Landscape Painting


Book Description

Because nature is so expansive and complex, so varied in its range of light, landscape painters often have to look further and more deeply to find form and structure, value patterns, and an organized arrangement of shapes. In Landscape Painting, Mitchell Albala shares his concepts and practices for translating nature's grandeur, complexity, and color dynamics into convincing representations of space and light. Concise, practical, and inspirational, Landscape Painting focuses on the greatest challenges for the landscape artist, such as: • Simplification and Massing: Learn to reduce nature's complexity by looking beneath the surface of a subject to discover the form's basic masses and shapes.• Color and Light: Explore color theory as it specifically applies to the landscape, and learn the various strategies painters use to capture the illusion of natural light.• Selection and Composition: Learn to select wisely from nature's vast panorama. Albala shows you the essential cues to look for and how to find the most promising subject from a world of possibilities. The lessons in Landscape Painting—based on observation rather than imitation and applicable to both plein air and studio practice—are accompanied by painting examples, demonstrations, photographs, and diagrams. Illustrations draw from the work of more than 40 contemporary artists and such masters of landscape painting as John Constable, Sanford Gifford, and Claude Monet. Based on Albala's 25 years of experience and the proven methods taught at his successful plein air workshops, this in-depth guide to all aspects of landscape painting is a must-have for anyone getting started in the genre, as well as more experienced practitioners who want to hone their skills or learn new perspectives.




Exploring the Visual Landscape


Book Description

It offers clues for visual landscape assessment of spaces in cities, parks and rural areas.




Intimate Landscapes


Book Description

Intimate Landscapes, an exhibition of fifty-five color photographs by Eliot Porter, is the first one-man exhibition of color photographs ever presented at The Metropolitan Museum of Art. Works by Eliot Porter entered the Museum's collection as far back as 1949, when Georgia O'Keeffe presented from the Estate of Alfred Stieglitz an important collection of photographs assembled by Stieglitz himself. This collection included three early black and white prints by Eliot Porter, one of which is reproduced in this catalogue. All the photographs in the present exhibition brilliantly reflect the standards of excellence that are Eliot Porter's greatest contribution to the field of color photography. Upon seeing these photographs, the viewer is immediately struck by the artist's distinctly individual and intimate interpretation of the natural world.




The Landscape Painter's Workbook


Book Description

"The Landscape Painter's Workbook takes a modern approach to the time-honored techniques and essential elements of landscape painting, from accomplished artist, veteran art instructor, and established author Mitchell Albala"--




Landscape Painting and Composition


Book Description

What are the secrets of great landscape painting? Discover them in a straightforward, highly visual and enjoyable way with this unique handbook that will quickly become an indispensable companion for painting landscapes in oils, acrylics, pastels etc. Designed as much for beginners as for experienced artists, it is a complete and engaging practical guide to landscape painting. Highly visual, straightforward and easy to use, this manual is an indispensable tool in discovering the secrets hidden beneath great paintings and how to apply them to your own work. Designed both for those new to landscape painting and artists experienced within the genre, this is a comprehensive practical guide that is engaging and inspiring. Illustrated in collaboration with some of the best contemporary landscape painters, the book has hundreds of images and diagrams, as well as QR links to complementing videos , which help readers understand and put to use the techniques and information set out in each chapter. You will discover composition as your greatest ally in depicting landscapes at their most engaging as well as how to maximise your creative experience and process. You will: Get to know and learn to use essential compositional resources for successful paintings. Improve the spatial depth and three-dimensionality of your landscapes Establish visual pathways through your paintings to attract and hold the viewer ́s attention. Identify which types of landscapes are interesting to paint. Discover better formats, framing and view-points. You will also learn how to: In summary - an essential guide for learning to paint and to appreciate landscapes. Create and reinforce a focal point to increase a painting ́s intensity. Highlight or adjust elements of a landscape, depending on what you wish to express. Master the different perspective types applicable to landscapes. Decide the most appropriate pictorial treatment for each area of a painting, depending on its role within the painting. José Payá is the director of "Gaia, Centro de Estudios de Arte y Restauración" (Gaia Centre for the Study of Art and Restauration), the most prestigious art school in Valencia (Spain) and has taught landscape painting since 1992. As a result of his desire to improve amateur learning and to address shortcomings he has detected in the range of books available teaching landscape painting, his series ̈The Secrets of Landscape Painting: Landscape Painting and Composition) was born. This is the first volume, to be followed by six additional titles. His work is available to view and purchase at www.josepaya.es.




