Oye


Book Description

A coming-of-age comedy. A telenovela-worthy drama. A moving family saga. All in a phone call you won’t want to hang up on. “Brilliant . . . Melissa Mogollon did not come to play.”—Kiley Reid, New York Times bestselling author of Such a Fun Age “Yes, hi, Mari. It’s me. I’m over my tantrum now and calling you back . . . But first—you have to promise that you won’t tell Mom or Abue any of this. Okay? They’ll set the house on fire if they find out . . .” Structured as a series of one-sided phone calls from our spunky, sarcastic narrator, Luciana, to her older sister, Mari, this wildly inventive debut “jump-starts your heart in the same way it piques your ear” (Xochitl Gonzalez). As the baby of her large Colombian American family, Luciana is usually relegated to the sidelines. But now she finds herself as the only voice of reason in the face of an unexpected crisis: A hurricane is heading straight for Miami, and her eccentric grandmother, Abue, is refusing to evacuate. Abue is so one-of-a-kind she’s basically in her own universe, and while she often drives Luciana nuts, they’re the only ones who truly understand each other. So when Abue, normally glamorous and full of life, receives a shocking medical diagnosis during the storm, Luciana’s world is upended. When Abue moves into Luciana’s bedroom, their complicated bond intensifies. Luciana would rather be skating or sneaking out to meet girls, but Abue’s wild demands and unpredictable antics are a welcome distraction for Luciana from her misguided mother, absent sister, and uncertain future. Forced to step into the role of caretaker, translator, and keeper of the devastating family secrets that Abue begins to share, Luciana suddenly finds herself center stage, facing down adulthood—and rising to the occasion. As Luciana chronicles the events of her disrupted senior year of high school over the phone to Mari, Oye unfolds like the most fascinating and entertaining conversation you’ve ever eavesdropped on: a rollicking, heartfelt, and utterly unique novel that celebrates the beauty revealed and resilience required when rewriting your own story.




Seminar On Fission: Pont D'oye Iv


Book Description

This book constitutes the proceedings of the fourth meeting in a series of topical conferences dealing with the process of nuclear fission, mainly at low excitation energy. Two chapters deal with the characteristics of one of the major fission observables, i.e. the fission fragments. The book also gives due attention to an often-neglected aspect of fission, the so-called ternary fission (i.e. fission accompanied by a charged light particle). Another chapter deals with fission barriers and cross sections and the link with astrophysics. Special attention is also given to recent applications such as accelerator-driven systems and transmutation. The last chapter discusses various interesting aspects of nuclear fission.




Ma Merè l'oye (Mother Goose Suite)


Book Description

Titles: * I, Pavane de la Belle au bois dormant * II, Petit Poucet * III, Laideronnette, Impératrice des Pagodes * IV, Les entretiens de la Belle et de la Bête * V, Le jardin féerique




Listen to the Desert/Oye Al Desierto


Book Description

A bilingual poem which describes some of the sounds of nature in a desert.




Seminar On Fission: Pont D'oye V


Book Description

This book constitutes the proceedings of the fifth in a series of meetings dealing with the nuclear fission process, mainly at low excitation energy. It provides a rapid overview of the current activities in the field.The proceedings have been selected for coverage in:• Index to Scientific & Technical Proceedings® (ISTP® / ISI Proceedings)• Index to Scientific & Technical Proceedings (ISTP CDROM version / ISI Proceedings)• CC Proceedings — Engineering & Physical Sciences




Oye Como Va!


Book Description

Latino music as an amalgam of American cultures.




Oye Saurabh... Happiest B'day


Book Description

A magazine which includes b'day vibes dedicated to everyone's favourite "Saurabh Mishra" on his birthday (26th June) crafted by beloved members of Instant Community.




Ma Mere L'Oye - A Score for Solo Piano (1912)


Book Description

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.




Hey Dude, Know Your Scripture-Oye Chico, Conoce Tu Biblia.


Book Description

“Hey Dude, Know Your Scripture is a delightful, heart-warming approach to learning God’s Word. It opens the door for parents to help their children know and understand the most important of all books.” “Oye Chico, Conoce tu Biblia es un encantador, conmovedor acercamiento a aprender la Palabra de Dios. Se abre la puerta para que los padres ayuden a sus hijos conocer y entender el más importante de todos los libros.” —Kristi Kairys, former elementary Christian school teacher (present substitute); Bible study teacher at Northway Christian Community




Oye Loca


Book Description

During only a few months in 1980, 125,000 Cubans entered the United States as part of a massive migration known as the Mariel boatlift. The images of boats of all sizes, in various conditions, filled with Cubans of all colors and ages, triggered a media storm. Fleeing Cuba’s repressive government, many homosexual men and women arrived in the United States only to face further obstacles. Deemed “undesirables” by the U.S. media, the Cuban state, and Cuban Americans already living in Miami, these new entrants marked a turning point in Miami’s Cuban American and gay histories. In Oye Loca, Susana Peña investigates a moment of cultural collision. Drawing from first-person stories of Cuban Americans as well as government documents and cultural texts from both the United States and Cuba, Peña reveals how these discussions both sensationalized and silenced the gay presence, giving way to a Cuban American gay culture. Through an examination of the diverse lives of Cuban and Cuban American gay men, we learn that Miami’s gay culture was far from homogeneous. By way of in-depth interviews, participant observation, and archival analysis, Peña shows that the men who crowded into small apartments together, bleached their hair with peroxide, wore housedresses in the street, and endured ruthless insults challenged what it meant to be Cuban in Miami. Making a critical incision through the study of heteronormativity, homosexualities, and racialization, ultimately Oye Loca illustrates how a single historical event helped shape the formation of an entire ethnic and sexual landscape.