The Emperor's New Clothes


Book Description

Hans Christian Andersen was a Danish author best known for writing children's stories including "The Little Mermaid" and "The Ugly Duckling." But he didn't just write short stories, and his intended audience wasn't restricted to children. In addition to his fairy tales, Andersen wrote poems, plays, novels, travel books, essays, and more. He hungered for recognition at home (Denmark) and abroad-and he got it! Eventually. Today, his stories can be read in over one hundred languages. But no matter what language they're in, Andersen's tales have got something for everyone. In them, you'll find beauty, tragedy, nature, religion, artfulness, deception, betrayal, love, death, judgment, penance, and-occasionally-a happy ending. They're complex tales, but since Andersen himself was pretty complex, we like to think that art imitates life. Or something like that. "The Emperor's New Clothes" (Danish: Kejserens nye Kl?der) is a short tale by Hans Christian Andersen about two weavers who promise an Emperor a new suit of clothes that is invisible to those who are unfit for their positions, stupid, or incompetent. When the Emperor parades before his subjects in his new clothes, no one dares to say that he doesn't see any suit of clothes until a child cries out, "But he isn't wearing anything at all!" The tale has been translated into over a hundred languages. Includes a unique illustration!




New Clothes for New Year's Day


Book Description

Follow a young Korean girl as she dresses and prepares for the Lunar New Year.




The Emperor Penguin's New Clothes


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The Chinese Emperor's New Clothes


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Ming Da is only nine years old when he becomes the emperor of China, and his three advisors take advantage of him by stealing his stores of rice, gold, and precious stones. But Ming Da has a plan. With the help of his tailors, he comes up with a clever idea to outsmart his devious advisors: He asks his tailors to make “magical” new clothes for him. Anyone who is honest, the young emperor explains, will see the clothes’ true splendor, but anyone who is dishonest will see only burlap sacks. The emperor dons a burlap sack, and the ministers can’t help but fall for his cunning trick.




The Emperor's New Clothes


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"Graves' answers could revise the ways in which humans interact with one another."--"Choice." "A fine start for thinking about race at the dawn of the millennium."--"American Scientist."




The Emperor's New Clothes


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The Bankers’ New Clothes


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A Wall Street Journal, Financial Times, and Bloomberg Businessweek Book of the Year Why our banking system is broken—and what we must do to fix it New bank failures have been a rude awakening for everyone who believed that the banking industry was reformed after the Global Financial Crisis—and that we’d never again have to choose between massive bailouts and financial havoc. The Bankers’ New Clothes uncovers just how little things have changed—and why banks are still so dangerous. Writing in clear language that anyone can understand, Anat Admati and Martin Hellwig debunk the false and misleading claims of bankers, regulators, politicians, academics, and others who oppose effective reform, and they explain how the banking system can be made safer and healthier. Thoroughly updated for a world where bank failures have made a dramatic return, this acclaimed and important book now features a new preface and four new chapters that expose the shortcomings of current policies and reveal how the dominance of banking even presents dangers to the rule of law and democracy itself.




The Emperor's New Clothes (Tales to Grow By)


Book Description

Tales to Grow By will be the perfect companion in the exciting path of becoming, little by little, responsible and happy grownups. Fairy tales are stories that have been passed down through generations. Their ancestral wisdom offers readers a truthful and extensive portrait of human behaviors and human experiences. This is why fairy tales are the perfect tool to teach character education. Tales to Grow by is a new series of books that unlocks the power of fairy tales. Each tale is retold to highlight important emotions, feelings and attitudes of its characters. Beautiful illustrations make the story accessible to young readers. Questions throughout the book and backmatter written by a children s therapist guide the educator through the story and allow the readers to get in touch with their own feelings and emotions. The mix of rich content and visuals allows our little readers to enjoy the magic of the stories while developing strong and independent character. In this tender retelling of the classic fairytale, children learn the importance of recognizing their feelings and expressing them with honesty.




Our New Clothes


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Published in conjunction with the April 1999 exhibition, this catalogue presents the clothes, accessories, and library materials acquired by The Costume Institute at The Metropolitan Museum of Art during the 1990s. Six chapters (a history of fashion, the white dress, men of three centuries, the Americans, the contemporaries, and the library) provide a miniview of three centuries of clothing. The 113 color illustrations and illuminating text by Richard Martin (curator, The Costume Institute) display the Institute's commitment to presenting costume as a living art that interprets history, becomes part of the historical process, and inspires subsequent art. Oversize: 9.25x11.75". Annotation copyrighted by Book News, Inc., Portland, OR




The Empire's New Clothes


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In the wake of Brexit, the Commonwealth has been identified as an important body for future British trade and diplomacy, but few know what it actually does. How is it organized and what has held it together for so long? How important is the Queen's role as Head of the Commonwealth? Most importantly, why has it had such a troubled recent past, and is it realistic to imagine that its fortunes might be reversed?In The Empire's New Clothes,? Murphy strips away the gilded self-image of the Commonwealth to reveal an irrelevant institution afflicted by imperial amnesia. He offers a personal perspective on this complex and poorly understood institution, and asks if it can ever escape from the shadow of the British Empire to become an organization based on shared values, rather than a shared history.