Ovid's Poetics of Illusion


Book Description

Ovid's poetry is haunted obsessively by a sense both of the living fullness of the texts and of the emptiness of these 'insubstantial pageants'. This major study touches on the whole of Ovid's output, from the Amores to the exile poetry, and is an overarching treatment of illusionism and the textual conjuring of presence in the corpus. Modern critical and theoretical approaches, accompanied by close readings of individual passages, examine the topic from the points of view of poetics and rhetoric, aesthetics, the psychology of desire, philosophy, religion and politics. There are also case studies of the reception of Ovid's poetics of illusion in Renaissance and modern literature and art. The book will interest students and scholars of Latin and later European literatures. All foreign languages are accompanied by translations.




Ovid: A Very Short Introduction


Book Description

"Vivam" is the very last word of Ovid's masterpiece, the Metamorphoses: "I shall live." If we're still reading it two millennia after Ovid's death, this is by definition a remarkably accurate prophecy. Ovid was not the only ancient author with aspirations to be read for eternity, but no poet of the Greco-Roman world has had a deeper or more lasting impact on subsequent literature and art than he can claim. In the present day no Greek or Roman poet is as accessible, to artists, writers, or the general reader: Ovid's voice remains a compellingly contemporary one, as modern as it seemed to his contemporaries in Augustan Rome. But Ovid was also a man of his time, his own story fatally entwined with that of the first emperor Augustus, and the poetry he wrote channels in its own way the cultural and political upheavals of the contemporary city, its public life, sexual mores, religion, and urban landscape, while also exploiting the superbly rich store of poetic convention that Greek literature and his Roman predecessors had bequeathed to him. This Very Short Introduction explains Ovid's background, social and literary, and introduces his poetry, on love, metamorphosis, Roman festivals, and his own exile, a restlessly innovative oeuvre driven by the irrepressible ingenium or wit for which he was famous. Llewelyn Morgan also explores Ovid's immense influence on later literature and art, spanning from Shakespeare to Bernini. Throughout, Ovid's poetry is revealed as enduringly scintillating, his personal story compelling, and the issues his life and poetry raise of continuing relevance and interest. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.







Narcissus and Pygmalion


Book Description

Nature imitates art—not a paradox from Oscar Wilde's pen, but instead the bold formulation of the Latin poet Ovid (43 BCE-17 CE), marking a radical turning point in ancient aesthetics, founded on the principle of mimesis. For Ovid, art is independent of reality, not its mirror: by enhancing phantasia, the artist's creative imagination and the simulacrum's primacy over reality, Ovid opens up unexplored perspectives for future European literature and art. Through an examination of Narcissus and Pygmalion, figures of illusion and desire, who are the protagonists of two major episodes of the Metamorphoses, Rosati sheds light on some crucial junctures in the history of reception and aesthetics. Narcissus and Pygmalion has, since its first publication in Italian, contributed to the poet's critical fortunes over the past few decades through its combination of sophisticated literary critical thinking and patient argument applied to the poetics of self-reflexivity and, in particular, to the fundamental interface between the verbal and the visual in the Metamorphoses. A substantial introduction accompanies this new translation into English, positioning Rosati's work anew in the forefront of current discussions of Ovidian aesthetics and intermediality, in the wake of the postmodern culture of the simulacrum.




Writing, Performance, and Authority in Augustan Rome


Book Description

An exploration of the relationship between poetry, song, and authority in Augustan Rome. Michele Lowrie argues that the medium of writing, as opposed to song, could offer an escape from current social and political demands by shifting the focus toward the readership of posterity.




