as from da Vinci's "Mona Lisa, were implanted into Orlan's face. During her surgical performances, viewers witness a material tampering with the relationship between the face and individual identity, the original and the constructed, a historical critique of the association of art with beauty and the female body. Responding to Orlan's definition of her performance surgeries as "carnal art," C. Jill O'Bryan considers how the artist's ever-fluctuating reconstructions of her face question idealized beauty and female identity, persuasively arguing that Orlan's surgically reinvented face succeeds in both reinforcing and breaking apart corporeal subjectivity and representation. O'Bryan contextualizes Orlan's operations within the centuries-long history of public dissections and surgeries, lavish anatomical illustrations created to draw the gaze into the opened anatomy, Artaud's "Theater of Cruelty" in the early twentieth century, and contemporary works and performances by Cindy Sherman, Hans Bellman, and Annie Sprinkle. A compelling blurring of the line between feminist theory and art criticism, O'Bryan's close examination of Orlan's performance surgeries complicates and reconfigures the notions of identity--and its relation to the body--at the very boundary dividing art from identity.
Author : Roger W. Baines
Publisher : BRILL
Page : 316 pages
File Size : 17,3 MB
Release : 2021-10-25
Category : Social Science
ISBN : 9004489754
This is the first major study in English of the work of the French novelist, essayist, journalist, poet and ‘chansonnier’ Pierre Mac Orlan (1882-1970). It assesses Mac Orlan's contribution to the post-1918 phenomenon of intellectual disillusionment and disorientation which was termed the ‘nouveau mal du siècle’, or ‘inquiétude’. Although he has largely been ignored by critics thus far, Mac Orlan was part of mainstream French literary production and a major exponent of ‘inquiétude’. Where he differs from his contemporaries is in his subject matter, in his use of sociological, rather than abstract, intellectual material. His expression of ‘inquiétude’ encompasses: ‘le fantastique social’; adventure; marginality; ‘le cafard’; and sadistic sexuality. His originality lies in his invention of ‘le fantastique social’, in his constant use of certain techniques, as well as the subject matter, of German Expressionism via the depiction of the disturbing landscape of the modern city, post-1918 inflation and decadence, prostitutes and criminals, doomed adventurers, the mystery of modern technology, and in the expression of a morbid interest in sexual violence. This volume will be of particular interest to students of inter-war French literature and thought.
Author : Simon Donger
Publisher : Routledge
Page : 504 pages
File Size : 22,27 MB
Release : 2010-05-20
Category : Art
ISBN : 1136971289
ORLAN: A Hybrid Body of Artworks is an in-depth academic account of ORLAN's pioneering art in its entirety. The book covers her career in performance and a range of other art forms. This single accessible overview of ORLAN's practices describes and analyses her various innovative uses of the body as artistic material. Edited by Simon Donger with Simon Shepherd and ORLAN herself, the collection highlights her artistic impact from the perspectives of both performance and visual cultures. The book features: vintage texts by ORLAN and on ORLAN's work, including manifestos, key writings and critical studies ten new contributions, responses and interviews by leading international specialists on performance and visual arts over fifty images demonstrating ORLAN's art, with thirty full colour pictures a new essay by ORLAN, written specially for this volume a new bibliography of writing on ORLAN an indexed listing of ORLAN’s artworks and key themes.
Author : Orlan
Publisher : Flammarion-Pere Castor
Page : 272 pages
File Size : 47,75 MB
Release : 2004
Category : Art
ISBN :
Orlan is one of the most challenging and thought-provoking artists working today. Born in France in 1947, she began her highly unconventional career at the age of 17 with a series of works including staged photographs of her own body, which has become the characteristic expression of her creative voice.
Author : Mike Featherstone
Publisher : SAGE
Page : 358 pages
File Size : 37,24 MB
Release : 2000-06-06
Category : Social Science
ISBN : 9780761967965
This volume explores the growing range of practices such as piercing, tattooing, branding, cutting and inserting implants which have sprung up recently in the West.
Author : Peg Zeglin Brand
Publisher : Indiana University Press
Page : 356 pages
File Size : 50,40 MB
Release : 2000-05-22
Category : Philosophy
ISBN : 9780253213754
Beauty has captured human interest since before Plato, but how, why, and to whom does beauty matter in today's world? Whose standard of beauty motivates African Americans to straighten their hair? What inspires beauty queens to measure up as flawless objects for the male gaze? Why does a French performance artist use cosmetic surgery to remake her face into a composite of the master painters' version of beauty? How does beauty culture perceive the disabled body? Is the constant effort to remain young and thin, often at considerable economic and emotional expense, ethically justifiable? Provocative essays by an international group of scholars discuss aesthetics in aesthetics, the arts, the tools of fashion, the materials of decoration, and the big business of beautification—beauty matters—to reveal the ways gender, race, and sexual orientation have informed the concept of beauty and driven us to become more beautiful. Here, Kant rubs shoulders with Calvin Klein. Beauty Matters draws from visual art, dance, cultural history, and literary and feminist theory to explore the values and politics of beauty. Various philosophical perspectives on ethics and aesthetics emerge from this penetrating book to determine and reveal that beauty is never disinterested.
Author : Elizabeth Mansfield
Publisher : U of Minnesota Press
Page : 257 pages
File Size : 31,20 MB
Release :
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ISBN : 1452909164
Few tales of artistic triumph can rival the story of Zeuxis. As first reported by Cicero and Pliny, the painter Zeuxis set out to portray Helen of Troy, but when he realized that a single model could not match Helen’s beauty, he combined the best features of five different models. A primer on mimesis in art making, the Zeuxis myth also illustrates ambivalence about the ability to rely on nature as a model for ideal form. In Too Beautiful to Picture, Elizabeth C. Mansfield engages the visual arts, literature, and performance to examine the desire to make the ideal visible. She finds in the Zeuxis myth evidence of a cultural primal scene that manifests itself in gendered terms. Mansfield considers the many depictions of the legend during the Renaissance and questions its absence during the eighteenth century. Offering interpretations of Angelica Kauffman’s paintings, Mary Shelley’s Frankenstein, and Picasso’s Les Demoiselles d’Avignon, Mansfield also considers Orlan’s carnal art as a profound retelling of the myth. Throughout, Mansfield asserts that the Zeuxis legend encodes an unconscious record of the West’s reliance on mimetic representation as a vehicle for metaphysical solace. Elizabeth C. Mansfield is associate professor of art history at the University of the South.
Author : Henry Bial
Publisher : Psychology Press
Page : 354 pages
File Size : 39,70 MB
Release : 2004
Category : Performing arts
ISBN : 9780415302418
The Performance Studies Reader is a lively and much-needed anthology of critical writings on the burgeoning discipline of performance studies. It provides an overview of the full range of performance theory for undergraduates at all levels, and beginning graduate students in performance studies, theatre, performing arts and cultural studies. The collection is designed as a companion to Richard Schechner's popular Performance Studies: an Introduction (Routledge, 2002), but is also ideal as a stand-alone text. Henry Bial collects together key critical pieces from the field, referred to as 'suggested readings' in Performance Studies: an Introduction. He also broadens the discussion with additional selections. The structure and themes of the Reader closely follow those of Schechner's companion textbook. The articles in each section focus particularly on three primary areas in performance studies, theatre, anthropology and sociology/cultural studies.
