Highland Heritage


Book Description

Each year, tens of thousands of people flock to Grandfather Mountain, North Carolina, and to more than two hundred other locations across the country to attend Scottish Highland Games and Gatherings. There, kilt-wearing participants compete in athletics, Highland dancing, and bagpiping, while others join clan societies in celebration of a Scottish heritage. As Celeste Ray notes, however, the Scottish affiliation that Americans claim today is a Highland Gaelic identity that did not come to characterize that nation until long after the ancestors of many Scottish Americans had left Scotland. Ray explores how Highland Scottish themes and lore merge with southern regional myths and identities to produce a unique style of commemoration and a complex sense of identity for Scottish Americans in the South. Blending the objectivity of the anthropologist with respect for the people she studies, she asks how and why we use memories of our ancestral pasts to provide a sense of identity and community in the present. In so doing, she offers an original and insightful examination of what it means to be Scottish in America.




A Feast of Folklore


Book Description

"Diverting, delightful and deliciously weird enough to satisfy the most demanding appetite." — Christopher Hadley, author of The Road Folklorist Ben Gazur guides you through the dark alleys of British history to uncover how our food habits have been passed down through generations of folklore. Who was the first person to throw salt over their shoulder? Why do we think carrots can help us see in the dark? When did we start holding village fairs to honour gigantic apple pies? Or start hurling ourselves down hills in pursuit of a wheel of cheese? Gazur investigates the origins of famous food superstitions as well as much more bizarre and lesser-known tales too, from what day the devil urinates on blackberries to how to stop witches using eggshells as escape boats. Hilarious and fascinating, A Feast of Folklore will introduce you to the gloriously eccentric folk who aren’t often noticed by historians. Here lies a smorgasbord of their dark remedies and deadly delicacies, waiting to be discovered.




Antiquity


Book Description




The Silver Bough


Book Description

Introduced by Stewart Sanderson. This book, the first and most popular of four volumes, is a marvellous and indispensable treasury of Scottish folklore and folk belief from the world of Celtic magic, gods and fairies, to the prophecies of the Brahan seer, second sight, witchcraft, earth magic, selkies, changelings and a host of traditional spells and cures. The Silver Bough involved many years of research into both living and recorded folklore. Its genesis lies perhaps in the author's need to reconcile the old primitive world she had glimpsed in her Orkney childhood, with the sophisticated modern world she later entered. This much loved and highly regarded work remains a classic of literature. 'If you are looking for an insight into the Celtic mindset, or interested in the background of Scottish literature or in Scottish folklore for its own sake . . . I know of no other single volume I could so unreservedly recommend to you.' Books in Scotland




First and Last Notebooks


Book Description

Introducing the Selected Works of Simone Weil




The Darker Side of Faery


Book Description

There is a distinct tendency today to assume that faery kind are friendly and helpful towards us humans. The evidence of over one thousand years experience, preserved in British folk tradition, tells a very different story. British faeries are (like humans) selfish, greedy, violent and cruel. What makes things worse, of course, is the fact that they have magical powers too. This book deliberately focuses upon only the darker side of faery: how their magic can be used to trick and steal from us; how they will attack and abduct us; how we can offend them and how they can make us ill.




Folktales of Newfoundland (RLE Folklore)


Book Description

This collection of Newfoundland folk narratives, first published in 1996, grew out of extensive fieldwork in folk culture in the province. The intention was to collect as broad a spectrum of traditional material as possible, and Folktales of Newfoundland is notable not only for the number and quality of its narratives, but also for the format in which they are presented. A special transcription system conveys to the reader the accents and rhythms of each performance, and the endnote to each tale features an analysis of the narrator’s language. In addition, Newfoundland has preserved many aspects of English and Irish folk tradition, some of which are no longer active in the countries of their origin. Working from the premise that traditions virtually unknown in England might still survive in active form in Newfoundland, the researchers set out to discover if this was in fact the case.




The Malleus Maleficarum of Heinrich Kramer and James Sprenger


Book Description

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.




Silver Bough Volume 1


Book Description

The Silver Bough is an indispensable treasury of Scottish culture, universally acknowledged as a classic of literature. The author, F Marian McNeill, succeeded in capturing and bringing to life many traditions and customs of old before they died out or were influenced by the modern era. The Silver Branch of the sacred apple tree, laden with crystal blossoms of golden fruit, is in Celtic mythology the equivalent of the Golden Bough of classical mythology - the symbolic bond between the world we know and the Otherworld.This, the first volume of The Silver Bough, deals with Scottish folklore and folk-belief. There are chapters on the ethnic origins of the national festivals, the Druids, the Celtic gods, and the slow transition from Druidism to Christianity. There are accounts of magic, the fairy faith, second sight, selkies, changelings and the witch cult, including tales of "e;witches"e; being hung, or worse. There are old familiar rhymes and a wealth of information on the Scotland of old, now gone for ever, where the people feared witches and "e;faeries"e;. Readers are bound to find something fascinating about somewhere in Scotland they didn't know before. The book is attractively illustrated, with many interesting relics reproduced for the first time, including a witch's cursing bone, hair rope and corp creadh (clay image) and some well-known amulets and charms. The subsequent three volumes deal with the origins and traditions of Scottish national and local festivals. As man makes greater and greater advances in the understanding and control of his physical environment, the river between the known and the unknown gradually changes its course, and the subjects of the simpler beliefs of former times become part of the new territory of knowledge. The Silver Bough maps out the old course of the waterway that in Celtic belief winds between here and beyond, and reveals the very roots of the Scottish people's distinctive customs and way of life. 1938 character count(extra section to be added where possible)The Silver Bough is a large and important work which involved many years of research into both living and recorded lore. Its genesis lies, perhaps, in the author's subconscious need to reconcile the old primitive world she had glimpsed in childhood with the sophisticated modern world she later entered. "e;I do not believe that you can exaggerate the importance of the preservation of old ways and customs, and all those little things which bind a man to his native place. Today we live in difficult times. The steam-roller of progress is flattening out many of our old institutions, and there is a danger of a general decline in idiom and distinctive quality in our Scottish life. The only way to counteract this peril is to preserve jealously all these elder things which are bone of our bone and flesh of our flesh. For, remember, no man can face the future with courage and confidence unless it is solidly founded upon the past. And conversely, no problem will be too hard, no situation too strange, if we can link it with what we know and love"e; F Marian McNeill