Our Visual Landscape


Book Description




Representing Landscapes


Book Description

What do you communicate when you draw an industrial landscape using charcoal; what about a hyper-realistic PhotoShop collage method? What are the right choices to make? Are there right and wrong choices when it comes to presenting a particular environment in a particular way? The choice of medium for visualising an idea is something that faces all students of landscape architecture and urban design, and each medium and style option that you select will influence how your idea is seen and understood. Responding to demand from her students, Nadia Amoroso has compiled successful and eye-catching drawings using various drawing styles and techniques to create this book of drawing techniques for landscape architects to follow and - more importantly - to be inspired by. More than twenty respected institutions have helped to bring together the very best of visual representation of ideas, the most powerful, expressive and successful images. Professors from these institutions provide critical and descriptive commentaries, explaining the impact of using different media to represent the same landscape. This book is recommended for landscape architecture and urban design students from first year to thesis and is specifically useful in visual communications and graphic courses and design studios.




Landscape Painting Inside and Out


Book Description

Paint with passion, purpose and pleasure What do you want your landscape painting to say about this place, this moment? How do you use the visual vocabulary - line, shape, value, color, edges - to say it? With this book, your conversation with nature will direct your brush. With an exhilarating, synergistic combination of indoor and outdoor painting, Kevin Macpherson shows you how to create personal, poetic landscapes that capture the feeling of being there. Learn how to: • Use a limited palette in a way that is more liberating than limiting • Experience nature to the fullest and capture its vibrancy back in the studio through photos, sketches and outdoor studies • Cope with the fleeting qualities of atmosphere and light by establishing a value plan early and sticking with it • Incorporate impressionistic touches of broken color to give your landscape a depth and vibrancy that enhances its realism • Approach painting as a layering and corrective process that encourages non-formulaic solutions Stimulating warm-up exercises in the studio prepare you for your adventures outside, while eight step-by-step demonstrations show you how to put these methods into action. Throughout, Macpherson's own light-filled landscapes illustrate the power of these techniques. Full of fresh air and fresh art, Landscape Painting Inside and Out will guide and encourage beginners while challenging more accomplished artists to bring greater vitality and a more natural, less formulaic finish to their paintings.




Elements of Visual Design in the Landscape


Book Description

Public concern about the landscape, in particular its appearance, is increasing all the time. For those charged with managing, developing or conserving a wide range of landscapes it is a major task to take visual aspects into account. Elements of Visual Design in the Landsacpe presents a vocabulary of visual design, structured in a logical and easy to follow sequence. It is profusely illustrated using both abstract and real examples taken from a wide range of international locations together with cross referencing between related principles and case studies demonstrating how the principles can be applied in practice. The visual aspects of design have often been treated as 'cosmetic' and therefore not meriting attention or purely subjective and therefore open to personal preference. Few attempts have been made to explain how we see the landscape in any rational and structured way, and to demonstrate how visually creative design and management can be undertaken. This book aims to fill that gap.




Field Sketching and the Experience of Landscape


Book Description

The act of field sketching allows us to experience the landscape first-hand – rather than reliance upon plans, maps and photographs at a distance, back in the studio. Aimed primarily at landscape architects, Janet Swailes takes the reader on a journey through the art of field sketching, providing guidance and tips to develop skills from those starting out on a design course, to those looking to improve their sketching. Combining techniques from landscape architecture and the craft and sensibilities of arts practice, she invites us to experience sensations directly out in the field to enrich our work: to look closely at the effects of light and weather; understand the lie and shapes of the land through travel and walking; and to consider lines of sight from the inside out as well as outside in. Full colour throughout with examples, checklists and case studies of other sketchers’ methods, this is an inspirational book to encourage landscape architects to spend more time in the field and reconnect with the basics of design through drawing practice.