Othello


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Shakespeare's Tragedies


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Shakespeare's tragedies contain an astonishing variety of suffering, from suicides and murders to dismemberments and grief. Stanley Wells considers how the bard's tragic plays drew on the literary and theatrical conventions of his time. Discussing the individual plays, he also explores why tragedy is regarded as a fit subject for entertainment.




William Shakespeare × Chris Ofili: Othello


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Othello remains one of Shakespeare's most contemporary and moving plays, with its emphasis on race, revenge, murder, and lost love. Chris Ofili’s new edition highlight’s the tragedy of Othello’s plight in ways no other volume of this play has. In twelve etchings Ofili has produced to illustrate this play, Othello is depicted with tears in his eyes, which flow below various scenes visualized in his forehead. Ofili asks us to see in Othello the great injustices that still plague the world today. These images add feeling to Shakespeare’s words, and together they form their own hybrid object—something between a book and a visual retelling of the tragedy. With a foreword by the renowned critic Fred Moten, this edition is the first of its kind and puts Othello’s blackness and interiority front and center, forcing us to confront the complex world that ultimately dooms him. The first play in the Seeing Shakespeare Series, Othello is illustrated by English contemporary artist Chris Ofili. Future titles in the series include A Midsummer Night’s Dream illustrated by Marcel Dzama and The Merchant of Venice with images by Jordan Wolfson.




Othello


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Shakespeare, 'Othello' and Domestic Tragedy


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Often set in domestic environments and built around protagonists of more modest status than traditional tragic subjects, 'domestic tragedy' was a genre that flourished on the Renaissance stage from 1580-1620. Shakespeare, 'Othello', and Domestic Tragedy is the first book to examine Shakespeare's relationship to the genre by way of the King's and Chamberlain's Men's ownership and production of many of the domestic tragedies, and of the genre's extensive influence on Shakespeare's own tragedy, Othello. Drawing in part upon recent scholarship that identifies Shakespeare as a co-author of Arden of Faversham, Sean Benson demonstrates the extensive-even uncanny-ties between Othello and the domestic tragedies. Benson argues that just as Hamlet employs and adapts the conventions of revenge tragedy, so Othello can only be fully understood in terms of its exploitation of the tropes and conventions of domestic tragedy. This book explores not only the contexts and workings of this popular sub-genre of Renaissance drama but also Othello's secure place within it as the quintessential example of the form.




Aristotle and the Arc of Tragedy


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Aristotle and the Arc of Tragedy is the latest of Leon Golden’s books to connect Ancient Greece to modern culture. In a world facing many pressing issues Classics professor Golden wants to champion the values and achievements of Classical Civilization. He asserts that Homeric Epic and Greek Tragedy are as relevant today as they were millennia ago because they are riveting and insightful studies of the human condition. Their universality grants them a contemporary relevance despite the passage of time and changes in custom and taste. In one of his previous books, Understanding the Iliad, Golden illuminated the relevance of The Iliad for modern readers. The Bryn Mawr Classical Review praised Understanding the Iliad because it, “achieves what it sets out to accomplish: to provide an interpretation of the Iliad that emphasizes its didactic aspects, its ability to improve its readers by presenting the spectacle of the evolution of a flawed warrior consumed by destructive anger to a legitimate hero who transcends his narcissism and grandiosity and reaches out to others and by doing so heals his own aching soul in the process.” Golden, making use of correspondence and personal contact with Joseph Heller, himself, argues convincingly in Achilles and Yossarian that Homer’s The Iliad exerted a profound influence over Heller as he wrote his modern classic, Catch-22. A Kirkus review acclaims Achilles and Yossarian in these words: “Golden combines impressive erudition with a sharp critical eye and a lucid prose style that laymen will find accessible and engaging. The result is an original and persuasive work of literary scholarship that finds much more than mere war stories in these classics.”




Othello As Tragedy


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Jane Adamson analyses Othello and assesses the title character's complex tragedy.




Othello


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Othello


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Othello


Book Description