Orson Welles in Italy


Book Description

Fleeing a Hollywood that spurned him, Orson Welles arrived in Italy in 1947 to begin his career anew. Far from being welcomed as the celebrity who directed and starred in Citizen Kane, his six-year exile in Italy was riddled with controversy, financial struggles, disastrous love affairs, and failed projects. Alberto Anile's book depicts the artist's life and work in Italy, including his reception by the Italian press, his contentious interactions with key political figures, and his artistic output, which culminated in the filming of Othello. Drawing on revelatory new material on the artist's personal and professional life abroad, Orson Welles in Italy also chronicles Italian cinema's transition from the social concerns of neorealism to the alienated characters in films such as Federico Fellini's La Dolce Vita, amid the cultural politics of postwar Europe and the beginnings of the cold war.




What Ever Happened to Orson Welles?


Book Description

At the age of twenty-five, Orson Welles (1915–1985) directed, co-wrote, and starred in Citizen Kane, widely regarded as the greatest film ever made. But Welles was such a revolutionary filmmaker that he found himself at odds with the Hollywood studio system. His work was so far ahead of its time that he never regained the wide popular following he had once enjoyed as a young actor-director on the radio. What Ever Happened to Orson Welles?: A Portrait of an Independent Career challenges the conventional wisdom that Welles’s career after Kane was a long decline and that he spent his final years doing little but eating and making commercials while squandering his earlier promise. In this intimate and often surprising personal portrait, Joseph McBride shows instead how Welles never stopped directing radical, adventurous films and was always breaking new artistic ground as a filmmaker. McBride is the first author to provide a comprehensive examination of the films of Welles's artistically rich yet little-known later period in the United States (1970–1985), when McBride knew and worked with him. McBride reports on Welles's daringly experimental film projects, including the legendary 1970–1976 unfinished film The Other Side of the Wind, Welles’s satire of Hollywood during the “Easy Rider era”; McBride gives a unique insider perspective on Welles from the viewpoint of a young film critic playing a spoof of himself in a cast headed by John Huston and Peter Bogdanovich. To put Welles’s widely misunderstood later years into context, What Ever Happened to Orson Welles? reexamines the filmmaker’s entire life and career. McBride offers many fresh insights into the collapse of Welles’s Hollywood career in the 1940s, his subsequent political blacklisting, and his long period of European exile. An enlightening and entertaining look at Welles's brilliant and enigmatic career as a filmmaker, What Ever Happened to Orson Welles? serves as a major reinterpretation of Welles’s life and work. McBride clears away the myths that have long obscured Welles’s later years and have caused him to be falsely regarded as a tragic failure. McBride’s revealing portrait of this great artist will change the terms of how Orson Welles is understood as a man, an actor, a political figure, and a filmmaker.




Political Fellini


Book Description

Federico Fellini is often considered a disengaged filmmaker, interested in self-referential dreams and grotesquerie rather than contemporary politics. This book challenges that myth by examining the filmmaker’s reception in Italy, and by exploring his films in the context of significant political debates. By conceiving Fellini’s cinema as an individual expression of the nation’s “mythical biography,” the director’s most celebrated themes and images — a nostalgia for childhood, unattainable female figures, fantasy, the circus, carnival — become symbols of Italy’s traumatic modernity and perpetual adolescence.




What Ever Happened to Orson Welles?


Book Description

At twenty-five, Orson Welles (1915-1985) directed, co-wrote, and starred in Citizen Kane, widely considered the best film ever made. But Welles was such a revolutionary filmmaker that he found himself at odds with the Hollywood studio system. His work was so far ahead of its time that he never regained the wide popular following he had once enjoyed as a young actor-director on the radio. Frustrated by Hollywood and falling victim to the postwar blacklist, Welles departed for a long European exile. But he kept making films, functioning with the creative freedom of an independent filmmaker before that term became common and eventually preserving his independence by funding virtually all his own projects. Because he worked defiantly outside the system, Welles has often been maligned as an errant genius who squandered his early promise. Film critic Joseph McBride, who acted in Welles's legendary unfinished film The Other Side of the Wind, provocatively challenges conventional wisdom about Welles's supposed creative decline. McBride is the first author to provide a comprehensive examination of the films of Welles's artistically rich yet little-known later period. During the 1970s and '80s, Welles was breaking new aesthetic ground, experimenting as adventurously as he had throughout his career. McBride's friendship and collaboration with Welles and his interviews with those who knew and worked with the director make What Ever Happened to Orson Welles? a portrait of rare intimacy and insight. Reassessing Welles's final period in the context of his entire life and work, McBride's revealing portrait of this great film artist will change the terms of how Orson Welles is regarded.




This Is Orson Welles


Book Description

Orson Welles will leave you agreeing with Marlene Dietrich, who also said (using Welles' words from Touch of Evil): "He was some kind of man. What does it matter what you say about people?"




My Lunches with Orson


Book Description

"There have long been rumors of a lost cache of tapes containing private conversations between Orson Welles and his friend the director Henry Jaglom, recorded over regular lunches in the years before Welles died. The tapes, gathering dust in a garage, did indeed exist, and this book reveals for the first time what they contain. Here is Welles as he has never been seen before: talking intimately, disclosing personal secrets, reflecting on the highs and lows of his astonishing career, the people he knew--FDR, Winston Churchill, Charlie Chaplin, Marlene Dietrich, Laurence Olivier, David Selznick, Rita Hayworth, and more--and the many disappointments of his last years"--Dust jacket flap.




At the End of the Street in the Shadow


Book Description

Explores Welles's vision of cities by following recurring themes across his work, including urban transformation, race relations and fascism, the utopian promise of cosmopolitanism, and romantic nostalgia for archaic forms of urban culture.




Orson Welles's Last Movie


Book Description

In the summer of 1970 legendary but self-destructive director Orson Welles returned to Hollywood from years of self-imposed exile in Europe and decided it was time to make a comeback movie. Coincidentally it was the story of a legendary self-destructive director who returns to Hollywood from years of self-imposed exile in Europe. Welles swore it wasn't autobiographical. The Other Side of the Wind was supposed to take place during a single day, and Welles planned to shoot it in eight weeks. It took twelve years and remains unreleased and largely unseen. Orson Welles' Last Movie is a fast-paced, behind-the-scenes account of the bizarre, hilarious and remarkable making of what has been called "the greatest home movie that no one has ever seen."




Luck and Circumstance


Book Description

The acclaimed director of such films as Brideshead Revisited shares the story of his youth and career, providing coverage of such topics as his childhood as the son of star Geraldine Fitzgerald, his relationships with Hollywood elite and the allegations that Orson Welles was his real father.




Orson Welles


Book Description

It is only in the editing studio that he possesses "absolute control." With scholarly erudition, Welles revels in the plays of Shakespeare and discusses their adaptation to stage and screen. He assesses rival directors and eminent actors, offers penetrating analyses of Citizen Kane, Touch of Evil, Chimes at Midnight, and The Third Man, and declares that he never made a film that lacked an ethical point-of-view. Book jacket.