Oxford in the Eighteenth Century (Classic Reprint)


Book Description

Excerpt from Oxford in the Eighteenth Century My object in making this book has been to convey some idea of the conditions of academic life at Oxford in the eighteenth century. It seemed to me that the best way to do this was to make a "subject catalogue" of the various aspects of University life, and give each its separate chapter or so. This is not an entirely satisfactory method: but I do not know any that is better, - unless one could write a good historical novel. Certainly biographies, even of the most eminent Vice-Chancellors and Proctors, or a chronological narrative of events, would be even duller than the present volume. However, I have added a sort of "Who's Who" of Heads of Colleges, which may be convenient. During the eighteenth century Oxford was governed by "tyrannies" and close oligarchies, so that Heads of Houses made University history as they are not allowed to do by our modern regime of Boards and Committees. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Eighteenth Century Literature


Book Description

Excerpt from Eighteenth Century Literature: An Oxford Miscellany There is an essay of Goldsmith's, on the theatrical productions of his time, which a writer on the Sentimental Comedy would like to quote in extenso. And for this reason - that this kind of comedy, which Goldsmith described with great humour but with perfect justice in the piece in question, is a thing exceedingly difficult to define. Perhaps it is too near to us. We know it too well to be able to define it. Every one can recognize it at a glance. If you dip into a play written after 1710 or so, and find such a passage as this: - Oh, my child! my child! [Embraces her, and a comic servant or trusted butler sheds manly tear.] Child. All-gracious Heaven! is it possible! Do I embrace my father? you will know without the need of any definition that you have struck a genuine spring of that dolorous fountain of sham tears and sham wit - La Comedie Larmoyante, The Comedy of Sighs (that shall be changed to cries of joy in the Fifth Act), the subject of our essay - The Sentimental Comedy invented by the great essayist Sir Richard Steele. This is how Goldsmith describes it. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."




Oxford in the Eighteenth Century


Book Description

This book presents a unique perspective on the history of Oxford during the eighteenth century. It covers a diverse range of topics, including the history of the university, the social life of students, and the city's political climate. It is an interesting and informative read for anyone interested in the history of Oxford or the societal changes that occurred during this period. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Eighteenth-Century Women Dramatists


Book Description

"First published as an Oxford World's Classics paperback 2001"--T.p




Oxford in the Eighteenth Century


Book Description

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.




The Oxford Handbook of the Eighteenth-Century Novel


Book Description

The Oxford Handbook of the Eighteenth Century Novel is the first published book to cover the 'eighteenth-century English novel' in its entirety. It is an indispensible resource for those with an interest in the history of the novel.




Gibbs' Book of Architecture


Book Description

Gibbs's legendary 1728 folio includes perspectives and blueprints for such magnificent commissions as London's St. Martin in the Fields; the Senate House of the University of Cambridge; plus fine drawings of marble cisterns, iron gates, funeral monuments, and more.




Oxford in the Eighteenth Century


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.