Ovid and His Love Poetry


Book Description

Ovid devoted about half of his poetic career to the production of several collections of amatory verse, all composed in elegiac couplets. Indeed, his irrepressible interest in love, sex and elegiac poetry is one of the defining features of his entire output. Here Rebecca Armstrong offers a thematic examination of some important aspects of the Amores, Ars Amatoria and Remedia Amoris. Starting from an investigation of the narrator's self-creation and presentation of other characters within his amatory verse, she assesses the importance of mythical and contemporary reference, as well as the influence of the erotic on Ovid's later works. By looking at the Ars and Remedia alongside the Amores, the continuities and contradictions in the poet's elegiac outlook are revealed, and a complex picture is formed of the Ovidian world of love. Ovid's erotic works present the reader with a glimpse inside the minds of both poets and lovers, mediated through eyes which are frequently inclined to comedy and even cynicism, but always sharp, perceptive and above all fascinated by human behaviour.




Redesigning Achilles


Book Description

The book is a detailed study on the structure and the topics of Ovid’s compedium of the Trojan Saga in Metamorphoses 12.1-13.622, the section also referred to as the “Little Iliad”. It explores the motives and the objectives behind the selected narrative moments from the Epic Cycle that found their way into the Ovidian version of the Trojan War. By thoroughly mastering and inspiringly refashioning a vast amount of literary material, Ovid generates a systematic reconstruction of the archetypal hero, Achilles. Thus, he projects himself as a worthy successor of Homer in the epic tradition, a master epicist, and a par to his great Latin predecessor, Vergil.




Hope in Ancient Literature, History, and Art


Book Description

Although ancient hope has attracted much scholarly attention in the past, this is the first book-length discussion of the topic. The introduction offers a systematic discussion of the semantics of Greek elpis and Latin spes and addresses the difficult question of whether hope -ancient and modern- is an emotion. On the other hand, the 16 contributions deal with specific aspects of hope in Greek and Latin literature, history and art, including Pindar's poetry, Greek tragedy, Thucydides, Virgil's epic and Tacitus' Historiae. The volume also explores from a historical perspective the hopes of slaves in antiquity, the importance of hope for the enhancement of stereotypes about the barbarians, and the depiction of hope in visual culture, providing thereby a useful tool not only for classicist but also for philosophers, cultural historians and political scientists.




Married Life in Greco-Roman Antiquity


Book Description

Beyond the institution of marriage, its norms, and rules, what was life like for married couples in Greco-Roman antiquity? This volume explores a wide range of sources over seven centuries to uncover possible answers to this question. On tombstones, curse or oracular tablets, in contracts, petitions, letters, treatises, biographies, novels, and poems, throughout Egypt, Greece, and Rome, 107 couples express themselves or are given life by their contemporaries and share their experiences of, and views on, marital relationships and their practical and emotional consequences. Renowned scholars and the next generation of experts explore seven centuries of source material to uncover the dynamics of the married life of metropolitan and provincial, famous and unknown, young and old couples. Men’s and women’s hopes, fears, traumas, joys, endeavours, and needs are analysed and reveal an array of interactions and behaviours that enlighten us on gender roles, social expectations, and intimate dealings in antiquity. Known texts are revisited, new evidence is put forward, and novel interpretations and concepts are offered which highlight local and chronological specificities as well as transhistorical commonalities. The analysis of married life in Greco-Roman antiquity, from ongoing vetting process to place where to find security, reveals the fundamental yearning to be included and loved and how the tensions created by the sometimes contradictory demands of traditional ideals and individual realities can be resolved, furthering our knowledge of social and cultural mechanisms. Married Life in Greco-Roman Antiquity will provide valuable resources of interest to scholars and students of Classical studies as well as social history, gender studies, family history, the history of emotions, and microhistory.




A Handbook to the Reception of Ovid


Book Description

A Handbook to the Reception of Ovid presents more than 30 original essays written by leading scholars revealing the rich diversity of critical engagement with Ovid’s poetry that spans the Western tradition from antiquity to the present day. Offers innovative perspectives on Ovid’s poetry and its reception from antiquity to the present day Features contributions from more than 30 leading scholars in the Humanities. Introduces familiar and unfamiliar figures in the history of Ovidian reception. Demonstrates the enduring and transformative power of Ovid’s poetry into modern times.